Sentences with phrase «exhibition explores ideas»

The exhibition explores ideas such as submission and revolt, both on a personal level — the dynamic of sexual relationships, for instance — and on a social level, where sociopolitical, economic and ideological power is at play.

This exhibition explores ideas of home and nostalgia, and how memorabilia influences and interacts with the present.

Using ceramic practices as a cue, the group exhibition explores ideas about the division between fine art and craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship between contemporary aesthetics and social life.

Drawing on various forms of illusion, the exhibition explores ideas of superficial truth and the erosive effect of our primal urges for visual supremacy.

In 2016 Als curated Forces in Nature at Victoria Miro, a group exhibition exploring ideas of man in nature, featuring works by Njideka Akunyili Crosby, Alice Neel, Chris Ofili, Celia Paul and Kara Walker, among others.

Spanning painting, photography, graphic work, drawing, sculpture, video, documents, and the critical responses generated, the joint exhibition explores the idea that there are no clean boundaries between art, culture, and geography, and deconstructs how such notions are formed and disputed.»

A new group exhibition exploring ideas of heartache, breaking up, disenchantment and the dark side of the funfair...

Titled after a 1962 film by Eduardo Paolozzi, the exhibition explores the idea of the «supersized» American dream and features the work of Thomas Bayrle, Katherine Bernhardt, Mike Bouchet, Nicholas Cheveldave, Anthea Hamilton, Eloise Hawser, Zak Kitnick, Josh Kline, Josephine Meckseper, Eduardo Paolozzi and Timur Si Qin.

SOCIAL CIRCLES is an exhibition exploring the idea of social relations contingent on the artistic, cultural and curatorial practices that produce it.

The exhibition explores the idea of man in nature and includes works by Njideka Akunyili Crosby, Verne...

The exhibition explores the idea of man in nature and includes works by Njideka Akunyili Crosby, Verne Dawson, Peter Doig, NS Harsha, Alice Neel, Chris Ofili, Celia...

Not exact matches

Organized by the Center for Children's Speculative Design (C4CSD.org), this exhibition seeks to amplify children's diverse ideas for what robots could be and explore «what if...?»

About the exhibition Dislocation — Wall space explores the idea of disconnection, -LSB-...]

Her exhibition WALALA X PLAY is part of the gallery's summer programme — an immersive, interactive installation exploring ideas of art, wellbeing and human scale.

Camille Henrot's exhibition «Days Are Dogs» at the Palais de Tokyo in Paris explores the idea of a week as «both an oppressive and reassuring structure.»

The inaugural exhibition for Lisson Gallery Milan, «I Know About Creative Block And I Know Not To Call It By Name» (16 September — 5 November 2011), explored the ebb and flow of the creative process; the stumbling blocks artists face in their daily practice; the ideas hidden in distraction, detours and seemingly unproductive pursuits.

Themes explored in the exhibition include emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; possibilities for new subjectivities, communities, and virtual worlds; and new economies of visibility initiated by social media.

These ideas of «shonkiness» and «awkwardness» are not only theatrical and entertaining, however; the notion at the exhibition's centre is also a means of critique, used to explore the interrelated issues of gender, beauty and ugliness, identity and chaos, and the discourse surrounding those subjects in current visual practice.

This exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist, works on paper, and sculptures in order to explore the change and continuity in Still's ideas and pictorial forms.

An exhibition (19 May - 17 September 2017) of international contemporary art exploring the spiritual figure of Luther and inspiring ideas of the Reformation.

The dynamics of repetition and reverberation — rhetorical and compositional tropes in Sala's works — underpin the ideas explored in the exhibition and enrich the historical dialogues embedded throughout the artist's oeuvre.

Exploring the possibilities of punctured shapes, and the relationships between painted surface, drawing, and the wall, Mangold's new works are a continuation of ideas explored in Pace's 2014 exhibition Robert Mangold.

Focusing on the relationship with his friend and fellow artist Marcel Broodthaers, as well as artists ranging from George Condo, Gavin Turk and David Altmejd, the exhibition explores the way Magritte set into motion the concept of the «trashing of painting by painting itself», an idea still wilfully prevalent in art today.

In a new exhibition at the San José Museum of Art, artists use the idea of the single - family house to explore memory, identity, and belonging.

