Sentences with phrase «exhibition draws to a close»

Following the ideas of impermanence and performance that are central to all of Hugo Crosthwaite's murals, the mural at the Museum of Social Justice will be created over a period of several weeks, and will be destroyed, section by section, as the exhibition draws to a close.

As one women photographers exhibition draws to a close (see the review of Feminist Avant - Garde of the 1970s at The Photographers» Gallery and our take on its undebated Eurocentric perspective), the Whitechapel Gallery opens Terrains of the Body.

As the exhibition draws to a close, the curators have decided to bring in a professional.

As our Merce Cunningham exhibition draws to a close, Chicago - based artist Anna Kunz reflects on her creative process when designing the backdrop for Cunningham's Event 1 & 2, performed at Columbia College Chicago in 2009.

As the exhibition draws to a close this winter, LISA LIEBMANN reexamines the career of an artist whose oeuvre is inextricably bound up with her biography.

Not exact matches

Over 200 galleries from across the globe will convene at the city's Convention and Exhibition Centre, and it's expected to draw close to 70,000 visitors.

The artistic interaction between many of the artists in this exhibition increased as the sixties drew to a close.

«Experiencing Shōbu Gakuen», L'amusée's summer exhibition, was drawing to a close as the team were finalising preparations for the September show.

will be accompanied by a fully - illustrated catalogue that features original texts from renowned scholars and contemporary artists, all considering what compels artists to draw through close study of specific works in the exhibition.

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

The photographs and drawings from the book are part of the exhibition, as is a close - to - scale reconstruction of the roof and painted ceiling of a synagogue that once stood in the city of Gwoździec.

Located close to other Soho mainstays such as The Drawing Center, the space is a welcome addition to the Downtown gallery scene and allows the Team Gallery program an opportunity to showcase two different exhibitions simultaneously.

Her time as an intern at the Rose Art Museum drew her closer to the work involved with curating exhibitions.

In a conversation with Brunnet, published in the exhibition catalogue, it was put to Hirst, «I could do that [spin drawings] with my eyes closed... where's the art in that?»

The exhibition, which reflects on the intimate nature of drawing and allows viewers to engage with the work in a close manner, features a diverse range of work by Gordon Moore, George Negroponte, Morgan O'Hara and Joan Waltemath.

2003 Fresh: Works on Paper, a Fifth Anniversary Exhibition - James Kelly Contemporary, Santa Fe, NM Collection D'Estampes Contemporaines - Galerie Akié Arichi, Paris Entre el clavel y la espada: Rafael Alberti en su siglo - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla Classic Works From the 1960s - Loretta Howard Gallery, New York City, NY Black White - Danese, New York City, NY The Eunice and Hal David Collection of 19th and 20th Century Works on Paper - Hammer Museum, Los Angeles, CA The Eighties - Part II: USA - Galerie Klüser, Munich Grafik - Art Forum Ute Barth, Zurich El Expresionismo Abstracto Americano en las Colecciones Españolas - Museo de Arte Contemporáneo Esteban Vicente, Segovia The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings & Sculp - MFAH — Museum of Fine Arts Houston, Houston, TX Some Assembly Required - Collage Culture in Post-War America - Polk Museum of Art, Lakeland, FL Roads Taken: 20th Century Prints and Drawings from the Collection - University of Virginia Art Museums - The Fralin Museum of Art, Charlottesville, VA American Art - The Wilfred Davis Fletcher Collection - Boise Art Museum BAM, Boise, ID Pairings — Hackett Freedman Gallery, San Francisco, CA (closed, 2009) Some Assembly Required: Collage Culture in Post-War America - MMoCA - The Madison Museum of Contemporary Art, Madison, WI Motherwell, Hartung, Fruhtrunk, Sonderborg, Vedova, Trökes - Galerie Dube - Heynig, Munich A Century of Painting - From Renior to Rothko — Guggenheim Hermitage Museum, Las Vegas, NV Trace Evidence - Frederick R. Weisman Art Museum, Minneapolis, MN Leckerbissen - Fischerplatz Galerie, Ulm Graphic Works from the Lopez Collection - Cirrus Gallery, Los Angeles, CA Painting Explosion - 1958 1963, Part I - Blanton Museum of Art, Austin, TX Abstract Expressionism - Art Movement in the 20th Century - Tehran Museum of Contemporary Art, Tehran

Claes Oldenburg and Coosje van Bruggen, both close friends of Donald Judd, delivered the Chinati Open House lecture to accompany an exhibition of drawings the two had made together.

