Sentences with phrase «exhibition explores questions»

Delving into the lives of Caro's assistants, as well as his studio in Camden, his archives, and his body of work, this exhibition explores questions of originality, collaboration and education through one artist's mode of production.

The exhibition explores questions about the current state and future of painting by creating a dialogue with works from the past.

This exhibition explores questions of perception and bodily sensation in connection to a course offered through the University of Chicago.

The exhibition explores the question of how painterly approaches, rooted in a narrative tradition, can reflect phenomena of collective (youth culture) memory.

This group exhibition explores this question through works that exploit machine and technology and use interactivity as a form of performance, while looking at the role that potentiality and destruction play within those experiences.

Ranging from medieval grisaille works to Ólafur Elíasson's light installation «Room for one colour», the exhibition explores the question of the visual power of the reduced colour palette.

Curated by the American artist Glenn Ligon and inspired by Ellsworth Kelly's sculpture Blue Black (2000) which is permanently installed at the Pulitzer Arts Foundation, the exhibition explored questions about language, identity, and perception through the lens of these two colors.

Not exact matches

Why the hoard was never reclaimed by its owner and why it was hidden in the first place remain a mystery, intriguing questions that are explored throughout the exhibition.

Southern Accent is the first contemporary art exhibition to question and explore in - depth the complex and contested space of the American South.

The exhibition «Life Itself» at Stockholm's Moderna Museet explores the fundamental question of what life is.

The exhibition features works from the artist's latest series Sensitive Water Mapping, exploring her long - standing interest in questions of time and memory, as experienced through the perception of the natural landscape.

«The exhibition uses the theme of the figure to explore how John has time and again asked pressing questions about the political and social nature of our reality — through beautiful, humorous, and subversive forms.»

This exhibition explores how Long Island was transformed in the 1960s as New York City residents sought home ownership and greener pastures, and as the country as a whole questioned the meaning of a «traditional» American lifestyle.

This exhibition explores the relationship between philosophical and art - theoretical principles that are central to Coventry's approach to making art, and questions the deontological concept that the value of a painting does not depend on external factors but rather on the way it has been executed.

The exhibition begins with a selection of photographs that were taken in Serbia during the 1990s and explore the failure of utopian modernism under Communism while posing questions about the veneer of normalcy maintained during the civil war and allied bombardment.

Using ceramic practices as a cue, the group exhibition explores ideas about the division between fine art and craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship between contemporary aesthetics and social life.

The exhibition will explore the artists» commentary on and challenge of social values, expectations, and conventions that are a part of everyday life — raising questions about national and global issues including gender - specific violence and sociopolitical conflict.

In this exhibition, Sohrens explores the physical traces of the archive as well as broader questions about originality and authorship.

Discover the artists» unexpected friendship and explore how our exhibition opens up far - reaching questions about the nature of modern art and its histories.

Against the backdrop of these questions, the group exhibition presents pieces by artists who have grown up with the Internet as well as those produced by an older generation and brings together works that explore, unclose and question pictorial worlds in addition to ultimately creating individual original works with the tools of the digital cosmos.

The exhibition, entitled Synthetic Seduction, questions and explores fundamental emotions, such as love, empathy, attraction and repulsion, within the growing importance of artificial intelligence in our everyday lives.

This exhibition, exploring questions of legacy and community, features a selection of gifts to the Manetti Shrem Museum since 2012.

In his exhibition, Maheke aims to create a metaphoric and prospective space that centres the margins and avoids the principle of classification in order to explore the question of visibility through Georges Bataille's notion of formlessness (L'Informe).

This exhibition investigates questions at the core of the Studio Museum's mission, exploring art's relationship to U.S. and global communities.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Her exhibitions and workshops explore the collecting of resources and formats in circulation, questioning the notions of multiple authorship and living archive (unbreaken, AFFECT, 2014; new atlantis, co-curated with Elisa R. Linn and Lennart Wolf, 2013; we outsourced everything and now we're bored., with Clémence de La Tour du Pin and John Henry Newton, 2013).

The gallery program explores questions in the fields of conceptual and curatorial practice and collaborates with curators or «curartists» in specific exhibition projects.

Questioning whether photography's role of documenting facts persuades a viewer to truthfully consider the complex history that precedes the reality depicted in a photograph, the exhibition explores the difference between the decisive moment for photography and that of history.

