Sentences with phrase «exhibition forming by»

Submissions accepted: 1 — 15 November 2016 — Submit a proposal for an idea - driven, online group exhibition forming by the MOP CAP Archive, as well as your CV.

Not exact matches

Organized by the newly formed Society of Motor Manufacturers and Traders (SMMT), the weeklong exhibition was a bid to unite England's burgeoning auto industry, which had begun holding several competing London shows.

Bands led by Benny Goodman, Count Basie, Tommy Dorsey, and Duke Ellington formed their own teams to play exhibition and charity games against local opponents between gigs.

The 126 bones of the latter - day leviathan, some laid out on tables, others in drawers, form the centerpiece of an exhibition entitled From the Deep: The Sperm Whale, Bone by Bone.

Film Comment was joined by Apichatpong at the exhibition on its final day to discuss how this unique project came to be, the influences behind the look and feel of the hotel, and how dreams function as a very particular and personal form of cinema.

In Shaped by the Wind, Delwyn Mallett travels to the Zeppelin Museum to visit an exhibition dedicated to streamlining in all its forms

In Dellow: uncompromisingly a sports car, John Warburton, a former owner, tells the story of these distinctive sporting specials from Birmingham / In Shaped by the Wind, Delwyn Mallett travels to the Zeppelin Museum to visit an exhibition dedicated to streamlining in all its forms / Douglas Blain savours an opportunity to stretch the legs of his rebuilt Ballot 2LS along Australia's Great Ocean Road... A Vintage Adventure / In this months Back on the Road, Michael Ware reports on the restoration of» Goff» Imhof's 1946 Allard J1, which has been off the road for half a century

Founded in 1884 by 13 dog breed clubs, most of which were American, the newly formed AKC pledged to advance the breeding, study and exhibition of purebred dogs, as well as establishing the maintenance and running of purebred dogs.

Asked to comment on his last exhibition, he explained: «By playing on the border between clarity and suggestion, my work prioritises the intuitive application of paint and aims to describe the viscosity of light and fragility of form.»

Designed by architect Moshe Safdie, this museum cradles its frequent traveling exhibitions in the form of a giant lotus flower.

As noted by curator George Kinghorn, in his introduction to Freeman's current exhibition Three Chords, the «forms that inhabit these canvases (several of which are elegantly shaped) create dynamic interactions — the hard - edged thickened lines quiver, rotate, stretch and sag.»

Create sculptural and architectural models in this three - session class taught by contemporary artist Allyson Vieira and inspired by the integrated spatial and decorative forms in the exhibition Pierre Chareau: Modern Architecture and Design.

In this two - session workshop taught by artist Sheryl Oppenheim, create authentic marbled paper and collaged sculptures inspired by the use of decorative paper as an art form in the exhibition Marc Camille Chaimowicz: Your Place or Mine...

This exhibition forms part of IMMA's programme of painting exhibitions, which has included major exhibitions by Lucian Freud, Howard Hodgkin and Francesco Clemente.

A major new exhibition of works on paper by Howard Hodgkin, one of Britain's most celebrated living artists, form the basis of a new show honouring the artist's 80th birthday.

The exhibition Creation in Form and Color: Hans Hofmann is a collaborative project by the Berkeley Art Museum, the Pacific Film Archive at the University of California (BAMPFA), and the Kunsthalle Bielefeld.

Reviews of the Whitney Biennial usually start by invoking the impossibility of the exhibition form and all the failed editions that came before, but here's the tricky thing: three of the last four were good...

This exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist, works on paper, and sculptures in order to explore the change and continuity in Still's ideas and pictorial forms.

Top image: Philip Guston, Untitled 1971, oil on paper, mounted on canvas, 29 x 40 inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013, oil on linen, 36 x 48 inches Presence of Form Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]

Wagstaff promoted photography as an art form by organizing exhibitions, delivering lectures, and publishing material on his collection.

It is curated by Mary Ceruti, Matt Freedman, and Sina Najafi, and accompanied by The Paper Sculpture Book, which contains the entire exhibition in unassembled, take - home form.

In his review of the exhibition in The New York Times, Holland Cotter writes, «the grid as a form gets an impressive pre-Minimalist workout in 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.»

