Sentences with phrase «exhibition documented the collection»

Through eleven drawings from the permanent collection of The Arts Club, including works by André Derain, Paul Klee, Henri Matisse, Joan Miró, Isamu Noguchi, and Pablo Picasso, this exhibition documented the collection, exhibition history, and patronage of The Arts Club of Chicago.

Not exact matches

Their mission is collecting, documenting and conserving outstanding examples of mainly South African art; researching and compiling exhibitions from the permanent collection; hosting major national and international travelling exhibitions, supplemented by educational activities.

The Archives also contain artist files for the artists represented in the Hessel Museum collection, and Study Collections which document significant international curators, and a selection of historic exhibitions.

L Gallery's modest collection contains documents relating to the exhibitions held in 1991 - 1993.

Also found are gallery records, inventories and appraisals, financial records, exhibition catalogs, clippings, posters, and records of Anne Porter's efforts to place his collection and document and publish his work after his death.

Designed by the MNBAQ and organized in partnership with the Art Gallery of Ontario (AGO), supported by the Joan Mitchell Foundation in New York and the Estate of Jean - Paul Riopelle in Montréal, the exhibition mainly presents large - format paintings, a number of works on paper and archival documents from more than 30 French, Canadian and American lenders, private and museum collections.

Through some 120 works and documents loaned by museums in Vitebsk and Minsk and major American and European collections, the exhibition will present the artistic output of three iconic figures — Marc Chagall, El Lissitzky and Kazimir Malevich — as well as works by students and teachers of the Vitebsk school, such as Lazar Khidekel, Nikolai Suetin, Il» ia Chashnik, David Yakerson, Vera Ermolaeva, and Yehuda (Yury) Pen, among others.

A few other titles explore artists featured in her collection, among them, «Kerry James Marshall: Mastry,» Gordon Parks's «Segregation Story,» and «Alma Thomas,» the exhibition catalog documenting the artist's recent survey at the Tang Teaching Museum and the Studio Museum in Harlem.

This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.

The exhibition features film clips, paintings, photographs, posters and documents, many of which are drawn from Figueroa's archive and the Televisa Foundation collections.

Discover SFMOMA books, catalogues, and online publications that document and illuminate our exhibitions and collection.

The exhibition also includes seminal object / documents, like Breton's «Les pas perdus,» a collection of essays Breton wrote between 1918 and 1923, the years leading up to the formation of Surrealism and «Le message automatique» published in Minotaure in 1933, in which he claims that parapsychology was an antecedent to the Surrealists» exploration of the unconscious.

In addition to her work on various exhibitions and publications, she oversees Glenstone's Oral History Program, conducting interviews to document its institutional history and to enrich the understanding of the artists in the foundation's collection.

More than two hundred works — paintings, sculptures, installations, videos and films, from the holdings of the Nationalgalerie are complemented by approximately one hundred and fifty works on loan from other collections In addition, 400 artworks, magazines and documents are presented in the exhibition from national and international collections.

The exhibition features the photographic opus «The Selected Gifts (1974 — 2015)», a collection of 67 photographs documenting the history of gifts the artist received over a period of 41 years.

The exhibition features over 130 artworks, including paintings, drawings, sketchbooks, photographs, and other historical documents drawn from collections across Latin America, Europe, and the United States.

A new exhibition highlights the Atlanta History Center's collection of 650 war - related oral histories with photographs, documents and artifacts.

What / Why: «Presented at a time when the compulsion to digitally document and share human activity has increased exponentially, this exhibition features works from deCordova's permanent collection that prefigure and inform current trends in social photography, as well as recent work by contemporary artists who utilize smartphones and social media to record the world around them.

The first publication to document the Museum's collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.

This exhibition documents the evolution of Iris van Herpen's couture through a selection of her collections from 2008 through 2015 and illustrates the many ways she continues to seek inspiration beyond the world of traditional handwork and craftsmanship.

Drawing on the extraordinary Princeton University Jewish American Collection, gift of Mr. Leonard L. Milberg, Class of 1953, and Mr. Leonard L. Milberg's personal collection, together with art, objects, and documents from the New - York Historical Society and other collections, the exhibition follows the familiar and unfamiliar pathways taken by Jews to these shores, as well as their efforts to adapt to their new homeland.

A new exhibition highlights the Atlanta History Center's collection of more than 250 Vietnam War - related oral histories with photographs, documents and artifacts from Atlanta veterans.

Organized by the Israel Museum, the exhibition features approximately sixty works on loan from important public collections internationally, including three dimensional works, installations, and drawings, as well as films documenting each artists» performance and theatre pieces.

On view November 10, 2013 through January 19, 2014, the exhibition highlights the tremendous depth and breadth of the museum's collection and includes photographs made as works of art as well as advertising images, social documents, and more.

ANNANDALE - ON - HUDSON, NY, May 11, 2016 — Imponderable is an extensive research project, exhibition, film, and publication that investigates the personal collection of American artist Tony Oursler, a remarkable trove of more than 2,500 photographs, documents, publications, and unique objects, tracking a social, spiritual, and intellectual history of the paranormal dating back to the early eighteenth century.

Co-organized by the Art Institute of Chicago and the Los Angeles County Museum of Art (the show travels to the former in October and the latter in February), the exhibition amasses some 300 works from public and private collections in Europe and the United States, including paintings, photographs, film, documents, and ephemera.

Included in the collection are exhibition photographs that document Still's exhibits from 1943 — 1980.