The exhibition delves into the conformity of human nature, most particularly exploring ideas surrounding traditional and imposed constructs of the «real» and their propagation and validation throughout contemporary society.

Connection, Reflection is an exhibition curated by Nikki Pressley that features emerging artists based in Los Angeles using a range of media and approaches to explore ideas surrounding the reality and generation of personal and cultural narratives.

The tour group will work with the artist to construct a simple visual trail across the gallery spaces that maps their physical journey through the building and explores the key themes in the exhibition including ideas relating to time, dimensionality, trace, surface, materiality and process.

The Mitchell - Innes & Nash exhibition poses that this idea, and others explored in Color Field painting, are critically relevant to developments in contemporary art: the notion of a painting rooted in process and material rather than gesture and reference.

In a kind of ironic way, being drawn to good - old fashioned painting on canvas gave her a lot of space, a lot of freedom to explore ideas,» said Scott Rothkopf, the Whitney Museum's chief curator and organizing curator of this exhibition.

The ideas to be explored in this exhibition evoke the feeling of rebound not only within a visual device but also as an internal measure of spirit and emotion.

Drawing on the ideas explored in one of our current exhibitions Painting in the 2.5 th Dimension, the panel of leading artists, writers and curators will discuss contemporary painting practices that rethink the conventional mediums of the discipline.

Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own.

This exhibition explores a wide range of important topics including: personal histories, cultural traditions, environmental concerns, the effects of violence, changing ideas about gender and sexuality, and new approaches to the medium of photography.

Featuring about 70 works — primarily drawings, but also prints, and a few sculptures — the exhibition explores the evolution of Puryear's ideas across different media.

Earlier exhibitions included Wood: The Cyclical Nature of Materials, Sites, and Ideas at the Het Nieuwe Instituut, Rotterdam (2014), which explored links between wood in design and architecture and the economic, politi ¬ cal, natural, and cultural cycles that surround its production, circulation, and consumption.

This exhibition shows how artists in the past and present have used transparent materials, forms and ideas about transparency to explore how we see and experience the world.

Alejandro Figueredo Díaz - Perera's second solo exhibition with BOLT Residency, A Home Coming (revisited), explores the idea of «home» using elements extracted from his memories or dreams.

Showcasing over thirty contemporary artists based in Canada, Denmark, and The United States, the exhibition highlights the presence of characters in each artists» work and their function as a means to explore identity and ideas of beauty as a social commentary.

About: The Target Gallery, national exhibition space of the Torpedo Factory Art Center, promotes high standards of art by continuously exploring new ideas through the visual media in a schedule of national and international exhibitions.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raIdea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raidea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

The term chosen for the exhibition title, bentu, meaning native soil, is at the heart of their concerns and of the ideas being explored by contemporary Chinese critics and researchers (see the text by the two curators in the catalogue).

Explore the exhibition with New Museum educators through small group conversations and learn how Burden has investigated ideas of limits, speed, and play through artworks like Ghost Ship, The Big Wheel, A Tale of Two Cities, and All the Submarines of the United States of America.

From its beginning, the Pulitzer has presented a wide range of exhibitions featuring art from around the world — from Old Masters to important modern and contemporary artists — and exploring a diverse array of themes and ideas.

In order, the curriculum of each workshop of AFFECT will focus on: exhibition making, art and economy, archival practices, sound material production, exploring the idea of attention and a TV production.

The intention was always to explore the idea of an exhibition of architecture in a constructed form by a number of architects.

Currently on view at Project Native Informant, London is «I love you Me either,» a group exhibition that explores the ideas surrounding desire and excess, circulation and stasis, plenitude and exhaustion.

Themes explored in the exhibition include ideas from Asia's main spiritual traditions, humanity's relationship with nature, fantastic animals and mythic dragons, as well as pleasures in everyday life, from love and family to beauty and entertainment.

A juried exhibition of original work in a variety of media by 95 artists exploring the idea of «wide open» in all the hidden niches of our collective psyche, selected by Carmen Hermo, the Brooklyn Museum's Assistant Curator for the Elizabeth A. Sackler Center for Feminist Art.

This exhibition brings together artists that are exploring similar ideas across a variety of media and techniques.

A million blacked out business cards covering the floor set the scene for this exhibition which explores ideas of exchange, and the role of rules and regulations in determining codes of behaviour.