Sentences with phrase «exhibition examines live»

By charting how performers and photographers have also worked collaboratively, the exhibition examines live events that happened solely for the camera.

Damien Hirst and Anish Kapoor among contributors to exhibition examining life of British sculptor at his home in Hertfordshire

This exhibition examines the life of a key art dealer: Galka Scheyer, who embraced Modern work early in the 20th century and was partly responsible for bringing the artists known as the «Blue Four» to prominence in the United States.

Not exact matches

The Lost Prince is the first exhibition ever to examine in detail the life of Henry, Prince of Wales (1594 — 1612).

Postmasters is pleased to announce: RICHTERIANA GREG ALLEN, DAVID DIAO, RORY DONALDSON, HASAN ELAHI, FABIAN MARCACCIO, RAFAËL ROZENDAAL May 12 — June 16, 2012 opening reception, saturday, may 12, 6 - 8 Postmasters «new exhibition Richteriana attempts to examine the current canonization of Gerhard Richter, presenting six artists whose works pre-date, update, expand, and subvert «the greatest living artist's» own.

In celebration of Dada's 100th anniversary in 2016 and the centennial of Duchamp's Fountain in 2017, the exhibition examines how artists have incorporated commonplace household items into their work, removing them from the context of the home in ways that subvert the mundane experiences of daily life.

As well as their work, this exhibition examines their remarkable life, presenting clothing, accessories and other personal ephemera alongside their paintings.

This touring exhibition is the first to critically examine the lasting impact that Riot Grrrl — the widely influential but briefly lived global punk feminist movement — has had on artists today.

An exhibition, Martha Wilson's Franklin Furnace, will run at Pratt Manhattan Gallery from February 20 - April 30, 2015, examining 30 projects that took place at Franklin Furnace through live performance art and archival materials.

NYC Makers inaugurates a new series of MAD exhibitions that will examine the culture of making and highlight the contributions of the makers who shape contemporary life.

The Park Life Gallery exhibition, «(Invisible) Relic,» curated by Andrew McClintock, examines works by two generations of California Conceptual Artists working with performative actions and re-appropriated objects in a variety of mediums including video, photographic, audio, sculpture and performance.

Shedding light on a rarely examined topic in the history of modernism, the major exhibition «Cross Country: The Power of Place in American Art, 1915 - 1950» (Feb. 12 through May 7, 2017) at the High Museum of Art will uncover how experiences of rural life fundamentally changed the direction of American art.

On view at The Met Breuer now seven hundred years of sculptural practice — from 14th - century Europe to the global present — examined anew in the groundbreaking exhibition Like Life: Sculpture, Color, and the Body (1300 — Now).

In celebration of the exhibition, Painter of the Fields is the first major overview of Warren Rohrer's work held in Lancaster County and will examine the various stages of his career; including works from his early days of drawing to his fully realized abstract artistic language based on the fields of Lancaster County where he lived.

The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU examining work by living artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including recent exhibitions of South Asian artists Naiza Khan, Imran Qureshi, and Mithu Sen.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

A visit to the Morgan Library & Museum for a look at the exhibition «Tennessee Williams: No Refuge but Writing,» which examines the creative process of a writer who often wrote about and reworked the raw materials of his personal life.

Through vintage gelatin silver prints, contact sheets, original issues of Life, and a significant selection of unpublished photos from the series, the exhibition examines unspoken conflicts between photographer, editor, subject, and truth.

Now a ground - breaking exhibition entitled Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life examines how Johns, one of America's preeminent artists, mined the work...

The exhibition examines the extent to which our environment informs our life experiences.

This book examines Stella's life and career in the context of the contemporary art world, featuring works from his recent blockbuster museum exhibitions as well as landmark works from throughout his career.

The exhibition is accompanied by a small publication that features a timeline of Tang Chang's life and Thai history and an original essay by Orianna Cacchione that traces Chang's relationship with the Thai art scene and examines affinities and divergences between his work and international forms of gestural abstraction and concrete poetry.

Curated by Munirah AlSayegh the exhibition centres on new commissioned works that explore the divide between the recent past and contemporary incarnations, examining what lies between those two lives.

January 15, Gallery 400 opens Few Were Happy with Their Condition, a group exhibition examining contemporary life in Romania and the country's transition from communism.

