Sentences with phrase «exhibition follows from»

A reception to welcome the exhibition follows from 7:00 to 8:30 pm at the High Street gallery, 301 West High Street in Glassboro.

The principle of this exhibition follows from this opposition.

This exhibition follows from Opie's major solo exhibitions at MAK (Museum of Contemporary Art) in Vienna and MITO Arts Foundation in Tokyo.

Not exact matches

Furnishing in Focus was initiated in 2010 following requests from Australian Furnishing Manufacturers frustrated by an increasing presence of imports at National Furniture Exhibitions, and too, for the need for a more cost effective way to present their products to Trade Only buyers looking to source locally.

Here you'll find a list of all exhibitors who will attend the Free From Functional Food Expo 2018, co-locating the following exhibition areas and categories:

The Political Cartoon Gallery is putting on a new exhibition of artwork featuring Margaret Thatcher from when she was in Number 10 - and more recent depictions of the only female to follow in her footsteps, Theresa May.

This piece is part of a larger series of «autologlyphs,» following on from HS's «Sphere Autologlyph» from the 2010 Bridges art exhibition.

Following opening remarks by GKC executive producer Charlie Schroder, PW v - p and children's book editor Diane Roback, and Bologna Book Fair exhibition manager Elena Pasoli, NPD Book executive director of business developent Kristen McLean took to the podium to give an overview of takeaways on the children's industry based on analytics from NPD BookScan.

You may remember that the follow - up to all this included some very forthright, good - natured response from Reed Exhibitions» Steven Rosato, who directs BEA.

This was followed by the official inauguration of the ten - day exhibition by Mohammed bin Ahmed bin Tawar Al Kuwari, vice chairman of Qatar Chamber of Commerce & Industry, in the presence of officials from Qatar Tourism Authority and q.media events.

Simon takes the role of WTM Exhibition Director at an exciting time for the exhibition, which will benefit from the # 165 million expansion of ExCeL - London following on from its highly successful 30th event lastExhibition Director at an exciting time for the exhibition, which will benefit from the # 165 million expansion of ExCeL - London following on from its highly successful 30th event lastexhibition, which will benefit from the # 165 million expansion of ExCeL - London following on from its highly successful 30th event last November.

The exhibitions are selected annually, following a call for submissions, by a committee comprised of staff members from the RIC, along with students and faculty members from the School of Image Arts.

It followed a major touring European museum exhibition, «View from Above», which visited Hamburg, Turin, Paris, and Louisiana, Denmark, over 2001/2002.

Follow us on Facebook to get regular updates on RA Schools events, exhibitions and news from our students and graduates.

Following a guided tour and discussion of the exhibition From the Margins: Lee Krasner and Norman Lewis, 1945 — 1952, discover your own method of abstraction to create a painting inspired by the innovative techniques in the work of Krasner and Lewis.

Featuring works from the 1920s New Negro Movement, the local WPA print workshop in the 1930s, and the decades that followed through America's bicentennial celebration, the exhibition includes about 50 artists, Selma Burke, Barbara Chase - Riboud, Aaron Douglas, Reginald Gammon, Barkley L. Hendricks, Horace Pippen, Raymond Saunders, Henry O. Tanner, Dox Thrash, Laura Wheeler Waring, and Deborah Willis, among them.

When Wyndham Lewis broke from the Omega, Wadsworth followed him and subsequently showed in the Post-Impressionist and Futurist exhibition, Dore Galleries.

Following her first individual and group exhibitions in Brisbane from 1986, Georgetti held solo shows at the Museum of Contemporary Art, Brisbane, 1988; Institute of Modern Art, Brisbane, 1989; Store 5, Melbourne, annually from 1990 - 93; 200 Gertrude Street (now Gertrude Contemporary Art Spaces), 1993; and Contemporary Art Centre of South Australia, Adelaide, 1994.

The following selections are drawn from two related bodies of work — the series Unbranded: Reflections in Black by Corporate America 1968 — 2008 (2005 — 08), and Unbranded: A Century of White Women 1915 — 2015 (2015), which are the focus of the exhibition Hank Willis Thomas: Unbranded currently on view at the Block Museum of Art, Northwestern University.

T03458 ANTONY AND CLEOPATRA 1982 Oil on canvas 114 1/4 × 113 5/16 (2893 × 2872) Inscribed «Gillian Ayres» b.r. Purchased from Knoedler Gallery (Grant - in - Aid) 1982 Exh: Gillian Ayres, Knoedler Gallery, April — May 1982 (20, as «Anthony and Cleopatra»); Gillian Ayres, Serpentine Gallery, November 1983 — January 1984 (17, as «Anthony and Cleopatra») Lit: Tim Hilton, introduction to Gillian Ayres, exhibition catalogue, Serpentine Gallery, November 1983 — January 1984, p. 16 as «Anthony and Cleopatra» The following entry is based upon a conversation between the compiler and the artist held on 8 April 1986 and has been approved by the artist.

2003 The rules that everyone will follow from this day forth, Peres Projects, Los Angeles, CA Inaugural Exhibition, Golinko Kordansky Gallery, Los Angeles, CA Hovering, Peres Projects, curated by Daniele Balice & Anne Du Boucheron, Peres Projects, Los Angeles, CA Portraits, Karyn Lovegrove Gallery, Los Angeles, CA Gallery Artists, Taka Ishii Gallery, Tokyo, Japan

The exhibition, which marks the 40th anniversary of the pioneering Public Art Fund, features work from the 1960s — when public art was allowed to become more than war memorials, civic - minded murals or the like — and highlights of the hundreds of innovative works that followed.

