Sentences with phrase «exhibition following a media»

Not exact matches

His work has been include in the following selected exhibitions: Australian Perspecta, Art Gallery of New South Wales (1993); Fluxibelstructures, Kunsthaus Oerlikon, Zurich, Switzerland (1995); Preambles, Australian Perspecta, Museum of Contemporary Art, Sydney (1999); Art in the World, Pont Alexandre III, Paris, France (2000); Video - Salon, Week of Art and New Media, Brussels, Belgium (2000); 25th Bienale de Sao Paulo, Sao Paulo, Brazil (2002); Bitter Sweet, Art Gallery of New South Wales, Sydney (2002); Identity and Desire, Art Gallery of South Australia, Adelaide (2005); CRASH (and other worldly pleasures) Lawrence Wilson Art Gallery, University of Western Australia, Perth (2006); Bon Scott Project, Fremantle Arts Centre, Fremantle (2008) and Rough Trade, TANKS Art Centre, Cairns (1997) and Plimsoll Gallery, Hobart (1998).

Throughout the crowdfunding campaign and leading up to the exhibition's opening, visitors following the DMA's social media platforms and subscribers to the Museum's email can follow the process of developing the exhibition from beginning to end, with exclusive insights from DMA staff, spanning nearly every department at the DMA.

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

Following that is the very popular and much anticipated annual group exhibition «The Summer Show,» which opens June 17 and features more than 40 works in various media — including painting, sculpture, works on paper, photography, video and installation — by gallery and guest artists.

LeWitt, Nevelson, Pendleton extends Pace's ongoing series of group exhibitions that initiate conversations between artists working across time periods, geography, and media, following such significant exhibitions as Blackness in Abstraction (2016), Sol LeWitt and Zhang Xiaogang (2016), Alfred Jensen / Sol LeWitt: Systems and Transformation (2012), Light, Time and Three Dimensions (2007), Dubuffet and Basquiat: Personal Histories (2006); and Grids: Format and Image in 20th - Century Art (1979).

Her latest exhibition showcased at the Annka Kultys Gallery in the heart of east London is a display of selfies, videos and screen grabs taken from her various social media sites where she has developed a significant following.

Following the success of the inaugural competition last year, aspex seeks emerging artists, designers and makers working in all media for its open submission exhibition CRAFT EMERGENCY.

Following his 2015 retrospective at Nasher Sculpture Center in Texas, the exhibition introduces three - dimensional mixed - media works in which utilitarian and labor - related materials such as tools, chains, and barbed wire blend and form narratives on identity, heritage, and belonging.

Following her related solo exhibition at Witte de With concerning doors, windows, pages and video as cultural techniques, here again cameras, screens, doors, glass, books and magazines are considered equal media; their forms and materialities connect to consciousness and structure our reality.

With over 40 years of exhibition and performance experience, Luna has given voice to Native American cultural issues, pursued innovative and versatile media within his disciplines, and charted waters for other artists to follow.

Following the inaugural exhibition, Bermudez Projects will present new paintings by Johnny Taylor, video and light installations by Jesse Phillips, mixed - media paintings by Erynn Richardson (which will be accompanied by a book jointly published by Bermudez Projects Editions), and Ghetto Gloss The Chicana Avant - Garde, 1980 - 2010, which is part of the participating gallery program for the Getty Foundation's Pacific Standard Time: LA / LA initiative.

Followed by the artist in conversation with Dr Michael Maziere, Reader at the Westminster School of Media, Arts and Design and Curator of the Casebooks exhibition.

With some 140 works from 14 countries, this exhibition follows the trajectories of Pop Art beyond its New York and London epicenters, following artists who exuberantly embraced figuration, media and mechanical processes.

This was followed by periods of work at the media art gallery Weisser Raum in Hamburg and in Palma de Mallorca, where she curated an exhibition with video works from the collection of the TW - Stiftung Hamburg.

Spanning a decade of artistic production including installation, print, photography and film, the exhibition follows Baudelaire's sustained attempts to find a form that accommodates the catastrophic complexity of contemporary life, interweaving fiction with considerations on fear, the media and the power of words and images.

Natalie Hou (Print Media» 17) participated in a residency at Residencia Corazon in La Plata, Argentina, and hosted the solo exhibition A donde tu corazon va (Where your heart goes, the body follows it).

The exhibition features a variety of media, including sculpture, video, photography, collage, and drawing by the following artists: Eduardo Abaroa, Francis Alÿs, Edgardo Aragón, Artemio, Gustavo Artigas, Abraham Cruzvillegas, Minerva Cuevas, Thomas Glassford, Daniel Guzmán, Jonathan Hernández, José Jiménez Ortiz, Gabriel Kuri, Teresa Margolles, Miguel Monroy, Yoshua Okón, Gabriel Orozco, Damián Ortega, Naomi Rincón - Gallardo, Idaid Rodríguez, Joaquin Segura, Melanie Smith, Tercerunquinto, and José Antonio Vega Macotela.

Following on the heels of a successful inaugural exhibition dedicated to the work of Urs Fischer, as well as a public art installation by Sterling Ruby, this show — St. Moritz Art Masters — promises to be a thought provoking, mixed - media extravaganza.

Her practice encompasses poetry as well as a range of media including painting, performance and sculpture — she published a volume of verse, A Virus can be on a Mussel, with Mousse just last year following on from a string of exhibitions in very respectable German venues.

Featuring painting, sculpture, photography, and mixed media, the exhibition comprises the work of the seven jurors and fourteen artists, as follows:

Following the great success of Piero Pizzi Cannella's solo exhibition at the State Hermitage Museum of Saint Petersburg, Salon de musique and Other Paintings, Partners & Mucciaccia is proud to present twenty - one new works, fourteen paintings on canvas and seven mix - media works on paper, by the Master conceived specifically for the gallery in London.

Dorothy Cross / Tabernacle, 2013 / Currach, shed, wood, roller blinds, mixed media, video / 270 x 522 x 126 cm / Collection Irish Museum of Modern Art / Donation, 2015 / IMMA.3881 Drawing on the paradox implicit in the word «coastline» - for never has a coast followed a linear course - the title of this exhibition throws a line around a 12 month programme of changing displays of artworks and archival material that will explore our sense of place, perception, representation and memory.

Directly following a series of solo exhibitions in Europe and barely in advance of his exhibitions at the Zitadelle in Berlin and the Baker Museum in Florida, Obscure Line Between Fact and Fiction not only indicts contemporary culture's media - driven simulacra, obscuring a perception of the real, but also and moreover, in painting, multi-media, and sculptural form, sounds a stirring battle cry against the miscarriages of justice of the early 21st century through an expressive and engaged aesthetic, arguably unseen in American art since Rauschenberg or Basquiat.

Following the sold out success of major law events including, «The British Legal Technology Forum 2018 / 2017 / 2016 / 2015», «The London Law Expo 2017 / 2016 / 2015 / 2014», «The European Legal Security Forum 2017 / 2016» and «LawTech Futures» series of events, Netlaw Media is now offering a limited number of sponsorship and exhibition packages for the British Legal Technology Forum 2019.