The featured artists in
the exhibition all explore the strategies of breaking up of the picture plane, focusing mostly on the point of the slip between the figuration and abstraction, placing the figurative compositions in an abstract context.
Not exact matches
The
exhibition, presented by LA Plaza de Cultura y Artes and California Historical Society, will examine a group of murals produced in the greater L.A. area from the 1970s to the 2000s that were threatened or destroyed, and
explore how their iconography, content, and artistic
strategies challenged dominant cultural norms and historical narratives.
This is the first in a series of projects that will see her work simultaneously at Modern Art Oxford with another solo
exhibition, Invisible
Strategies (21 January — 30 April) and her participation to The Place is Here at Nottingham Contemporary (4 February — 30 April), a major
exhibition bringing together around 100 works by over 30 artists and collectives
exploring the pivotal 1980s decade for British culture and politics.
The eight artists in this
exhibition explore themes of political discourse, employing a variety of
strategies from indirect critique to straightforward dissent.
Composed of works from the museum's collection made since 2000, including several recent acquisitions and works on view for the first time, the
exhibition explores the prevailing correlations between the personal, the intimate, and the individual; constructions of identity, history, and culture; the instability of materials; and
strategies to rediscover or recover the past.
Far from ignoring the lessons of Duchamp, such a treatment of paint was derived from an understanding of his predecessor's artistic
strategies, to which Rauschenberg had his first in - depth exposure in the spring of 1953 at Sidney Janis's
exhibition, Dada 1916 — 1923.8 Throughout that year, he
explored various precedents set by the older artist.
Taking its cue from Ways of Seeing, John Berger's 1972 critical text on visual culture, this
exhibition explores the various formalistic
strategies that artists employ to re-configure our perception of the world.
Blackbox: An Afrofuturist Opus (April 28th, 2017 - May 17th, 2017) A discursive platform and group
exhibition in three acts, that
explored and made visible the multidimensional ways that artists are engaging with
strategies of Afrofuturism.
The
exhibition explores the development and evolution of Frank's characteristic style — including his use of low light, pioneering focal
strategies, and unconventional cropping — which revolutionized contemporary photography and understanding of the photographer's relationship with the larger world.
Drawing on the spectacular resources of the Norton Simon collections, the
exhibition explores the wealth of aesthetic and conceptual artistic
strategies that challenge the shortsighted view of still life as simply an art of imitation.
Thematic group
exhibitions include Audible Imagery: Sound and Photography; The Furtive Gaze, works by artists who use the camera as an instrument of surveillance; Camera / Action: Performance and Photography; and Anticipation,
exploring strategies of slowness and suspense in time - based art.
Unofficial histories, suppressed memories and
strategies of resistance all converge in our new major group
exhibition, which seeks to redress the legacy of the Russian Revolution on its centenary by
exploring how contemporary artists are responding to the state of the «New East» today.
The
exhibition's second section, «Legacy,»
explores Lawrence's own influence on contemporary artists who share similar formal and conceptual
strategies and themes, and includes commissioned works by artists strongly influenced and inspired by Lawrence such as Derrick Adams, Meleko Mokgosi, Barbara Earl Thomas and Hank Willis Thomas.
This is a unique occasion to
explore key issues of curating and to gain more knowledge of the logistical aspects behind
exhibitions form negotiating loans to marketing
strategies, with support and supervision from RA experts along with external professional curators and scholars.
Themes of abstraction, realism, craft, appropriation
strategies, activism, and the translation of one's primary medium to printmaking will all be
explored in this expansive
exhibition featuring over 75 works.
This
exhibition focuses on an investigation of belief systems and power structures,
exploring strategies of critique and ultimately the configuration of social mechanisms.
Franklin Street Works will be working with five New York City - based guest curators in 2017 and 2018, originating six new group
exhibitions around themes such as: shared
strategies of the labor and LGBTQ movements; economic and political refugees; ways artists animate desire in abstract painting; art that
explores political and personal paranoia; and more.
Drawing inspiration from official communication, memorials, war museums, and political propaganda as well as current events, advertising, and video games, the
exhibition explores the interchangeability of
strategies and discourses.
«Hypothesis for an
Exhibition»
explores parallels in thought and aesthetic
strategies between Italian Conceptualist Giulio Paolini's work, especially of the 1960s and the»70s, and the work of a younger generation of artists based in New York City today.
The
exhibition ZERO: Let Us
Explore the Stars (on view at the Stedelijk Museum Amsterdam until November 8, 2015) encompasses living history, archival
exhibition, and reenactments: a mixture of different
exhibition strategies in which the direct and current relation between
exhibition history as an art historical discipline and a curatorial practice has been achieved in an exciting way.
An
exhibition exploring the relationship between aesthetic
strategies and the historical, political, and cultural contexts of the region
Each programme features a dynamic set of activities - from
exhibitions to artist talks - presenting emerging artistic networks,
strategies and projects that
explore the recent cultural and social trajectory of each city, steeped in history and shaped by current events.
Fridman Gallery (287 Spring Street) opens their first solo
exhibition, «INFOESQUE,» by the British artist Navine G. Khan - Dossos on April 13, 6 to 9 p.m., The show includes a series of works on canvas that «
explore the design
strategies of Rumiyah magazine,» plus thirty - six panel paintings that use issue 5 of the now - shuttered Dabiq magazine as source material.
In the context of the proliferation of photography, film, and new media in contemporary culture, the
exhibition showcases the variety of styles and
strategies artists have engaged to breathe new life into painting and to
explore the medium's expansive possibilities.
The new group
exhibition Fractured at the Simon Lee Gallery in Hong Kong, will feature works of the prominent artists, Kathrin Andrews, John Baldessari, Bernard Frize, Louise Lawler, Daido Moriyama, John Stezaker, Christopher Wool, and Toby Ziegler, who, across a range of art disciplines,
explore one of the modernism's most characteristic formal
strategies, the fracturing of the picture plane, and who push the borders of their chosen mediums as well.
Also
explored in the
exhibition is how these relationships played a critical role in Haring's development as a facilitator of group
exhibitions and performances and, as a creator of
strategies for positioning his work directly in the public eye.
Selected Group
Exhibitions 2012 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic
Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational
Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational
Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic
Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group
Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest
Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried
Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried
Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «
Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and
Strategies» National
Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville, KY
Simon Lee Gallery Hong Kong is proud to present Fractured a selected group
exhibition exploring one of modernism's most characteristic formal
strategies, the f...
As Europe's largest legal technology conference and
exhibition, The British Legal Technology Forum 2019 will bring together the most respected professionals from both the legal and commercial technology sectors to examine and
explore the systems,
strategies, processes and platforms that will drive law firms and legal businesses into the next decade and beyond.