Sentences with phrase «exhibition features pieces»

This exhibition features pieces from a series representing letters of the alphabet.

The exhibition features pieces that are the culmination of two years of studio work from a diverse group of 69 graduates.

The exhibition features pieces that are the culmination of two years of studio work from a diverse group of students who are poised to become tomorrow's creative leaders.

This curated exhibition features pieces by six artists whose work is influenced by science.

The exhibition features pieces from Una Burke, Melissa Curry, LAF Design, Karen Donnellan, Joanne Hynes, Derek Lawlor, Eoin Lyons, Rachel McKnight, Eily O'Connell, Lynsay Raine, Garvan Traynor, Miriam Wade.

A recent exhibition featured pieces of marketing, blurring the lines between art and commodity, while another, «Uncanny» consisted of a series of creepy photographs.

Its exhibitions will alternate between solo shows, thematic exhibitions, and exhibitions featuring pieces from the Group's extensive collection.

Not exact matches

Each exhibition piece features authentic imagery captured and uses real physical phenomena and techniques in place of computer generated graphics.

The accompanying exhibition will feature garments borrowed from the Vatican, as well as designer pieces informed by Catholic aesthetics.

Sofitels 2 storey event space features state of the art video conferencing advanced LCD projectors a translation booth versatile stage oversized elevator for exhibition pieces a 1200 sqm pre-function area with natural daylight and expert support.

The exhibition features original artwork from Masahiro Ito's concept designs, as well as original pieces created for the show.

Jesus as a Weapon and a Tool» winks at the New Museum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the street.

The exhibition features 31 works including monumental and small - scale pieces installed throughout the sculpture park and museum, and is focused on a new commission that resurrects Deacon's 1993 work Never Mind, which has been re-fabricated in stainless steel.

Selections from the permanent collection can now be seen in an exhibition at the museum called «Circa 1970,» which features works from its holdings made during the 1970s, including pieces by Benny Andrews, Barbara Chase - Riboud, Ed Clark, Beauford Delaney, and Betye Saar.

Unraveling Identity: Our Textiles, Our Stories The Textile Museum at the George Washington University Museum March 21 — Aug. 24 The largest exhibition in The Textile Museum's history, Unraveling Identity will feature more than 100 pieces spanning 3,000 years and five continents.

Shields worked comfortably in a range of material approaches and mediums, and his omnivorous eye and deliberate touch encompassed works and techniques that included unique paper pieces and canvases, editioned works, and jewelry (which Shields described as «wearable art»), all of which are featured in this exhibition.

Impressionism is the artist's first solo museum presentation in the United States, and features a focused selection of extant pieces alongside new work made specifically for the exhibition.

The exhibition features works by prominent Minimalist artists as well as pieces by those who, while not necessarily considered adherents, were either an integral part of the birth of Minimalism or profoundly influenced by its aesthetic priorities.

Featuring 145 pieces from 1970 onwards, the exhibition explores how artists have included themselves in their work.

Each exhibition features nine sculptures: bronzes that depict large female heads, their calm facial composures offset rhythmically by dynamic ornamental head - pieces.

The exhibition will also feature works from the High's distinguished collection of folk and self - taught art, including pieces by the Gee's Bend quilter and abstract artist Mary Lee Bendolph and the visionary preacher and environment builder Howard Finster.

Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature works that relate to the artist's ongoing series of «collage sculptures» begun in 2016, characterized by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished steel disk.

Showcasing over one hundred of Matta - Clark's pieces, the exhibition features films, prints, sculptures, and a series of interactive dialogues.

The exhibitions featured avant - garde pieces from local, regional, national, and international artists.

Despite his lack of formal training, the piece was immediately featured in a group exhibition at Tate Modern.

Featuring groundbreaking pieces by Alvar Aalto, Marcel Breuer and Charles and Ray Eames, the exhibition reflects on the material's specialist origins in 1760s furniture workshops; its developments in World War II and the post-war period; up until the present - day, where plywood is used on digital platforms and cut with computer - controlled machinery.

Despite being detained in China throughout the planning of the exhibition, the show will feature monumental architectural pieces created for the RA galleries, the artist having virtually navigated the spaces from his studio in Beijing.

Recent exhibitions featuring Maja Cule include Facing The Same Direction (at Arcadia Missa), collaborations with DIS magazine, a performance GIF for Rhizome.org, and a performance piece for the Peckham Palazzo, 55th Venice Biennale.