A number of events expand on the themes explored in the exhibition including a talk by the exhibition curator Daniel F. Herrmann (18 February, 7 pm, # 12.50 / # 10.50 concs) and a day long symposium (25 March, 2 — 6 pm, (# 12.50 / # 10.50 concs) which takes the artist's 1985 exhibition Lost Magic Kingdoms and Six Paper Moons from Nahuatl as a prompt to consider questions of collection and collage, display and the role of the artist.

For the exhibition, Alex Clarke (b. 1988, Nottingham, UK) presents paintings that explore the aspiration of a person making a painting, and utilise paper to question the painterly «gesture.»

The exhibition explores the legacy of Mingei, a Japanese folk craft movement led by philosopher and critic Sōetsu Yanagi and questions the presence of craftsmanship in contemporary art.

The exhibition spans three galleries within the Zaha Hadid - designed museum, anchored by overarching themes within each: «Shifting Identities» explores how a changing China alters constructions of identity; «Body as Site» focuses on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and artistic practices to reinterpret and question evolving power structures and social norms.

Exploring the light and dark through art, the group exhibition at Gladstone Gallery raises questions regarding the dichotomy as a concept in general.

Elderfield will explore the key questions of stylistic development, change, and continuity in the artist's work posed by the exhibition.

Artists are questioning the status quo with a new exhibition at the Victoria Miro gallery that explores the language of protest.

Body, memory, and identity: this exhibition presents work by artists who examine the existential state of contemporary society's collective mindset, exploring the kind of questions man asks himself in relationship to his own interior being and the outside world.

O'Donovan Cook invites us to explore these questions through her photographs and this exhibition.

The exhibition showcases the ways in which each artist used the signifier of candy during the early 1990s, exploring questions of pure aesthetics and identity.

Each element seeks to explore, promote and question the relevance of painting and the hand - made work of art in the digital age through loans, exhibitions, talks and publications.

The title of the exhibition suggests the themes that the artist explores, both here and in her wider sculptural practice: for example, the nature of a façade, the dualities of front and back, questions relating to the decorative, the deceitful, the theatrical, and the interplay of real and fake.

The three artists included in this year's residency exhibition extend this notion to explore how communities themselves can influence the ways in which art is produced, whether through incorporating images that document change and progress, questioning the contexts of cultural and physical representation so as not to repeat history's mistakes, or archiving materials from a community's past in order to benefit future generations.

The exhibition will explore the recurrent themes in his work: authenticity, cultural history and the transformation of value systems throughout different eras, while calling the viewers» understanding of these things into question.

Curated by Jonathan Openshaw and photographed by Anton Rodriguez, best known for his recent book, Residents: Inside the Iconic Barbican Estate, the exhibition consists of eight original photographic commissions that explore the ways in which the physical office space remains indispensable in the digital age, but also opens up questions about how it needs to innovate to remain relevant.

Speculative Skins explores and challenges these questions and more in an internationally - focused group exhibition which delves into the relationship between science fiction and the body.

Lina Alattar's solo exhibition, Embracing Abstraction, is part of Hillyer's Art Space Typecast, an all media exhibition that will showcase artists whose work expresses, explores and questions ideas about identity.

The show, Tribe's first solo - exhibition at a major U.S. museum, explores questions of empathy, communication and performance, offering insight into the work of Standardized Patients — professional actors who portray patients in a simulated clinical environment as part of medical students» training.

She said the Physical / Ephemeral exhibition has allowed her to explore new formats and ideas for her work and has encouraged her to try creating work that she feels questions the boundaries between painting and real space.

In a way, by using this book as a point of departure, this exhibition explores and questions the role of certain books and how some of them affect entire generations of artists, becoming unofficial guides that dictate and influence artistic creation in a certain period of time.

Bringing together pictures taken across the world of friends and strangers, as well as the natural and built environment, the present exhibition addresses one of the main questions explored in Tillmans's recent practice: as photography becomes increasingly ubiquitous, and as ever higher resolution yields unprecedented views of our surroundings, how do pictures continue to shape our knowledge of the world?

It will also explore the themes and questions surrounding cultural and racial identity which emerge from the exhibition, and which are so relevant to contemporary society.