Sentences with phrase «exhibition coordinator for»

From 2001 to 2003 Angelika Richter was international exhibition coordinator for the Liverpool Biennial (2002) in Great Britain.
But they settled quickly on Katz due the Whitney's long relationship with him, according to Margaret Calvert - Cason, an exhibition coordinator for the Whitney who also worked on the collaboration.
Jose Ortiz Pagan, MFA» 11, has been appointed as the Exhibitions Coordinator for the Fleisher Art Memorial, Philadelphia.

Not exact matches

Mark Ereira, Lloyds TSB Foundation regional coordinator for the East of England, welcomed today's events, supported by the Lloyds TSB foundation: «The exhibition shows how children really perceive their fathers and their role within the family.
A preliminary list of games that are confirmed for exhibition at this year's Tokyo Game Show was announced today by event coordinators Nikkei BP and the Computer Entertainment Supplier's Association.
Each dog, as determined in exhibition order assigned by the Top 20 Coordinator, will enter the ring and pose for «First Impression.»
Please call the Program Coordinator at (602) 257-4356 to discuss tour options for your group using our other galleries and special exhibitions.
The 2011 Advisory Committee members were: Erin Donnelly, Special Projects Consultant for the Lower Manhattan Cultural Council and Exhibition Coordinator and Curator for Volunteer Lawyers for the Arts (VLA) Art & Law Residency Program; David Brooks, 2009 EAF recipient; Dan Byers, Associate Curator of Contemporary Art at the Carnegie Museum of Art; Scott Zieher, published poet and co-owner and director of ZieherSmith gallery.
She was Curatorial Coordinator for the 2013 MFA Thesis Exhibition, Milton Avery Graduate School of the Arts, Bard College and has been a Curatorial Fellow under Lauren Cornell at the New Museum in NYC.
Contact Jeremy Stern, Exhibitions and Programs Manager, or Shalanda Hansboro, Education Coordinator at [email protected] and [email protected] for more details.
She has been project coordinator for numerous exhibitions at SAVVY Contemporary, where she also curated The Myth of Proportional Response featuring works by Ibrahim Quraishi and Alejandro Vidal.
He then worked four years as a design coordinator at Walter Dorwin Teague Associates for international exhibitions in Europe and the U.S..
Mr Chong began his curatorial career at the Asian Art Museum of San Francisco in 1999 and was the coordinator for the Korean Pavilion exhibition at the 2001 Venice Biennale as well as a co-curator of the 2003 exhibition Time After Time: Asia and Our Moment at Yerba Buena Center for the Arts in San Francisco.
Unprecedented for the open call exhibition, this is the heaviest representation of sculpture in the exhibition's history, according to Stephanie deTroy Miller, coordinator of the exhibition and Guild Hall's Museum Registrar, Curatorial Assistant and Education Associate.
Before Witte de With, she was Projects and Publishing Coordinator at Les Laboratoires d'Aubervilliers (2010 - 13), Curatorial Assistant for Performa, the New York Biennial of Performing Arts (2009) and for exhibitions in New York (PS1, 2009) and Ireland (Lismore Castle Arts, 2009).
She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and culture.
Previously Gibran was the Exhibitions and Collection Coordinator for the City of Glendale, Arizona, organizing exhibitions with local organizations in conjunction with municipal exhibition spaces as well as temporary public arExhibitions and Collection Coordinator for the City of Glendale, Arizona, organizing exhibitions with local organizations in conjunction with municipal exhibition spaces as well as temporary public arexhibitions with local organizations in conjunction with municipal exhibition spaces as well as temporary public art projects.
Adriana was a research coordinator and member of the curatorial team for the exhibition El Consorcio, prodution coordinatorand exhibition designer for the exhibition Maldeojo.
As the Elmhurst Art Museum's Education Program Coordinator, she teaches a variety of classes and designs interactive interpretive displays for each of the major exhibitions.
A member of the board of ART for the World, an ONG for which she organises exhibitions, between 1995 — 2010 she was coordinator and curator of the Advanced Course in Visual Arts of Fondazione Antonio Ratti.
He began his curatorial career at the Asian Art Museum of San Francisco and has also worked for the Berkeley Art Museum and Korean Pavilion at the Venice Biennale (exhibition coordinator, 2001).
