This exhibition focuses on the years between 1979 — 89, a period in which Whitten was influenced by scientific and technological change; works such as his DNA series reveal his interest in photographic processes and electronic imaging.
The exhibition focuses on the years 1961 — 1964.
An exhibition focusing on the year 1941, a seminal moment in Alexander Calder's career and the apotheosis of a decade of experimentation following his invention of the mobile in 1931.
This exhibition focuses on his years living in West Sussex and his dream of Britain as a druidic battleground of good and evil.
The exhibition focuses on the years when Ting lives and works in Amsterdam.
Not exact matches
Following a successful launch, the
exhibition will once again introduce a «country of the
year» in 2018, the
focus this
year being
on New Zealand.
Because we had already
focused heavily
on project - based learning for many
years and frequently recruited public audiences for student
exhibitions, we had a track record of engaging with the community.
As well as the historic rooms, where the central
focus is
on the life story of Anne Frank, an interactive
exhibition and a temporary
exhibition which is changed each
year are also
on display in the Anne Frank House.
The
exhibition focuses on the short life of Anne Frank (1929 - 1945) and features one or more photos, letters and books from each
year of her life, some of which are being shown in public for the first time.
Invisible City and Night Walk, his two books
focusing on 1980s downtown New York (featured in this
exhibition and printed by the renowned German publishing house Steidl), were Vogue Italia, Mother Jones and TIME books of the
year.
Perhaps Jeffrey Deitch knew about this, which is why, for this
year's Armory Show (March 2 — 5, 2017), he reprised a group
exhibition focusing on Stettheimer that he did more than twenty
years ago.
Fishman is currently the subject of two large
exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 -
year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work,
focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.
On view November 2, 2017 through January 13, 2018 at 32 East 57th Street, Agnes Martin, Richard Tuttle: Crossing Lines marks the first time in nearly 20
years that works by the two artists and longtime friends have been shown together in a
focused exhibition.
This is the first showing of Hartung's works in New York since his controversial 1975
exhibition at the Metropolitan Museum of Art, and
focuses on the artistic output of his last
years of life.
Damien Hirst's latest
exhibition which opens to the public
on April 9th, 2017, titled «Treasures from the Wreck of the Unbelievable,»
focuses on a fictitious ship wreck which happened some 2,000
years ago off the coast of East Africa.
Five
years ago I drafted an article for abstractcritical
focussing on the works by Anthony Caro and Katherine Gili in the 2013 RA Summer
Exhibition, neither of which I liked.
A new biennial
exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives
on Art of the Americas is a six -
year commitment to a series of linked
exhibitions with a
focus on contemporary art and cultural production of the Americas.
Over the course of this 23 -
year run the
exhibition sometimes
focused solely
on Atlanta - based artists, sometimes
on artists from the state of Georgia, and, in several iterations,
on an area of artistic production that included the whole of the American South.
The NGA
exhibition opens just over a
year after Stella's retrospective opened at the Whitney Museum in New York, yet by
focusing on the rich seam of prints, a cohesive view of this extraordinary artist is attainable, making it an important show
on many levels.
This
exhibition — which
focused on Jay DeFeo's production following her three -
year hiatus from artmaking after her completion of The Rose, 1958 - 66, her famous, one - ton painting of a burst of white light — gathered forty - nine pieces from the last fifteen
years of the artist's life, several of which were absent from her recent traveling US retrospective.
ONE OF THE MOST ANTICIPATED museum
exhibitions of the season, a major survey of Kerry James Marshall «s work, primarily
focused on his painting over the past 35
years, is opening at the Museum of Contemporary Art Chicago,
on April 23.
Seeing the World Within is the first
exhibition to
focus on the groundbreaking paintings Seliger created during the first decade of his career, and the first museum - organized
exhibition of Seliger's work in 30
years.
After all, the last couple of
years have seen three major
exhibitions in London art museums that have
focused on architecture («Sensing Spaces» at the RA, «Ruin Lust» at Tate Britain, «Constructing Worlds» at the Barbican), and smaller shows regularly claim some sort of interrogative capacity for exploring the interaction between these two broad categories of material culture.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top
Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz
on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25
Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two -
year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This T
year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown,
focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the
Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This T
Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
For now, Otero's
focus is
on a full schedule of upcoming
exhibitions that will keep him busy in his Queens studio until the end of the
year.
«This coming
year we are placing a strong
focus on American art with
exhibitions featuring artists like Ufer and Hennings, as well as Fritz Scholder and Andrew and Jamie Wyeth,» said Christoph Heinrich, Frederick and Jan Mayer Director of the DAM.
The
exhibition of over 100 photographs, taken by Goldblatt during the past 50
years,
focuses on South Africa's human landscape in the apartheid and post-apartheid eras.
Published
on the occasion of the major
exhibition at David Zwirner in London, this fully illustrated catalogue offers intimate explorations of paintings and works
on paper produced by the legendary British artist over the past 50
years,
focusing specifically
on her recurrent use of the stripe motif.
