Sentences with phrase «exhibition explores the interests»

Taking its name from Gloria (1956), an iconic work by Rauschenberg in the collection of the Cleveland Museum of Art, this exhibition explores the interests and actions of Rauschenberg in the 1950s through a younger set of eyes, those of internationally acclaimed artist Rachel Harrison (b. 1966), who has become known for her original approach to art - making that simultaneously addresses and analyzes the conventions of art and mass culture.

Taking its name from «Gloria», an iconic work by Rauschenberg in the collection of the Cleveland Museum of Art, this exhibition explores the interests and actions of Rauschenberg in the 1950s through a younger set of eyes, those of internationally acclaimed artist Rachel Harrison (b. 1966), who has become known for her original approach to art - making that simultaneously addresses and analyzes the conventions of art and mass culture.

Not exact matches

This exhibition is the first of its kind to explore how shared values and interests have inspired artists from different cultures and times to create distinctive, powerful works that speak to their experience of the West as both a destination and a home.

Featuring 28 works by 19 artists — both black and white — the exhibition explores how visual perspectives of blackness «have been influenced at particular historical moments by specific political, cultural, and aesthetic interests, as well as the motives and beliefs of the artists.»

The exhibition features works from the artist's latest series Sensitive Water Mapping, exploring her long - standing interest in questions of time and memory, as experienced through the perception of the natural landscape.

Exhibitions have investigated themes of special interest to the Bronx community while exploring the interplay between contemporary art and popular culture.

This exhibition explores how his distinctive works went beyond a purely technical interest in flowers, moving into an Expressionist mode with echoes of Surrealism and Cubism.

In addition to color plates and illuminating details, the exhibition catalogue includes an essay by Peter Galassi that explores the full range of Wall's artistic and intellectual interests and offers fresh perspectives on one of the most adventurous creative achievements of our time.

This new exhibition by Clare Woods will explore her interest in the power and history of rock formations in the British landscape, and its various manifestations in the works of artists such as Hepworth, Moore, Sutherland, Piper and Nash.

The exhibition stems from the artist's ongoing interests in sculpture as constructed form and the expressive potential of sculpture — interests that he has explored in his ceramic sculptures.

Celebrating the extraordinary but tragically short life of British playwright Joe Orton, this exhibition explores the points where his interests and career came into contact with issues of crime and justice — including the inventive collages and interventions he made in library books, but for which he was penalised with a six month prison sentence.

In her latest exhibition at The Cello Factory, near Waterloo, she explores her interest in the brain, a kind of negotiated looking, which slows down and spotlights awareness as it flows.

Recently, exhibitions have tended towards the ludic quality of Klee's oeuvre: last year, «Bauhaus: Art as Life» at the Barbican presented an array of Klee's extraordinary puppets, while BOZAR's 2008 exhibition «Paul Klee: Theatre Here, There and Everywhere» explored Klee's colour harmonies based on musical notation, as well as his interest in dance, circus and masks.

Noland's 1989 exhibition, Crate of Beer, at the Mattress Factory in Pittsburgh, PA, in which she set up scaffolding in front of stacks of Budweiser beer, illustrated her interest in exploring how the American dream is represented culturally.

Oldham Gallery's first ARTIST ROOMS exhibition brings together several works by British land artist Richard Long, exploring his interest in landscape and the natural environment.

Titled «Daughter,» this exhibition explores O'Brien's interest in the origins... Continue reading →

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

For her exhibition at Lehmann Maupin in Hong Kong, Mutu further explores the push and pull between humans and nature through her interest in materiality.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

The exhibition closes by exploring Paolozzi's work in the late 1980s to 90s with key sculptures that demonstrate the artist's returning interest in figuration, as well as his subversive approach to conventional notions of the multiple art object.

As with many artist curated exhibitions, Wallace has decided to explore the interests that are inherent in his -LSB-.....]

For his exhibition at CAM, Faught will present a new body of work that explores his interests in both structural and emotional support and the passage of time.

Cibic's presentation for the Slovenian Pavillion, For our Economy and Culture, continues her interests and methodologies and takes the curatorial directive of the 55th International Art Exhibition la Biennale di Venezia: The Encyclopedic Palace as a starting point to further explore systems and hierarchies of knowledge and presentation.

The exhibition features documentary material that underscores Benglis's interest in exploring and subverting gender roles as well as pioneering video works which tackle themes of gender politics and experiment with the formal and performative potential of what was then a new medium.

This month explore brush strokes, blots, and dots to learn how artists make their mark in different ways in the exhibitions Fast Forward: Painting from the 1980s and Human Interest: Portraits from the Whitney's Collection.

This new landmark exhibition from explores celebrated artist Tacita Dean's longstanding interest in portraiture, as the first exhibition in the gallery's history to be dedicated to the medium of film.

Less interested in explicit depictions of war, the exhibition explores the various ways political conflict insinuates itself into cultural imaginaries and manifests itself in artistic practice.