After meeting Mari Spirito, (Director and Curator of Protocinema) in İstanbul, Turam has worked as the freelance Exhibitions Coordinator and Artist Liaison, for the exhibitions of Brian O'Connell, Jacob Kassay and Trevor Paglen, Ahmet Öğüt and Can Altay during the years 2xhibitions Coordinator and Artist Liaison, for the exhibitions of Brian O'Connell, Jacob Kassay and Trevor Paglen, Ahmet Öğüt and Can Altay during the years 2xhibitions of Brian O'Connell, Jacob Kassay and Trevor Paglen, Ahmet Öğüt and Can Altay during the years 2012 - 2014.
Jan worked at School 33 Art Center, a city run art space for almost ten years — first as education coordinator, then as exhibitions coordinator.
This year's New York Jewish Film Festival was selected by Rachel Chanoff, Director, THE OFFICE performing arts + film; Jaron Gandelman, Curatorial Assistant for Media, Jewish Museum and Coordinator, New York Jewish Film Festival; Jens Hoffmann, Director of Special Exhibitions and Public Programs, Jewish Museum and Curator for Special Programs, New York Jewish Film Festival; Dennis Lim, Director of Programming, Film Society of Lincoln Center; Aviva Weintraub, Associate Curator, Jewish Museum and Director, New York Jewish Film Festival; and Tyler Wilson, Programming Coordinator, Film Society of Lincoln Center.
In 2006, she began work as curator and exhibition coordinator at the Fundación Juan March in Madrid, where she organized international loan exhibitions on modern and contemporary art and managed accompanying publications for the Fundación's three venues, in Madrid, Palma and Cuenca.
Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)
Recent hires have included events for the East Thames Group, an exhibition for Wimbledon College of Art, a course of painting classes for local artist Mediha Ting and a half day conference for regional Arts Award coordinators.
The final artworks were carefully selected for the exhibition by a panel of judges including Yinka Shonibare MBE, Shape Open Prize Winner 2014 Carly Jayne, Shape Chief Executive Tony Heaton OBE and Open coordinator Ben Fredericks.
Over a long and successful career, Craig - Martin has received numerous awards: notably appointment as a Royal Academician in 2006, Chief Coordinator of the Royal Academy Summer Exhibition in 2015, and a knighthood for services to the Arts in 2016.
As the Art Programme Coordinator of a non-profit organisation for people with disabilities, she curated exhibitions for artists with disabilities helping them receive recognition throughout the Bay Area community.
Jurors: Works will be selected for the exhibition by: Kathryn Hagy — Art; Design Program Coordinator; Professor of Art; Jose Clemente — Assistant Professor of Graphic Design / Art; and John - Thomas Richard — Instructor of Art; Gallery Director
All artwork must be ready to hang / place, while the Exhibition Coordinator (s) will be responsible for the displaying of the piece.
In 2006, as project coordinator for the Ministry of Science, Research and the Arts Baden - Württemberg, she organized the large - scale regional exhibition «Art lives!».
Tour this exhibition with School and Docent Programs Coordinator Lindsay Kranz and discover how to use these artworks as a catalyst for student - centered learning.
Overseen by the John B. Hurford ’60 Center for the Arts and Humanities and located in Whitehead Campus Center, the Cantor Fitzgerald Gallery is open Monday - Friday 11 a.m. to 5 p.m., Saturdays and Sundays 12 noon to 5 p.m., and Wednesdays until 8 p.m.. For more information, contact Matthew Seamus Callinan, campus exhibitions coordinator, at (610) 896-1287 or by emailing [email protected]for the Arts and Humanities and located in Whitehead Campus Center, the Cantor Fitzgerald Gallery is open Monday - Friday 11 a.m. to 5 p.m., Saturdays and Sundays 12 noon to 5 p.m., and Wednesdays until 8 p.m.. For more information, contact Matthew Seamus Callinan, campus exhibitions coordinator, at (610) 896-1287 or by emailing [email protected]For more information, contact Matthew Seamus Callinan, campus exhibitions coordinator, at (610) 896-1287 or by emailing [email protected].
Some of us will continue on a tour through Dean's Portrait exhibition at the NPG, led by Millie Print, Coordinator and Curatorial Associate for the Young Masters Art Prize (Cynthia Corbett Gallery) who will provide an introduction to the work.
She currently shares her time as the Exhibitions Coordinator at the University of Chicago, supporting global contemporary art exhibitions at the Reva and David Logan Center foExhibitions Coordinator at the University of Chicago, supporting global contemporary art exhibitions at the Reva and David Logan Center foexhibitions at the Reva and David Logan Center for the Arts.
She has served as a curatorial intern at the Rose Art Museum and at the Corcoran Gallery of Art, Graduate Coordinator for the Stamp Gallery and mentor to the Contemporary Art Purchasing Program at the University of Maryland, and as Exhibitions Manager for Arlington Arts Center.
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