He will also be included in the following upcoming exhibitions: Rock, Paper, Scissors: Drawn from the Joann Gonzales Hickey Collection, Pennsylvania Academy of the Fine Arts, Philadelphia, PA (May... Continue reading →

In 2014, he became the only Western artist to have had a career - length retrospective exhibition in China (Follow the Heart: The Art of Sean Scully 1964 — 2014 included over 100 paintings and traveled from Shanghai to Beijing).

Following the Alberses» move to New Haven, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven; and Contemporary Arts Museum, Houston).

Following her presence at the 55th Venice Biennale, Pace London is pleased to present an exhibition of recent work by Prabhavathi Meppayil from 26 June to 2 August 2014 at 6 - 10 Lexington Street.

This exhibition — which focused on Jay DeFeo's production following her three - year hiatus from artmaking after her completion of The Rose, 1958 - 66, her famous, one - ton painting of a burst of white light — gathered forty - nine pieces from the last fifteen years of the artist's life, several of which were absent from her recent traveling US retrospective.

This landmark exhibition brings together a stunning array of works loaned from museums and private collections throughout the U.S. and Europe to follow the trajectory of Diebenkorn's long and successful career with some of the powerful works by Matisse that the younger artist would have seen.

Her latest works from 2013 were included in a selected exhibition of small works on paper touring internationally — The Drawing Box show launched in Mumbai, India and is now touring to Belfast and Dublin and Ireland followed by Malaysia and Italy in 2014.

Over the twenty years that followed, manifestations of the project popped up in exhibitions around the world, from the most underground galleries to the most prestigious museums.

Following the success of her show at the Saatchi Gallery in 1994, which generated a great deal of publicity for her work, Saville went on to take part in the exhibition American Passion, which toured from the McLellan Gallery, Glasgow, to the Royal College of Art and the Yale Center for British Art in New Haven, Connecticut.

On view from March 14 to May 25, 2013, the exhibition follows Lee's successful 2012 solo exhibition in Seoul where several of these paintings were introduced.

Following on from the previous post about Northumberland's village film - makers, and in the context of the Turner Prize exhibition's record - breaking visitor numbers at Gateshead, here's news from Creative England.

Around Drawing is rosenfeld porcini's fifth themed exhibition, following WOOD, which grouped four artists who all sculpt with wood, yet use the medium in diverse ways, both technically and from a narrative point of view.

The exhibition opens on November 16th and there will be a cyanotype workshop for students in the morning and afternoon, followed by an artists» lecture from 7 - 9 pm.

Superficially this question is answered by following Mr. Kim's educational and career path as it goes from several Universities in Korea to the Pratt Institute in Brooklyn and develops into numerous group and solo exhibitions in both New York and Korea.

Works from the same exhibition were presented the following year (July — September 2014) at the Watermill Center in New York, while the Hirshhorn Museum and Sculpture Garden featured one installation from the same series as part of Days of Endless Time, which ran from October 2014 — April 2015.

A reception with the artist and performers will follow at TRANSFER from 7 — 10PM with an exhibition featuring film, photography, and fashion from the Chinatown performance.

This is the second exhibition of works by Claude and François - Xavier Lalanne held by Ben Brown Fine Arts, and follows on from a major retrospective held in 2010 at the Museé des Arts Décoratifs.

Throughout the crowdfunding campaign and leading up to the exhibition's opening, visitors following the DMA's social media platforms and subscribers to the Museum's email can follow the process of developing the exhibition from beginning to end, with exclusive insights from DMA staff, spanning nearly every department at the DMA.

Following his 2013 MFA graduation from the University of Chicago, Bastis has mounted solo exhibitions everywhere from the windy city to Brussels.

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

ICA's exhibition will focus on paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract design.

This exhibition follows the artists from their early video installations and websites to later large - scale sculptural work and feature - length films, screened daily in a gallery cinema.

Prize The selection made among all the presented proposals will involve the following aspects: — The selected artists will take part in a group exhibition to be held at our gallery from 7 July to 22 September, 2016.

According to Tate curator Ann Gallagher, it will give visitors the opportunity «to step back from the noise surrounding Hirst, look back to 1988 [the year he sprang on to the scene with his now famous exhibition Freeze] and follow his career through».

rosenfeld porcini presents From Battlefield to Paradise, an exhibition by Swiss painter Cesare Lucchini, which follows his inaugural UK show Those Who Remain (2012).

Following on from their well received first exhibition with Ai Weiwei Blenheim Art Foundation have just announced their second exhibition which will be a new exhibition by American artist and founding figure of Conceptual Art, Lawrence Weiner.

Following presentations in Mexico, Colombia, and Ecuador, the exhibition is presented in Lima from August 15, 2017, through November 26, 2017, in a newly adapted form.

As well as following the rise of Constructivist art from its revolutionary beginnings amongst the avant - garde in Russia and Europe, the exhibition sheds new light on the evolution of geometric abstraction from continents across the globe including Asia, the US and Latin America.