(New York — March 15, 2016) Michael Rosenfeld Gallery is pleased to present Theodore Roszak: Propulsive Transfiguration, A Survey of Drawings from 1928 to 1980, an exhibition of approximately sixty energetic drawings spanning the artist's career and curated in close consultation with the artist's daughter Sara Roszak and hisDrawings from 1928 to 1980, an exhibition of approximately sixty energetic drawings spanning the artist's career and curated in close consultation with the artist's daughter Sara Roszak and hisdrawings spanning the artist's career and curated in close consultation with the artist's daughter Sara Roszak and his estate.

Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum of Art, July 7 — September 5, 1994; Forum for Contemporary Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal Imagery, Chicago / New York, Phyllis Kind Gallery, New York, September 18 — October 30, 1993 Art Works: The Education Project, International Center of Photography, New York, July 2 — September 26, 1993 (Catalogue) 46th International Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April — November 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery, New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4 — March 6, 1993 A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January 1993.

These artists have lived and worked in close proximity to one another for many years and this exhibition draws on the shared yet distinct qualities present in each artist's work.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, AspDrawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aexhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, AExhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspdrawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, AspDrawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aexhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

Also making our list is an artist book launch and a closing reception of a graceful exhibition with work drawing upon memory and poetry to explore meaningful connections.

The Art Newspaper reports that 3,000 fans attended the opening of Barney's Drawing Restraint exhibition at the SFMOMA, noting that, «Matthew Barney is the closest thing the art world has to a Hollywood star, and the preview of his new Drawing Restraint show at SFMOMA was more like a blockbuster premiere than an exhibition opening....

Drawing the series of workshops to a close, Skarmea and Brannan addressed the questions raised by Trockel's work as well as the role of «audience member» and «participant» in the exhibition space.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory LabyrintTo Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrintto 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrintto Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Drawn from the private collection of Dr. Esmond Bradley Martin, this exhibition will offer a space where visitors can get close to artworks whose intimate nature invites contemplation and close - up viewing.

As the latest exhibition of Daido Moriyama at Fondation Cartier in Paris draws to a close, Art Radar traces the photographer's most recent work, including his lesser - known colour photography and a new commission.

Presenting close to 130 works, including collages, drawings, paintings, photographs, small sculptures, and jewelry, this definitive exhibition traces DeFeo's distinctive vision across more than four decades of art making.

Church Street Gallery «s premier exhibition was Robert Robert Bohné «s Close to Home collection with a strong grouping of paintings in the main room and drawings in an anti-chamber in the back of the gallery.

This exhibition brings to a close a series of three exhibitions that have explored the nature of self, society, and reality — themes that have drawn upon MMoCA's permanent collection, and which collectively help map out the essential character of modern and contemporary art.