The exhibition also features Ms. Piper's 1980 multimedia piece, «It's Just Art,» about the Cambodian genocide by the Khmer Rouge and her 2008 site - specific installation «Here,» which consists of three statements — «I was here,» «We were here,» «We are here» — engraved in Arabic, English and Hebrew.

Featuring renowned pieces by, among many others, Diane Arbus, Robert Gober, Jeff Koons, Sherrie Levine, Richard Prince, and Christopher Wool, the exhibition will also include recent work by artists such as Liz Deschenes, Sam Lewitt, Laura Owens, Frances Stark, and Bernadette Corporation.

The exhibition will feature 170 works of art, including more than 60 paintings, sculptures, and ceramics by Picasso alongside more than 20 works of African and Oceanic art that were part of his personal collection — pieces that he collected, lived with and kept with him in his studios, many of them featured for the first time in the Americas.

Her exhibition «Ágrafo» (meaning «what is not written») in São Paulo's Galeria Luisa Strina will feature rope - wrapped objects that have been presented to a group of cats, whose bites and scratches become part of the piece.

Andre's first major exhibition in Britain for over 10 years, it features eight sculptures made between 1967 and 1983, as well as some of his typed - out poems from the same period (their words are arranged to form bold patterns on the page, almost like little pieces of sculpture).

The 15th edition of this exhibition will feature 37 new works, ranging from the lyrical floor to ceiling installation piece Skins (made of birch bark, zippers, pins, velcro and lace) by Rebekah Miller to the provocative dirty - talking video work, SPAM by Willie Baronet.

Her current exhibition, «The People's Cries,» currently on view at Marianne Boesky Gallery, features 40 - ft long stained glass skylights and sculptural floor pieces.

This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.

That piece, an emblematic expression of his community - geared work, will be present in the Polish artist's first major American exhibition when it opens at the New Museum this month, along with a new installation featuring sculptures that the artist will make over the show's duration, to be shown alongside drawings accumulated from the exhibition's visitors.

Sonoma Corners, 1971, the title of which refers to Wilmarth's birthplace in California, is the single wall piece featured in the exhibition.

The exhibition also features First Sounds (2012), a piece Tang created in collaboration with astronomer Mark Whittle, who used computer calculations rooted in the Cosmic Microwave Background data to recreate the fundamental tone and higher harmonics of the sound of the early universe.

For Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaiser.

The 16th edition of this exhibition will feature 40 new works, ranging from the dynamic floor - to - ceiling installation piece by Abhidnya Ghuge (consisting of 5,441 paper plates), the technicolor hyperrealist paintings by Ira Upin, and the minimalist conceptual neon works by Raine Vasquez.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

Comprised of nearly 200 pieces in a wide range of media including sculpture, painting, photography, installation art, found objects, film, and art books, the exhibition is the first to feature this little - known artist in the US.

According to a recent piece in T: The New York Times Style Magazine, the artist is experiencing a «London moment,» as she prepares for a major exhibition at the Institute of Contemporary Arts (featuring sculpture, photography, painting, and more) on the heels of debuting costumes and backdrops in a ballet at London's Royal Opera House.

Hosted by Flashpoint (916 G St NW) from 6:30 - 8:30 pm, Cultivating Taste: The Art of Curation will feature Jarvis DuBois, Carolina Mayorga, John Paradiso and Laura Roulet, to speak on their experiences with galleries, artists, creating a cohesive exhibition and how they select the perfect pieces for their shows.

This exhibition features a selection drawn from the museum's holdings accompanied by more pieces from the Museum of East Asian Art's own collection, demonstrating the range, creativity and individuality of these often intricately carved and detailed objects.

«Through their pieces, the artists featured in this exhibition investigate alternative frameworks for perception, often occupying its margins — responding to conditions of invisibility as well as what can not be represented — through radical experimentation.»

Featuring over 20 works, the exhibition spans almost 25 years of exceptional artistic production and presents brand new pieces alongside significant creations from the artist's earlier career.

This is the Casasempere's first solo exhibition in Japan and features large scale sculpture with a group of ceramic pieces.

Showcasing innovative and outstanding pieces, the Aesthetica Art Prize Exhibition features shortlisted works from artists in four diverse categories.