Sentences with phrase «exhibition floors go»

Not exact matches

There is plenty of business activity that goes on right on the exhibition floor, making the USATT event the premier event of its kind for getting your alcohol beverage products in front of potential buyers.

Participants all go home with special memories.We offer wide choice of coffee breaks, events for meetings, trainings, themed exhibitions, gala dinner up to 200 participants with 850 m ² on one floor.

The building's second floor will go to Contemporary Art Collection of the Americas, while the rest of the Tabacalera will be made available for exhibitions of emerging artists and as a satellite space for the nearby Reina Sofia Museum.

Jennine Culligan, Director of the Eleanor D. Wilson Museum, writes in the exhibition catalog, «Since 1987, the first floor of her home, her large studio a few steps away, and the daily comings and goings of her family have been her main source for compositions based on observation and imagination.

Tags: Ai Campbell, Anne Mourier - DeFalco, Brooklyn Galleries, ground floor gallery, park slope galleries, Sara Jones Posted in Collecting Art, Exhibition, NYC Comments Off on Provenance at ground floor gallery on - going until July 9th

He would go on to create ten major works in 1963, exhibiting eight of them, three built for the wall and five for the floor, in his one - man exhibition at the Green Gallery in New York in 1963.

The show, which will colonize the second floor of the museum, goes on view alongside exhibitions of Lynette Yiadom - Boakye, Kaari Upson, and Elaine Cameron - Weir — all a fraction of Rama's age (Upson, the oldest, was born in 1972).

The highest - profile victory, however, went to performance artist and «dancing economist» Tino Sehgal for his piece in Massimiliano Gioni's «The Encyclopedic Palace» exhibition featuring a man and a woman sitting on the floor, one of them rhythmically uttering incantatory sounds of a vaguely Eastern, quasi-spiritual tenor while the other strikes poses that could possibly be derived from historical artworks.

As an intern at the Whitney, she was charged with sitting on the gallery floor inside a 1975 exhibition of the work of Richard Tuttle, art so minimal and humble it infuriated many viewers and was a factor in the firing of the curator, Ms. Tucker, who promptly went out and started the New Museum in two small temporary rooms in TriBeCa.

Many people in New York know Jorge Pardo's work because he designed the last ground floor exhibition for the Dia Foundation's 22nd Street location, before that space went to rot to make way for Dia Beacon.

I went to visit Dawn Black's exhibition, Conceal Project, at the Columbus Museum of Art and became engulfed with Promises of Great Things to Come: Future Gifts to the Collection of the Columbus Museum on view in its third floor gallery and organized to celebrate the Museum's 60th anniversary [December 4, 2012 - February 3, 2013].

Installed around the entire circumference of the museum's third floor gallery, the work is his largest to date and his first presentation in Washington, D.C. Shown, The artist stands before «Go Tell It on the Mountain,» a 2016 mixed - media on canvas featured in his solo exhibition at the U.S. Pavillon at the 57th Venice Biennale (May 9).

New York will get at least five of the initiative's exhibitions: «Golden Kingdoms» and «Painted in Mexico, 1700 — 1790» will come to the Metropolitan Museum of Art; the hotly anticipated «Radical Women» will go to the Brooklyn Museum; «Relational Undercurrents: Contemporary Art of the Caribbean Archipelago» will make its way to the Wallach Art Gallery at Columbia University; and a two - person exhibition by Suzanne Lacy and Pablo Helguera will open at the 8th Floor next month.

Damien Hirst was standing in the middle of the top - floor exhibition space at Newport Street Gallery, the private museum that houses his collection, looking over the latest show to go on view there, Dan Colen's «Sweet Liberty.»

If there was going to be a second installment of everything Greek than where better than to place a small but mighty independent exhibition hosted by Soup Collective International on the ground floor.

But for those who went to see it up to the day after New Year's, I was giving this advice: First, go upstairs to the fifth floor, where you'll find an exhibition of some 70 works by Paul Klee, all culled from a group of 90 donated to the Metropolitan Museum of Art in 1984 by the German art dealer and collector Heinz Berggruen.

Inaugural Group Exhibition Monya Rowe Gallery, 34 Orchard St.; Sept. 8 — Oct. 20 Speaking of new spaces opening on the constantly improving Lower East Side: Monya Rowe Gallery is going from its 22nd Street walk - up to a ground floor at 34 Orchard Street.

Recent exhibitions include: Clouds ⇄ Forests (7th Moscow International Biennale of Contemporary Art), Camoufleur (VITRINE, London), Chimera (Antenna Space, Shanghai), The Last Vehicle (UCCA, Beijing), 2015 Triennial: Surround Audience (New Museum, New York), Unseen Existence (HK Arts Centre), Going, going, until I meet the tide (2014 Busan Biennale), The Part In The Story Where A Part Becomes A Part Of Something Else (Witte de With, Rotterdam), Tetraphilia (Third Floor Hermés, SingapGoing, going, until I meet the tide (2014 Busan Biennale), The Part In The Story Where A Part Becomes A Part Of Something Else (Witte de With, Rotterdam), Tetraphilia (Third Floor Hermés, Singapgoing, until I meet the tide (2014 Busan Biennale), The Part In The Story Where A Part Becomes A Part Of Something Else (Witte de With, Rotterdam), Tetraphilia (Third Floor Hermés, Singapore).

It features three galleries over three floors that will stage an on - going programme of events and exhibitions, bringing together visual art across a wide range of media.

Simply, there's just too much going on over the three floors of the Gagosian galleries that the sprawling exhibition presides over to identify a credible connection to the art and ideas of Malevich, let alone to establish a meaningful artistic genealogical line between most of these American artists to the Russian visionary.

«When I go to the movies, I'm expected to identify with all of the characters, and most of them are white,» says the African - American artist Kerry James Marshall, sitting on the top floor of David Zwirner's immaculate gallery in a Mayfair townhouse in London, where his new exhibition of paintings Look See has just opened.

By 3:30 a.m. Sunday, the controversy surrounding the graffiti attack on the fourth - floor wall of the Whitney's «Jeff Koons: A Retrospective» had died down, but the 36 - hour marathon ending of the exhibition was still going strong.