Group Exhibitions 2015 — «Plagiar o Futuro», (Plagiarizing the Future) Hangar, Lisboa, Portugal (curated by Bruno Leitão, Andrea Rodríguez Novoa)-- «Imagine Brazil» — Artist's Books, DHC / ART Founation, Montreal, Canada (curated by Jacopo Crivelli Visconti, Ana Luiza Fonseca)-- «Happeland», Radiator Arts / New York, EUA (curated by Eva Davidova, Almudena Baeza)-- «Open Sessions», Drawing Center, New York, EUA — «Theorem», Mana Contemporary, Jersey City, USA (curated by Octavio Zaya)-- «Contramuro», (Counter-mure) Galería Instituto de Visión, Bogotá, Colombia (curated by Omayra Alvarado)-- «Ejercicios de Traslado», (Practices on transference) Centro de Arte de Alcobendas, Alcobendas, Spain (curated Osbel Suárez)-- «La angustia de casi saber y quedarse no sabiendo», (The angst of almost knowing but remain ignorant) Galería Diablo Roso, Panama City, Panamá — «Instalations», Studio Sandra Recio / Geneva, Switzerland 2014 — «Cruce de Colecciones», (Collections Crossroads) Centro Atlántico de Arte Moderno, Las Palmas, Spain — «The Language of Human Consciousness», Athr Gallery, Jeddah, Saudi Arabia — «Cine Bogart, Imaginar un edificio», (Bogart Cinema, a building imagined) Centro Centro, Madrid, Spain (curated by Ines Caballero)-- «Objects in the mirror are closer than they appear», Lugar a Dudas, Cali, Colombia (curated by Daniel Silvo) 2013 — «La copia de la copia» (The copy of the copy), Museum of Contemporary Art, Guayaquil, Ecuador (curated by Hernan Pacurucu)-- «Cuando el mundo se hace plano» (When the world becomes flat), Centro de Cultura Contemporánea San Martin, Las Palmas de Gran Canaria, Spain - «Brutalidade Jardim», Galeria Marilia Razuk / São Paulo, Brazil (curated by Kiki Mazzucchelli)-- «Imagine Brazil» — Artist's Books, Astrup Fearnley Museet, Oslo, Norway (curated by Jacopo Crivelli Visconti, Ana Luiza)-- «On Painting», CEART — Centro Cultural Tomás y Valiente, Fuenlabrada, Spain (curated by Omar - Pascual Castillo)-- «Playtime», Museo Nacional de Arqueologia Subacuática, Cartagena, Spain — «Gracia Divina» (Divine Grace), Sala Gasco, Santiago, Chile (curated by Andrea Pacheco)-- «Hacer en lo cotidiano», Sala de Arte Joven de la Comunidad de Madrid, Madrid, Spain (curated by Beatriz Alonso)-- «En Obras» (In the Works), Galería Nuble, Santander, Spain (curated by Iciar Sagarminaga)-- «On Painting», Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain (curated by Omar - Pascual Castillo)-- «Objects in the mirror are closer than they appear», Galeria Isabel Hurley, Málaga, Spain (curated by Daniel Silvo) 2012 — «Expanded Drawing», Casal Solleric, Palma de Mallorca, Spain (curated by Pilar Ribal)-- «Carnaza para los Dioses» (Offering to the Gods), CAAM — Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain — 11th Havana Biennial, Havana, Cuba 2011 — 11th Cuenca Biennial, Cuenca, Ecuador — «Inside», Cidade da Cultura, Santiago de Compostela, Spain (curated by Rafael Doctor)-- «New Brazilian Sculptur» e, Caixa Cultural, Rio de Janeiro, Brazil (curated by Alexandre Murucci)-- 8th Mercosul Biennial, Porto Alegre, Brazil — Bologna Art First, Pinacoteca di Bologna, Bologna, Italy (curated by Julia Draganovic) 2010 — 12th International Cairo Biennale, Cairo, Egypt — «Synergie's, Museum of Contemporary Art, Union Fenosa (MACUF), La Coruña, Spain (curated by Carlos Jimenez)-- «Look Up», Alfandega, Porto, Portugal (curated by David Barro)-- «Kierkegaard's Walk», Galeria Marilia Razuk, Sao Paulo, Brazil (curated by Jacopo Crivelli Visconti)-- «Synergies», Museum of IberoAmerican Contemporary Art in Extremadura (MEIAC), Badajoz, Spain (curated by Carlos Jimenez)-- «Postgraffiti, Geometry and Abstraction», Fundación Caixa Galicia, A Coruña, Spain (curated by Javier Abarca) 2009 — «Residency 09», Futura Project, Prague, Czech Republic — «Building, Dwelling, Thinking — Strategies for Contemporary Art and Architecture», IVAM, Valencia, Spain (curated by Fernando Castro Florez)

Drawing on West's and Kelley's close working relationship in the spirit of the ARTISTCLUB, the 21 - er Haus organised the first screening of two of Kelley's latest video works in Austria, at the exhibition entitled Franz West — ARTISTCLUB, and invited the artist / professor John Miller, who was a close friend of Kelley's, and Dr. Laura López Paniagua, who wrote her doctoral study on his work, to introduce Kelley's multilayered body of work to the Austrian audience.

