This exhibition focuses on relationships among the photographic work of three artists active during the 1970s that drew on ideas of surrealist / Dada culture of the 1920s and 1930s and influenced succeeding generations of photographers and media artists.
Consisting of newly commissioned moving image works,
the exhibition focuses on the relationship between landscape, history and infrastructure in the artist's home country of Puerto Rico.
Not exact matches
The
exhibition Fit for a Queen: HM Queen Sirikit's Creations by Balmain
focuses on her
relationships with Pierre Balmain and François Lesage, two legendary French couturiers who created dresses for the monarch during her trips to Europe and America.
The publication of The Ideal School
Exhibition kick - starts the RSA's work to unlock the potential of an overworked teaching profession, and to get our schools
focused on the pivotal
relationship at the heart of teaching: between the teacher, the pupil and the text — the real substance of education.
The
exhibition will
focus on the amazing
relationship developed through a «Sister City» Program between Ishikari Japan, and Campbell River, Canada.
Body Language is a group
exhibition in video format that
focuses on two emerging artists whose video works explore the ways in which language determines and is eluded by our
relationships to our bodies.
Edited by the
exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work — her life,
relationship with other artists, the influence of South - Asian philosophy — alongside
focused shorter pieces
on particular paintings, this beautifully designed volume is the definitive publication
on her oeuvre.
Hirst's «Kaleidoscope» painting, «The Kingdom of the Father» (2007) is included in this major
exhibition of work
focusing on our
relationship with wildlife and nature.
The gallery's longstanding
relationship with many of its artists will be highlighted by
focusing on important early solo
exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).
Focusing on the
relationship with his friend and fellow artist Marcel Broodthaers, as well as artists ranging from George Condo, Gavin Turk and David Altmejd, the
exhibition explores the way Magritte set into motion the concept of the «trashing of painting by painting itself», an idea still wilfully prevalent in art today.
Throughout this
exhibition there is a particular
focus on the role and expression of female
relationships in Goldin's work.
It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated
exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that
focuses on Rauschenberg's
relationship to the Guggenheim and the artist's engagement with Venice in particular.
In its
focus on Cassatt's experimentalism as a means of fusing subject matter and formal qualities, the
exhibition also contributes to a deeper understanding of the
relationship between printmaking and Impressionism.
The
exhibition includes artworks that is
focused on the
relationship between art and radical pedagogy.
In conjunction with the
exhibition A to Z: Abracadabra to Zombies at SMU's Pollock Gallery, new media artist, art activist, educator, and curator Morehshin Allahyari will talk about her recent research and art projects, with a particular
focus on the poetic
relationship between 3 - D printing, plastic, oil, jihad, and technocapitalism.
In this sense the
exhibition focuses on one of these possible
relationships and at the same time builds
on the
exhibition titled the Origins of Abstract Art, which took place several years ago in Paris.
Furthering his interest in film and filmmaking as subject matter, Adrià Julià initiates a new project
focusing on the
relationship between the camera and the body for his Artist Labs Residency and
Exhibition at 18th Street Arts Center.
Focusing on works in the University Gallery's permanent collection, this
exhibition invites viewers to consider the intimate
relationship between the object to be looked at and those doing the looking.
This is the first
exhibition to
focus on the
relationship between her drawing and sculptural work.
The Chrysler Museum of Art explores our
relationship to medicine and technology with an
exhibition focused on the pharmaceutical industry.
Although a number of recent
exhibitions have
focused on the
relationship between art and text, I felt there was more to say
on the subject.
A solo
exhibition featuring small box sculptures with photographs that
focus on the passing of time, memory, and challenging
relationships
The National Gallery's major spring
exhibition explores the
relationship between Michelangelo and Sebastiano del Piombo,
focusing on two collaborations: the Pietà for San Francesco in Viterbo (c. 1512 — 16) and The Raising of Lazarus, painted for the Cathedral of Narbonne (15 March — 25 June).
Rowland's work, which
focuses on economic and social issues, stimulates a critical debate about the
relationship between
exhibition spaces and public spaces.
Her work, which
focuses on topics related to inter-group
relationships and balkanization, has been featured in numerous
exhibitions in Los Angeles, New York and Istanbul.
The
exhibition WILD
focuses on recent artistic developments and features over 70 works by more than 35 artistic photographers to show the rich spectrum of our
relationship to animals.
Curated by Matthew Burrows, Permeable Edge (19 October - 4 December 2016) continues the series of research
exhibitions and symposia which have
focused on the
relationship between contemporary art and the work of British Modernist painters who feature prominently in the Bishop Otter Art Collection at the University.
The
exhibition focuses on the duo's color and material selections, which are often based
on personal memory and
relationships.
