Taking its title from the Freudian concept of «screen memory», in which subjective reconstruction conceals a memorial event,
the exhibition explores the way in which collective and personal memories are confronted within art.
Featuring photographs, manuscripts, correspondence, source material and two early video works from the Larry Rivers Papers,
the exhibition explores the ways in which the archives contextualize Rivers's multi-dimensional artistic career.
Consisting primarily of Saar's sculpture and installation work,
this exhibition explores the ways in which the legacy of history bears on the body, and how this history both shapes and guides the way society conceptualizes identity.
The works in
this exhibition explore the way that this subgenre of painting has evolved in the work of artists who may identify as painters, but who explore the space between painting and sculpture.
Through the photographic medium,
the exhibition explores the ways in which Indigenous artists represented in the Monash University Collection have reclaimed representations of Aboriginality.
Focusing on the relationship with his friend and fellow artist Marcel Broodthaers, as well as artists ranging from George Condo, Gavin Turk and David Altmejd,
the exhibition explores the way Magritte set into motion the concept of the «trashing of painting by painting itself», an idea still wilfully prevalent in art today.
The installation forms part of The Classical Now, a major
exhibition exploring the ways in which Graeco - Roman art has sparked the modern imagination.
Featuring contemporary work from the museum's collection by artists such as Andrea Bowers, Hans Haacke, Emily Jacir, Arthur Jafa, and Glenn Ligon,
this exhibition explores the ways that these artists inform our understanding of urgent social, ecological, and civic issues — including security and surveillance, evolving modes of communication, and political resistance.
The exhibition explores the ways in which artists working in floral still life incorporated and responded to evolutions in approaches to both the arts and sciences, and provides a sense of discovery in the variety of artistic purposes and achievements in this genre.
The exhibition explores the ways in which Barros» innovations have influenced the work of artists from subsequent generations: Rodrigo Cass, Ivens Machado, Paulo Monteiro, Nuno Ramos, Celso Renato, Lucas Simões, and Erika Verzutti.
The exhibition explores ways of perceiving the built environment and overlooked landscapes, painting as a medium, and environmental destruction and renewal.
This exhibition explores the ways in which artists have used this universal and recurring form, and the very idea of «roundness».
The paintings in
the exhibition explore the ways that form can become a symbol of power, both institutional and aesthetic.
This exhibition explores the ways in which «here» is a concept that is always in flux and intricately intertwined with time, place and lived experience.
This exhibition explores ways in which contemporary artists using digital tools address cyberspace, body, and nature in the post internet time.
The exhibition explores the ways in which contemporary artists address the issue of the commodity in their work.
The exhibition explores the ways in which the invention of the seven day week structures our relationship to time.
This exhibition explores the way three different contemporary artists interpret fragmentation, both literally and figuratively.
The exhibition explored the ways in which Chicago's Jewish background impacted her life and work.
Currently on view at Eyebeam, New York is «The New Romantics,»
an exhibition exploring the ways in which contemporary artists using digital media engage the body, representations of nature, poetic irony, and expressions of individuality as originally expressed in 19th Century Romanticism.
Not exact matches
The
exhibition explores how men and women found new
ways to dress as the rationing of clothes took hold, revealing what life was really like on the home front in wartime Britain.
Bohnstedt didn't have any prior museum education experience and was impressed with how the ICA had built a community space and also incorporated technology into its
exhibition creating
ways to bring art into lives and
explore it.
The
exhibition explores the values behind the «caring sharing co-op» and offers a unique insight into the
way we shop and live.
The iCub you can see on display in the Robots
exhibition is the world's most advanced robot that learns the same
way we do — through
exploring and interrogating the world around it.
Visit the
Exhibition section to learn about critters that live in the soil and help to create and sustain it,
explore ways to protect the soil, and understand how soils touch our daily lives.
Besides the Museum, Vinci offers many itineraries to discover Leonardo's world: from the Castle of the Guidi Counts to the Villa del Ferrale, where the Leonardo Impossibile
exhibition is set, or the birthplace in Anchiano — where visitors could actually meet Leonardo in a very special
way — without forgetting naturalistic paths to
explore on foot the hills loved by the Genius, or spots and contemporary art installations directly inspired by Leonardo.