This exhibition explores its particular appeal for female artists interested in sexuality, gender and psychoanalysis.

The current exhibition, Color As Space, explores Leo Valledor's interest in bold colors and vector geometry combined with curvilinear and circular shapes to explore space in the two - dimensional picture plane.

The SCAD Museum of Art presents «Journey Elsewhere: Musings from a Boundless Zoo,» a multi-venue exhibition by SCAD alumnus Lavar Munroe (B.F.A. illustration) with recent works that explore his ongoing interest in the phenomena of the «human zoo» in place during colonial times, and its impact on the politics of representation in the present.

Running for the duration of the exhibition, this performance showcases Barry's longstanding interest in exploring the temporal dimension of art and continues his history of artistic collaborations with Hunter College students, which began when he taught at the college in the 1960s and 1970s.

No matter how casual, her pictures almost always feature rock - solid axial structures... At a time of renewed interest in an era that was formative for Gross — explored in books like Judith Stein's biography of dealer Richard Bellamy, Eye of the Sixties (2016), and the exhibition «Inventing Downtown: Artist - Run Galleries in New York City, 1952 — 1965,» now at New York University's Grey Art Gallery — it's worth looking back at an artist who witnessed much and made vital work, but received very little recognition, due in part to the all - too - common combination of art world trends and sexism.»

«DePaul Art Museum is interested in bringing under - recognized or overlooked artists and art forms into the program, and we wanted to explore the vitality of printmaking then and now in these exhibitions,» Widholm said.

The interest also follows a shift in the museum world, where curators — especially artists who are given opportunities to curate exhibitions — are exploring collections through thematic lenses, rather than keeping to a strictly chronological formulation.

This exhibition continues to explore the artist's interest in opacity, transparency and the psychology of looking, with specific references to the Claude glass — an 18th - century painter's tool that contained a lustrous black mirror made of glass or obsidian and was used to view tonalities in landscape subjects.

We also hold several special exhibitions each year where the Museum aims to explore a wider range of interests.

Henry James and American Painting, opening at the Morgan Library & Museum on June 9, is the first exhibition to explore the author's deep and lasting interest in the visual arts and their profound impact on the literature he produced.

In Peak, Lehmann Maupin's current exhibition of new work by Oursler, the artist continues to elaborate his professed interest in the uncanny, now exploring the ways in which virtual systems and spaces are increasingly becoming proxies for our psyches and consciousness.

The exhibition explores the selectors» own drawing practice and interests, continuing the Jerwood Drawing Prize's dialogue about what constitutes drawing and its importance as a medium for artists working today.

Plymouth Arts Centre 1 December 2017 — 20 January 2018 This latest exhibition explored my longstanding interest in folding and falling and its more recent means of expression through ceramics and print.

We are interested in what documentation is, and how it can operate as a half - life: much of this exhibition explores how a process remains, how the work is an act in its own right, and how something so visceral can still speak to us when taken out of the specific context of its making.

Combining luridly hand - drawn animations, paintings, mechanical sculptures and more, 2009 Guggenheim Video Art Fellow Federico Solmi continues to explore his controversial interests in sociopolitical affairs — last year his native Italy charged him with obscenity, blasphemy and offense to religion — in his second solo exhibition «From Uterus to Grave With No Happy Ending,» which opens tomorrow at NYC's LMAK gallery.

He developed a strong interest in the concept of invisible energy and shifted from object - based artistic practice to an experiential approach, seeking to combine interactive performance with sculpture and video, a transition the exhibition explores.

Continuing her interest in the confrontation between nature and culture, the paintings on view explore the pictorial space, where the physicality of painting and the play with architectural elements, in all senses, become the subject of the picture.The exhibition will be on view from Sunday, September 11 through Sunday, October 16, 2011.

His exhibition at the Barnes Foundation, Yinka Shonibare MBE: Magic Ladders, supported by The Pew Center for Arts & Heritage, included work that explored the artist's interest in contradictions, as well as larger concepts of cultural identity, authenticity, colonialism, and empire.

His first solo exhibition in Louisiana, Rashaad Newsome: King of Arms explores the artist's interest in ornament, systems of heraldry, and Baroque grandeur.

The curators and a number of the participating artists including Liam Gillick, Declan Long and Grant Morrison will explore themes such as the notion of display, exhibition making and the territory where the artist's interests intersect with those of the curator.

Although interesting in themselves, focusing too much on each piece isn't necessarily helpful when exploring Contreras» aim with the exhibition.

The first of Gottlieb's signature «Burst» paintings, Black, Blue, Red (1956), will be included in the exhibition as well as a series of nine small, untitled canvases he created in 1968 that reveal Gottlieb's interest in exploring new color relationships.

In what is arguably one of the most ambitious exhibitions to be held at Moderna Museet, three of the greatest painters of the last 200 years are brought together, not in competition, but as a means to explore the ways in which artists across the centuries share interests, values and preoccupations.