This solo
exhibition tries to build a
relationship with the audience's physical presence, expanding Bul's ideas in a more architectural way as opposed to her previous sculpture series Cyborgs, which
focused on the idea of individuality and identity locked within social phenomena.
Indeed, by
focusing on the artistic production and
relationship between the artist Jess, his partner poet Robert Duncan, and their remarkable circle of friends, this
exhibition presents imaginative works that catalyzed an entire generation of poets and artists.
Footnotes: 1 Contemporaneously, «Zeitgeschichten,» an
exhibition at Bonn's Bundeskunsthalle,
focuses on Darboven's
relationship with literature.
, an
exhibition that «showcases the recent outcomes of our aesthetic and poetic studies, now
focused on the
relationship between geometrical abstraction and urban space,» they explained.
Inspired by the works of Florence Henri, László Moholy Nagy, El Lissitzky, and Josef Albers, Truly Design created The Truth and Where You See it From, an
exhibition that «showcases the recent outcomes of our aesthetic and poetic studies, now
focused on the
relationship between geometrical abstraction and urban space,» they explained.
Specifically the
exhibition focuses on our present and our
relationships to perceptions of reality.
Artists: Becky Beasley, Paul Caffell, Attila Csörgő, Michael Dean, Liz Deschenes, Raphael Hefti, Corin Hewitt, Ode de Kort, Laura Lamiel, Oliver Laric, Marie Lund, Justin Matherly, Fabio Sandri, Luca Trevisani, Viola Yeşiltaç, and a selection of early publications
on the work of Medardo Rosso
Exhibition title: The Camera's Blind Spot II Curated by: Simone Menegoi Venue: Extra City Kunsthal, Antwerp, Belgium Date: March 28 — July 19, 2015 Photography: © We Document Art and © Fabio Sandri, images courtesy of the artists and Extra City Kunsthal «The Camera's Blind Spot II»
focuses on the
relationship between sculpture and photography today.
This major survey
exhibition focuses on artists who have shaped our understanding of the British landscape and its
relationship to identity, place and time.
Leaving to one side ideas of nationality and regionalism, this
exhibition focuses on London as a place of freedom and experimentation that enabled artists to produce radical works that engaged with issues of participation and collaboration, established new
relationships with the public space and fostered art as an effective political tool.
Thirty years after the
exhibition Hommage à Ferrari, the Fondation Cartier will once again
focus its attention
on the world of cars with the
exhibition Autophoto dedicated to photography's
relationship to the automobile.
This
exhibition focuses on that work — namely, the nine films she made in the 1980s and»90s, experimental works that dwell
on feminism, historical themes and
relationships.
In his newest
exhibition, «Magic Ladder,» Shonibare
focuses his attention
on European art and intellectual history and their
relationship to colonialism, slavery and identity.
The
exhibition focuses on lens - based art revolving around the
relationship between photography and sculpture.
Organized by Six Pack Projects, this
exhibition featured twelve established and emerging contemporary artists whose work
focuses on our reciprocal
relationship to food: what we consume, how we consume it and how it consumes us.
The
exhibition also takes a close look at the
relationship between colonial experience and the rise of modern art in former colonies such as Singapore, with a special
focus on Sir Stamford Raffles.
The
exhibition focuses on Basquiat's
relationship to music, text, film and television, situating the artist's formidable talents within a broader cultural context
As much
focussed on the human
relationships around art as it the critical dialogue, Kneale and Hefti will finish up what is a two - part
exhibition and group residency conducting «idiosyncratic research while nightly hosting dinners in the foundation's ad hoc kitchen space».
Art and the Feminist Revolution, an international survey of the
relationship between art and feminism curated by Connie Butler, Schor's
exhibition distinctly
focuses on «how women artists changed the image and the representation of women in art.»
Focusing on humankind's obsessive
relationship to computers and other virtual platforms, the works in this
exhibition are microcosmic scenes that convey the varied nature of these
relationships, such as obsession, escapism, isolation and sexual fetish.
The
exhibition at PinchukArtCentre
focuses on newly produced works, sharing the common themes of chance in everyday life, hopelessly romantic
relationships, and the tendency for magical thinking, to name a few.
The
exhibition will travel to the Guggenheim Museum in Bilbao from 30 September 2016 to 8 January 2017,
focusing on the artist's
relationship with Spain.
The
exhibition focuses on Moser's architectural work in its unusually close
relationship with the visual arts, a complex symbiosis comprising the often exhaustive artistic appointment of his constructions, his collaboration with artists as partners
on his projects, Moser's own artistic ambitions and, last but not least, his buildings dedicated expressly to art.