Sentences with phrase «exhibition following the organization»

Not exact matches

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

The Santa Monica Museum of Art is grateful to the following foundations and organizations for support of the exhibition and catalog: Philip Aarons and Shelley Fox Aarons; Charles Brittin; LLWW Foundation; the National Endowment for the Arts; and the Pasadena Art Alliance.

Acknowledgments Exhibition Curators: Yingxi Lucy Gong; Kiara Hill; Imo Imeh; Vick Quezada; and Elizabeth Upenieks Exhibition Design: Joseph Krupczynski, The Center for Design Engagement; Randy Crandon, Design Assistant We gratefully acknowledge the following people whose support and advice have been vital throughout the organization of this exhibition: Charles Derby; Fred Wilson; Imo Imeh; Douglas Baxter, President of Pace Gallery, New York; and Victor & Karen Woolridge Business and Corporate Support: UMass Five College Federal Credit Union, Hadley, MA; Leader Home Centers Lumber Yard and Hardware Store, Amherst, MA; Pace Gallery, New York We thank the following UMass campus partners for their support: Friends of the Fine Arts Center; Interdisciplinary Studies Institute; Department of Art History; History Department Schedule of Events All events are free and open to tExhibition Curators: Yingxi Lucy Gong; Kiara Hill; Imo Imeh; Vick Quezada; and Elizabeth Upenieks Exhibition Design: Joseph Krupczynski, The Center for Design Engagement; Randy Crandon, Design Assistant We gratefully acknowledge the following people whose support and advice have been vital throughout the organization of this exhibition: Charles Derby; Fred Wilson; Imo Imeh; Douglas Baxter, President of Pace Gallery, New York; and Victor & Karen Woolridge Business and Corporate Support: UMass Five College Federal Credit Union, Hadley, MA; Leader Home Centers Lumber Yard and Hardware Store, Amherst, MA; Pace Gallery, New York We thank the following UMass campus partners for their support: Friends of the Fine Arts Center; Interdisciplinary Studies Institute; Department of Art History; History Department Schedule of Events All events are free and open to tExhibition Design: Joseph Krupczynski, The Center for Design Engagement; Randy Crandon, Design Assistant We gratefully acknowledge the following people whose support and advice have been vital throughout the organization of this exhibition: Charles Derby; Fred Wilson; Imo Imeh; Douglas Baxter, President of Pace Gallery, New York; and Victor & Karen Woolridge Business and Corporate Support: UMass Five College Federal Credit Union, Hadley, MA; Leader Home Centers Lumber Yard and Hardware Store, Amherst, MA; Pace Gallery, New York We thank the following UMass campus partners for their support: Friends of the Fine Arts Center; Interdisciplinary Studies Institute; Department of Art History; History Department Schedule of Events All events are free and open to texhibition: Charles Derby; Fred Wilson; Imo Imeh; Douglas Baxter, President of Pace Gallery, New York; and Victor & Karen Woolridge Business and Corporate Support: UMass Five College Federal Credit Union, Hadley, MA; Leader Home Centers Lumber Yard and Hardware Store, Amherst, MA; Pace Gallery, New York We thank the following UMass campus partners for their support: Friends of the Fine Arts Center; Interdisciplinary Studies Institute; Department of Art History; History Department Schedule of Events All events are free and open to the public.

Since receiving her doctorate in 1994 she has worked as a consultant for a number of institutions in the Caribbean and Britain including the Royal Academy, London where she worked as coordinating editor for the exhibition and publication Africa the Art of a Continent (1995) the National Gallery of Jamaica where she has been a visiting curator member of the Board of Directors since 2000; The British Council where she worked as a consultant to evaluate and promote the profile of that organization in the Caribbean (1999 - 2000), The National Art Gallery of the Bahamas where she spearheaded the development of that institution's curatorial practices and policies following its establishment (2000 - 2002), and the School of Visual Arts in Jamaica where she designed that college's first degree program in Art History (2002 - 2004).

We have co-produced events in collaboration with the following venues and organizations: For Your Art; Museum of Contemporary Art, Armory Center for the Arts, Pasadena; College Art Association; Human Resources, Los Angeles; Barnsdall Art Park; Chapman University; Creative Arts Agency; Los Angeles Contemporary Exhibitions (LACE); Mandrake; Honor Fraser Gallery; and the Art Los Angeles Contemporary Art Fair.

The professional memberships and exhibiting activity listed in biographical dictionaries can be followed to indexes and histories of annual salons and artists» organizations that held regular shows, such as those for the AIC (Falk, ed., Annual Exhibition Record of the AIC), the Chicago Society of Artists (Yochim), and the Society of Western Artists (Perry).

In the following decades, she participated in exhibitions across the U.S. and was particularly active in Chicago galleries and organizations, with solo shows at M. Knoedler & Company in 1931, at Findlay Galleries in 1936, and at the Chicago Galleries Association numerous times in the 1930s and 1940s.

The publication will follow the geographic organization of the DallasSITES exhibition, providing broader and more detailed narrative of the development of the contemporary art scene within each enclave.

The organization has been led by Jeffrey Hoone since 1982, and the following statement from the exhibition catalogue clarifies his vision and dedication to serving artists.