Sentences with phrase «exhibition follows themes»

Featuring Mirko Smerdel, Rowena Harris, Verity Birt, Patrick Hough, Cathy Haynes and Johann Arens, the exhibition follows themes of time and artifice in relation to the chronovisor.

Like Sun Ra's work, the art exhibition follows themes of race and art into their future possibilities, weaving together textured and fantastical possible worlds.

Not exact matches

Following on the open - air theme, I was very impressed with the Topography of Terror exhibition, an open - air (and free) museum that tells the story of the city in the years before and during World War II.

As part of the Jasper Johns: Variations on a Theme at The Phillips Collection, master printer and professor Scip Barnhart demonstrated to visitors the following printmaking processes: intaglio, lithography, and silkscreen in a workshop adjacent to the exhibition.

Around Drawing is rosenfeld porcini's fifth themed exhibition, following WOOD, which grouped four artists who all sculpt with wood, yet use the medium in diverse ways, both technically and from a narrative point of view.

Whitten had his first New York shows at Allan Stone Gallery, in a group exhibition, Four Voices — One Theme in 1965, and his first solo show following in 1969.

Deconstructing Louise Nevelson is the third in a series of exhibitions — following Francis Bacon (2013) and Robert Mangold (2015)-- that focus on the style, themes, and history of individual artists within the Kemper Museum Permanent Collection.

Whitten had his first New York show in 1965 in an exhibition titled Four Voices — One Theme, with his first solo show following in 1969, both at the Allan Stone Gallery.

Moshiri's fifth solo exhibition at Perrotin, «Snow Forest» deals with themes of fiction and simulation, influenced by his move from Shiraz to Los Angeles following the Iranian Revolution.

With almost 100 works on display, this mammoth exhibition has been expertly curated in a manner that doesn't follow the traditional chronological route; «The works are grouped into key sequences, allowing connections and common themes to emerge and to promote a comprehensive understanding of Jones's wide - ranging artistic practice.»

Following his previous themed exhibitions, «The Meat Show,» 1998, «Bunnies and Bees,» 2001, and «Blood,» 2003, Ryden has created «The Tree Show.»

As part of the exhibition, we will host a series called Silicon Flux where we will have a panel discussion for each of the following topics as it relates to the exhibition's theme: disability and accessibility, virtual reality, wearables, and environment.

The exhibition working with this premise, will create a somewhat open - ended and poetic theme with works that follow one or more of the following guidelines:

In 1993 and 1994 there were many exhibitions on the theme in European museums, followed by similar ones in several Venice Biennales.

Following the themes in the related exhibition, In the Library: Selections from the Dwan Gallery and Virginia Dwan Archives provides a deeper look into the Dwan Gallery's evolution from a West Coast outpost for established New York and European avant - garde artists in the early 1960s to one of New York's leading galleries devoted to minimalism, conceptual art, and land art in the late 1960s and early 1970s.

Inspired by Girls» Club recent exhibitions Following the Line and I think it's in my head, the exhibition pulls explores themes touched upon in each exhibition.

The first of the exhibition series, Faceless I, was held with success last summer, working with the theme of «facelessness» in a survey of the emergence of hiding, veiling or masking the face in art and fashion following 9/11.

Both of these factors complicated the representation of space, the theme chosen for this exhibition, which was organized by University of Chicago students — Corinna Anderson, Rachel Jackson, Amy Li, Brie McGuire, Alessandra Stamper, Jenny Chueh Wang, and Cheng Zong — following the spring 2015 course Invention and Revival in European Prints.

The Power of Gold explores the aesthetics and cultural significance of Asante royal regalia, much of which is made of or adorned with gold.The exhibition progresses through the following themes:

The exhibition commences on the 100th anniversary of the Armory Show, Sunday, February 17th, with a 1913 Armory Show Centennial Event, which will feature panel discussions about the 1913 exhibition, as well as the theme of perception and art in the digital age, followed by an opening reception.

«This latest edition to Phaidon's Themes and Movements series follows hot on the heels of the 2005 exhibition catalog and succeeds in adding depth to the existing survey literature.»

In the five exhibitions that followed, many of these themes have been explored in greater depth.

Following the success of his recent exhibition Unknown Knowns at Edel Assanti, the London - based artist discusses how and why he makes his artworks that explore myriad themes, including the mechanics of power, geopolitics, and the birth of modern capitalism.

Dead or Alive follows upon themes first presented in the inaugural exhibition of MAD's new home, Second Lives: Remixing the Ordinary, which featured contemporary works created from multiples of ordinary manufactured items.

David Lewis opened in October 2013 at 88 Eldridge Street with a Philip K. Dick themed group show «A Scanner Darkly,» followed with solo exhibitions by Lucy Dodd, Charles Mayton, Viola Yeşiltaç, Dawn Kasper, Israel Lund, Greg Parma Smith, and Gillian Jagger.

This follows his participation at the gallery's second themed group exhibition «The Continuation of...

This follows his participation in the gallery's fourth themed group exhibition WOOD, whichgathered four artists who all sculpt with wood, yet use the medium in diverse ways, both technically and from a narrative point of view.

This follows her participation in the gallery's fifth themed group exhibition «Around Drawing», which gathered...

This is Fredrik Söderberg's first exhibition in Galleri Riis Oslo, and also his most extensive presentation of recent paintings so far, following up on some of the themes in his exhibition in our Stockholm gallery last year.

In 2007, along with Birmingham Museum and Art Gallery and Ikon Gallery, Birmingham who joined together to become the West Midlands Consortium they are one of 5 consortium's in the UK to be awarded the # 1 million Art Fund International award to purchase international contemporary art over the following 5 years, under the theme of the Metropolis - an interim exhibition Metropolis of acquisitions was launched in the Autumn of 2010.

Having followed Ferrone's work with growing admiration through different exhibitions, I found it particularly provocative when framed by this overtly ecological theme.

This exhibition of twenty - four new canvases (all 2016) follows major shows in London and Munich and centers on the theme of performance, with many of the paintings portraying singers and dancers.

In terms of themes and presentation, the exhibition follows the Stories of Finnish Art exhibition currently on display at the Ateneum.

Following the similarly themed 2005 «Frequency» exhibition, organized by Golden and Christine Y Kim, «Flow» will be the museum's third attack on rigidified issues of identity and race.

Emphasizing self - expression over faithful likeness, the more than 30 self - portraits on view follow the exhibition's theme and testify to the diverse array of voices in this creative community.

This follows her participation in the gallery's fifth themed group exhibition «Around Drawing», which gathered artists who clearly use traditional drawing methods to forge their artistic language, and artists — who although not traditional draughtsmen, have produced works which can be closely related to a vision of what does, in fact, constitute a drawing.

More solo exhibitions followed in Munich and Vienna, after which McDonnell participated in two major shows of contemporary art in Paris on the theme of Contemporary International Realism.

A tailored field trip that includes a guided tour of the exhibition 30 Americans followed by a hands - on workshop led by a professional artist that reflects selected artwork and themes presented in the exhibition.

Following Yves Klein's exhibition at the Iris Clert gallery in 1958, the empty space became a recurrent artistic theme.