Now Seattle University is to remove his work Self - Portrait 2000 from its Lemieux Library lobby — but the Pennsylvania Academy of Fine Arts in Philadelphia has declined to pull its current show of Close's photographs, deciding instead to hold another exhibition next month which will respond to the allegations, drawing from the institution's permanent collection.

This exhibition format is something he has experimented with since the 90s, and with these life - systems he draws particular attention to what goes on after the doors close to the public.

Lavish textiles feature prominently throughout Veronese's paintings, and the exhibition draws close attention to Veronese's gorgeous dresses and draperies.

The Art Institute of Chicago has organized a major exhibition that is the first to explore this idea through close technical analysis of the artist's watercolor practice: John Marin's Watercolors: A Medium for Modernism, which is on view in the museum's Jean and Steven Goldman Prints and Drawings Galleries in the Richard and Mary L. Gray Wing (Galleries 124 — 127) from January 23 through April 17, 2011.

Included in the exhibition are 70 paintings, drawings and one sculpture spanning from works he created for his first gallery exhibition in 1982 to others made closer to his death in 1990 at the age of 31.

Modigliani Unmasked September 15, 2017 — February 4, 2018 Press Preview: September 12, 2017, 10 am to 1 pm This exhibition will feature early drawings by Amedeo Modigliani (Italian, 1884 - 1920) acquired directly from the artist by Dr. Paul Alexandre, his close friend and first patron.

Traveled to Museu d'Art Contemporani, Barcelona; Kunstmuseum Bonn, Germany; and Castello di Rivoli Museo d'Arte Contemporanea, Turin (catalogue) Innovation: American Art of Today from the Misumi Art Collection, Kawamura Memorial Museum of Art, Chiba, Japan (catalogue) The Changing Image, Claudia Gian Ferrari Arte Contemporanea, Milan (catalogue) Vehicle, Paolo Baldacci Gallery, New York 1995 Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Richard Artschwager, Peter Cain, Vija Celmins, Chuck Close, Joseph Cornell, Robert Gober, George Stoll, Steve Wolf, Daniel Weinberg Gallery, San Francisco Summer Group Exhibition: Richmond Burton, Peter Cain, John Chamberlain, Andreas Gursky, Roni Horn, Gary Hume, Andy Warhol, Matthew Marks Gallery, New York 25 Americans: Painting in the 90s, Milwaukee Art Museum (catalogue) 1994 Desire (Visionaire / DIFFA Benefit Exhibition), Charles Cowles Gallery, New York The Institute of Cultural Anxiety, Works from the Collection, Institute of Contemporary Arts, London (catalogue) 1993 Pittsburgh Collects, Carnegie Museum of Art, Pittsburgh Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice (under the aegis of the Venice Biennale)(catalogue) 1993 Biennial Exhibition, National Museum of Contemporary Art, Seoul A Series of Anniversary Exhibitions: Part III, Daniel Weinberg Gallery, Santa Monica, CA Art, Money & Myth, Palm Beach Community College Museum of Art, Lake Worth, FL Everyday Life, Kim Light Gallery, Los Angeles Slittamenti, Venice Biennale The Return of the Cadavre Exquis, The Drawing Center, New York.

A number of drawings I saw in that show came to mind when I went to his exhibition, Chuck Webster: Look Around at Betty Cuningham, which closes today (Saturday, February 18, 2017).

Creation is a Solitary Pursuit, Love is What Brings You Closer to Art will also feature 27 works from the artist's Love Forever series of black and white drawings that formed the precursor to Kusama's latest project, a brand new pumpkin sculpture and an original installation conceived specially for this exhibition.