Alien She is the first exhibition to critically examine the lasting impact that Riot Grrrl — the widely influential but briefly lived global punk feminist movement — has had on artists today.

A fully illustrated exhibition catalogue examining Lalique's life and career accompanies the show and is available in The Museum Shop for $ 75.

Gideon Mendel: Drowning World joins other exhibitions at the Broad MSU examining works by living artists from the U.S. and around the globe who are confronting a range of political, economic, and social issues.

Home of the Free, an exhibition assembled by independent curator, Jens Hoffmann, examined what freedom meant for individuals that are living in the United States on a daily basis.

This exhibition, by contrast, will place key sculptures from different eras in conversation with each other in order to examine the age - old problem of realism and the different strategies deployed by artists to blur the distinctions between original and copy, and life and art.

Highlights of Broad MSU exhibitions in 2015 include: Trevor Paglen: The Genres, the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; The Broad Gift, an exhibition of 18 works generously given to the Broad MSU by founding patrons Eli and Edythe Broad; Moving Time: Video Art at 50, 1965 — 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials.

For this exhibition the artist uses a variety of media such as drawing, paintings, sound and sculpture to examine stories of traditional American life.

The exhibition Halston and Warhol: Silver and Suede examines the interconnected lives and creative practices of Andy Warhol and Halston — two American icons who had a profound impact on the development of 20th century art and fashion.

Joining Wheat as part of this program is astrology historian and practitioner Jenn Zahrt who has examined the constellations of stars influencing the life of Wheat's paintings on view, including the dates of the present exhibition as well as the March 4 date of this program.

A group exhibition examining the impact of state violence on Black lives.

The Dallas Museum of Art's latest exhibition is the first in the USA to examine the subject of French floral still lifes in such depth.

A new exhibition at the Tate Britain examines how British artists of the 20th century represent human life in their work.

3 «$ «6 pm Opening in the Museum's Community Partnership Gallery: An Inclusive World, a group exhibition organized by COPE NYC, a program that examines how art transforms the lives of those with a wide array of needs and abilities, including those deemed «$ Outsider Artists.»

The YAM's exhibition will examine themes that perennially recur in her work, including conflict, compassion, peace, the cycle of life, irony and identity.

The exhibition examines the influence of the Latin American diaspora by bringing together a group of works by international artists living and working beyond the geographical limits of Latin America.

An art exhibition comprised of part Brooklyn - based, part Texas - based artists examines life in communities in transition.

SISYPHUS A SOLO EXHIBITION BY NAPOLEON MEMBER AVA HASSINGER SISYPHUS recasts the ancient myth as the frustration of our modern day technological living by examining our preoccupation with the externals of screens, devices and the networks that enfold us much like an exoskeleton.

Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life is a photographic exhibition examining the legacy of the apartheid system and how it penetrated even the most mundane aspects of social existence in South Africa, from housing, public amenities, and transportation to education, tourism, religion, and businesses.

Showcasing over 100 drawings, prints, sculptures and studio items from the Henry Moore Foundation collection, the exhibition examines the artist's life - long interest in nature and traces the process of transformation from object to drawing to finished sculpture.

Turner and Colour is the first exhibition to examine this fundamental theme in relation to Turner, exploring the familiar outline of his life and art in a new way.

Now a ground - breaking exhibition entitled Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life examines how Johns, one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and death.

The works in the exhibition create environments that are at once palpable and uncanny, examining how the physical and social body is affected by accelerated temporalities and the sensations of high - speed browsing and sharing in daily life.

This exhibition, which brings to life the book of the same name published by NSCAD's first president, Garry Neill Kennedy, seeks to examine a pivotal 10 - year period of art production in Halifax with the intention of positioning the art college as, according to the press release, «the epicentre of art education — and to a large extent of the post-Minimalist and Conceptual art world itself — in the 1960s and 1970s.»

Curated by Rochelle Spencer and Audrey T. Williams, this group exhibition pairs the AfroSurreal Writers Workshop with local artists and Oakland residents to examine how play intersects with urban life.

Made Still is an exhibition featuring photography and ceramics where the genre of the still life is examined as a literal, physical, and ephemeral concept.