An
exhibition at Scandinavia House
explores the
ways artists depict the history and politics of the Sámi indigenous people Read More
Beginning 15 February, Hauser & Wirth will present «Serialities,» a group
exhibition organized with Olivier Renaud - Clément which examines notions of seriality and repetition, and
ways in which artists
explore linear and non-linear narratives through iterations.
The inaugural
exhibition BAMPFA's landmark new building, Architecture of Life
explores the
ways that architecture — as concept, metaphor, and practice — illuminates various aspects of life experience.
Body Language is a group
exhibition in video format that focuses on two emerging artists whose video works
explore the
ways in which language determines and is eluded by our relationships to our bodies.
For the innagural
exhibition at the new Manetti Shrem Museum of Art at UC Davis, Out Our
Way explores the development of the revolutionary UC Davis Department of Art, founded in 1958.
This
exhibition explores some of the
ways in which human beings create and manipulate patterns, and why we are intrinsically driven to do so.
The reimagining and recycling of Hollywood iconography in contemporary art, and the
way that movies live on in our personal and cultural memories, are
explored in the
exhibition Walkers: Hollywood Afterlives in Art and Artifact.
The
exhibition explores the British
way of life and character, dedicating an entire room to Griffin's photographs.
Looking at the Whitney's
exhibitions of Laura Poitras and Andrea Fraser alongside Flatlands, a group show of five emerging painters, and Collected by Thea Westreich Wagner and Ethan Wagner, this course will
explore the intersections of these apparently divergent concerns and consider the
ways that contemporary art truly can and does matter.
Jerome Liebling is on view in University of Minnesota's
exhibition Singing Our History: People and Places of the Red Lake Nation which
explores the many
ways the Red Lake Nation has been and continues to be portrayed by artists and members of its communities through art and photography.
Architecture of Life, the inaugural
exhibition in BAMPFA's landmark new building,
explores the
ways that architecture — as concept, metaphor, and practice — illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of reality, and the power of the imagination to reshape our world.
There is always something new to notice or
explore, in a
way that marks a difference from many contemporary
exhibitions that embrace an almost clinical sense of restraint and detachment.
Featuring several newly commissioned artworks and installations, the
exhibition explores some of the
ways sculptural materials and forms are changing as artists respond to the mediated and virtual realities of the world in which we live and work.
Unsettlement is an international group
exhibition that
explores the
ways that power manifests through architecture and in the built environment.
This
exhibition explores the relationship between philosophical and art - theoretical principles that are central to Coventry's approach to making art, and questions the deontological concept that the value of a painting does not depend on external factors but rather on the
way it has been executed.
Since simultaneously launching a book of poetry and an
exhibition at Tomorrow Gallery in 2011, Yago has been
exploring the
ways that words and images inflect each other — the latest results of which will be shown at Parisian gallery High Art and in the Hammer Biennial in the coming months.
Her work
explores the politics and poetics of the built environment, engaging and transforming the architecture of the
exhibition space, often in implausible
ways.
In the
exhibition, each of the gallery's three spaces is dedicated to a single artist, with film - based works that
explore the notion of desire in disparate and unique
ways.
These patient and willing subjects have made their
way into Wegman's
exhibitions and books over the years, yet until now, his rich archive has never been
explored in depth.
This major
exhibition looks at the
ways in which artists have
explored the intersection of rock and culture in tools, structures, myths, language, and systems of abstract thought as man has strived to understand and manage our world.
photographs: © Mario Kiesenhofer Seurat to Riley: The Art of Perception Compton Verney Art Gallery 08.07.2017 — 01.10.2017 Compton Verney's summer
exhibition will take you on a fascinating and stimulating journey that looks at the
ways in which our visual perceptions have been
explored by artists.
The
exhibition visitor will first encounter a signature work by each artist in Out Our
Way, providing a starting point from which to
explore the pivotal moment each artist experienced at UC Davis.
In a kind of ironic
way, being drawn to good - old fashioned painting on canvas gave her a lot of space, a lot of freedom to
explore ideas,» said Scott Rothkopf, the Whitney Museum's chief curator and organizing curator of this
exhibition.
Demand's idea for the
exhibition is to
explore the
way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own.