On Friday, Sept. 16, the Whitney Museum of American Art opens «Carmen Herrera: Lines of Sight,» her first solo museum exhibition in New York in almost 20 years, focusing on work from 1948 to 1978, when she was finding her signature style: a hard - edged, radiantly colored, vertiginously geometric way of making very little do a lo
On Friday, Sept. 16, the Whitney Museum of American Art opens «Carmen Herrera: Lines of Sight,» her first solo museum
exhibition in New York in almost 20
years,
focusing on work from 1948 to 1978, when she was finding her signature style: a hard - edged, radiantly colored, vertiginously geometric way of making very little do a lo
on work from 1948 to 1978, when she was finding her signature style: a hard - edged, radiantly colored, vertiginously geometric way of making very little do a lot.
The
exhibition includes work dating back to the 1950s, but primarily
focuses on art produced within the past 30
years.
During the 10 -
year period
on which this
exhibition focuses — from 1971 to 1981 — Ramberg's radical, enigmatic, and accomplished paintings moved towards increasing abstraction of the human figure.
The current show,
focusing on new work and including two major early paintings, is Burkhart's third solo show with the gallery and his first one - person
exhibition in New York in 22
years.
That same
year, Michael Rosenfeld Gallery mounted a solo
exhibition focused on a selection of Falkenstein's work from the
years 1955 to 1975 and she was also included in the group
exhibition Impact: The Legacy of the Women's Caucus for Art at the American University Museum of the Katzen Arts Center at American University in Washington, DC.
The «studio» segment of the
exhibition —
focussing on portraiture — will go
on view in the autumn of this
year.
Twelve
years after his first
exhibition at the Fondation Cartier pour l'art contemporain in 2003, the eminent Japanese photographer Daido Moriyama will return to the foundation for a new
exhibition that
focuses on his recent work.
ZSOYour current
exhibition, Becoming Henry Moore,
focuses on the artist's formative
years, from 1914 to 1930.
Published
on the occasion of Bridget Riley's major
exhibition at David Zwirner in London in the summer of 2014, this fully illustrated catalogue offers intimate explorations of paintings and works
on paper produced by the legendary British artist over the past fifty
years,
focusing specifically
on her recurrent use of the stripe motif.
The
exhibition focuses entirely
on 1932, a pivotal and prolific
year for Pablo.
In January of this
year, attempting to redress this deficit, curator Cesar Garcia opened the Mistake Room, an
exhibition space in a warehouse south of Downtown that pledges to
focus on underexposed artists working outside the United States.
Put in context, in the
year following the historic 1913 Armory Show that had so dramatically introduced the ideas of the European avant - garde to an American audience, Stieglitz presented to this same audience the first
exhibition of African sculpture to
focus on its aesthetic rather than ethnographic interest.
«This
exhibition, many
years in the making, is part of the museum's series
focusing on Africa's contributions to the history of knowledge — in this case, knowledge about the heavens and how this knowledge informs the creation of spectacular works of art,» said Christine Mullen Kreamer, deputy director and chief curator of the National Museum of African Art.
This retrospective
exhibition at Vienna shows that her work all these
years, beyond painting that added in the course, which covers the expressive needs,
focusing primarily
on installations in space, this installations characterize her first of work presented in Athens at the Factory in the group
exhibition» Push - Ups», in 1997.
The
exhibition focuses on the pivotal two -
year period between 1962 and 63 when Frankenthaler moved away from line - based composition and began «composing with color,» leading up to her iconic stain technique.
Curated by Søren Grammel,
exhibition focuses on the installation Frankfurter Block, [2016] 2014, 2012, an expansive and multifaceted project Mucha did not complete in its present form until two
years ago.
On several projects in Bucharest I've been working with curator Olivia Nițiș, including the group exhibition MonuMental Histories at ARCUB which ran until May 8th, and the upcoming IEEB7 Biennial in Bucharest, which is focused this year on fabricated historie
On several projects in Bucharest I've been working with curator Olivia Nițiș, including the group
exhibition MonuMental Histories at ARCUB which ran until May 8th, and the upcoming IEEB7 Biennial in Bucharest, which is
focused this
year on fabricated historie
on fabricated histories.
Seven
years ago, when Swann began
focusing on African American art, few, if any, of the artists were featured contemporaneously in
exhibitions.
«We've set aside the traditional objective of the survey
exhibition — comprehensive and cohesive coverage — to
focus instead
on the evolution of the collection over the past almost 90
years,» said Lowry.
For her first US solo
exhibition, Riniker - Radich
focuses on rural anti-government organizations that have flourished in the America in recent
years.
In conjunction with the
exhibition, Queens Museum and Autonomedia are proud to co-publish Agents & Assets: Witnessing the war
on drugs and
on communities, a publication
focused on 12
years of Agents & Assets performances and conversations.
The Jazz Age: American Style in the 1920s, September 30 to January 14 in the Smith
Exhibition Hall, is the first major museum exhibition to focus on American taste in art and design during the dynamic years of the 1920s and ea
Exhibition Hall, is the first major museum
exhibition to focus on American taste in art and design during the dynamic years of the 1920s and ea
exhibition to
focus on American taste in art and design during the dynamic
years of the 1920s and early 1930s.