Its collection of 7,000 works of art, artifacts and ephemera documents nearly the entire history of the literary, artistic, military, enslaved, and free lives of Black people in America and inspires a range of exhibitions and public programs and events.

Texts by exhibition curators Janet Bishop and Katherine Rothkopf are rounded out by an introduction by John Elderfield, an essay on Diebenkorn's drawings by Jodi Roberts, and a bibliography documenting Diebenkorn's collection of books about the French artist.

The exhibition includes works and documents on loan from collections from all over the world such as moma, moma archives, the Getty research institute, the Berkeley Art and Pacific Film Archive, Kunstmuseum bern, De Appel arts center, as well as two works acquired by Colección Jumex for this exhibition.

In this channel is a collection of videos documenting the exhibitions, events and performances in BALTIC's project space at BALTIC 39.

The new acquisitions are also designed to represent and document the exhibitions held in the museum, in line with an ongoing strategy that is based on openness to the new, and re-viewing the past: the new works that join the collection automatically introduce original ways of seeing and interpreting the older pieces.

Building on its rich exhibition history, extended slowly through material contributions, the collection - in - the - making promises to include primary source material, such as sketches and drawings, from artists and in - house team members, curatorial correspondence, artists» documents, as well as audio and video recordings of artist talks, lectures, and symposia.

At the collection's core are those photographers first exhibited in two seminal twentieth century exhibitions: New Documents (1967) at the Museum of Modern Art and New Topographics (1975) at Eastman House.

Thanks to careful study of documents, letters and photographs related to Szeemann and the 1969 show — carried out by the Fondazione Prada in collaboration with GRI curator Glenn Phillips and his team — and to detailed analysis of a collection of more than 1,000 black and white and color photographs, it was possible to identify both the works in the exhibition and the ones that were not put on display — for technical reasons — at the Kunsthalle or in the secondary exhibition space at the Schulwarte.

Drawn primarily from the holdings of Jerry Bywaters Special Collections in the Hamon Arts Library, this exhibition of lithographs, drawings, archival materials, and a few paintings documents the career of one of Dallas's most prominent artists from the first half of the 20th century.

The exhibition will also include rare archival material loaned by public and private collections in Mexico and abroad, documenting Barragán's architectural practice, as well as personal documents and ephemera not previously shown in the United States.

The centrepiece of the latest exhibition by the American artist Roni Horn is the photographic opus The Selected Gifts, (1974 - 2015), a collection of 67 images documenting presents that the artist received over 41 years.

«Imponderable» is a combination of a 90 - minute film with a exhibition of «findings» culled from Tony Oursler's extensive research (and personal collection) representing a trove of over 2,500 photographs, documents, publications and unique objects that track a social, spiritual, and intellectual history dating to the early 18th century.

Featuring more than four dozen paintings, prints and photographs from the museum's permanent collection, the exhibition will focus on the many ways artists have documented the sea.

The exhibition features over 250 artworks and documents, on show in the galleries of Palazzo Pepoli, and the collection donated in 1994 by the American painter Martin Wong to the Museum of the City of New York, never before seen in Italy.

Each of the artists will produce an art work for Istanbul by the end of 2010; a collection of 77 pieces of art will be presented to Istanbul.Visibility a one day intense programme October 2010, intends to make contemporary art, artist and Galata Visible to the people just like a flash of Lightning aiming to make visible historical architectural and sociological richness richness of Galata and the industry in Sishane.Highly regarded artists, organizers and museum executitives visiting Istanbul offered a platform where they can get to know the local production.Photography parade in December 2010, will aim to document an important cultural art and life a total of 12 photography exhibitions will be opened at the Fototrek photography centre or Istanbul street including works by local and foreign photographers.

Discourses in Painting documents recent exhibitions of the collection in Berlin, Vienna and Buenos Aires.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, AExhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, AExhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Aexhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Aexhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

An important contribution was made by the Getty Research Institute directed by Thomas W. Gaehtgens.Thanks to careful study of documents, letters and photographs related to Szeemann and the 1969 show — carried out by the Fondazione Prada in collaboration with GRI curator Glenn Phillips and his team — and to detailed analysis of a collection of more than 1,000 black and white and color photographs, it was possible to identify both the works in the exhibition and the ones that were not put on display — for technical reasons — at the Kunsthalle or in the secondary exhibition space at the Schulwarte.The result was a complete and precise mapping of what happened in Bern.

During his three - and - a-half year tenure at the High Museum, Mr. Labaco helped to develop and strengthen the museum's collection of 20th - and 21st - century design, which he partially documented in the recent exhibition Under Construction: Building a Contemporary Design Collection for the High (2010).

Printed Materials An extensive collection of exhibition catalogues and announcements, brochures, posters, hundreds of articles related to Motherwell and his work, and other ephemera documenting Motherwell's long career.

o Research and writing reports o Assisting with exhibition documents and correspondence o Writing object and exhibition labels o Exhibition design o Contributing to collections metadata (when appropriate) o Installatioexhibition documents and correspondence o Writing object and exhibition labels o Exhibition design o Contributing to collections metadata (when appropriate) o Installatioexhibition labels o Exhibition design o Contributing to collections metadata (when appropriate) o InstallatioExhibition design o Contributing to collections metadata (when appropriate) o Installation planning

EXHIBITION: Following the fall publication of «Four Generations: The Joyner Giuffrida Collection of Abstract Art,» which documents Joyner / Giuffrida collection, this show draws from the private holdings, presenting work from the 1940s to the present.

Supporting these exhibitions and related education programs is one of the world's greatest collections of historical artifacts, works of American art, and other materials documenting the history of the United States and New York.