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

The exhibition «Donald Judd: Paintings» presents 14 paintings created by the artist between 1959 and 1961, which were vital transitional years for Judd in his experimentation in form and color.

The exhibition Písařovic's Study is a way of presenting to the public (at least in a fragmentary form) a valuable collection of works by psychiatric patients, as well as a way of showing to the spectator the interesting and complicated personality of the Czech psychiatrist František Písařovic.

Steel: Color, Form, Concept Main Gallery Nancy Frankel and Sam Noto Curated by Claudia Rousseau Two - person Exhibition On View: May 23 — June 16, 2012

The year - long exhibition opens on 7 June 2018 and forms part of #Behind EveryGreatCity — a major new campaign by the Mayor of London.

by Stephanie Cristello Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.

The exhibition features site - specific installations by Nicola López and Lisa Sigal, both of whom deconstruct objects and images to form new worlds and visions.

Taught by artist Allyson Vieira and inspired by the architecture and design in the exhibition Pierre Chareau: Modern Architecture and Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media works.

Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.

This exhibition features photographs by Mickalene Thomas of the staged scenes and photographic portraits that form the basis of her practice and inspire her mixed media paintings.

Cowan's work has been included in the cross-medium exhibition Condensed Matter Community organized by the University of Wisconsin - Madison's Physical Sciences Laboratories and in as if form were some pitcher at Fourteen 30 Contemporary in Portland, Oregon.

1960 Neue Malerei: Form, Struktur, Bedeutung, Städtische Galerie in Lenbachpalais, Munich (June 10 — August 28) 16 Salon de Mai, Musée d'Art Moderne de la Ville de Paris (May 8 — 20) Sixty American Painters, 1960: Abstract Expressionist Painting of the Fifties, Walker Art Center, Minneapolis, Minnesota (April 3 — May 8) Business Buys American Art: Third Loan Exhibition by the Friends of the Whitney Museum of American Art, Whitney Museum of American Art, New York (March 17 — April 24) Some Younger American Artists, Southern Illinois University, Carbondale, Illinois (February 1 - 28, 1960).

Works of art intended to form part of a forthcoming exhibition at Whitechapel Gallery that may be covered by immunity from seizure are here and here.

Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988

From the influences of African art on the Modernist forms of artists like Picasso, to the work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the exhibition will map out visual and cultural hybridity in modern and contemporary art that has arisen from the journeys made by people of Black African descent.

1977 Tokyo Gallery Exhibition, Tokyo Gallery, Tokyo, Japan Five Contemporary Artists Drawing and Watercolor, Kaneko Art Gallery, Tokyo, Japan Painting and Photography from 1980 to Today, Kunsthaus Zurich, Zurich, Switzerland Documenta 6, Kassel, Germany Drawings by Five Artists, Minami Gallery, Tokyo, Japan Forms Today Architecture and Sculpture, Tokyo Central Annex, Tokyo, Japan Contemporary Art in Japan Domestic Art and International Art, 5th Anniversary of Tochigi Prefectural Museum of Fine Arts, Tochigi Prefectural Museum of Fine Arts, Japan Artists Today»77 The Richness of Painting, Yokohama Civic Art Gallery, Kanagawa, Japan The 10th Japan Art Festival, Nihonbashi Takashimaya Department Store, Tokyo, Japan

By speculating on worlds and life elsewhere, Maheke's new exhibition at Chisenhale Gallery becomes a public site to re-articulate and reinvent forms of relationality and representation, as much as a device for developing a new lexicon for thinking about identities outside of identity politics.

Join Teaching Artist Lisa Robinson as we create free form watercolor paintings inspired by the special exhibition The New Art: A Milestone Collection Fifty Years Later.

One could have easily organized a rote exhibition of the same title with completely different works by these artists examining an affinity of form or subject matter.

You will visit the Henry Moore exhibition and discover how he was inspired by natural forms such as stones, shells and bones.

The HMI exhibition itself includes two sculptures out of the original 14, William Turnbull's Angle and Nicholas Monro's King Kong, as well as other works made in or around 1972 by some of the other sculptors, alongside maquettes and models, some original and some specially remade, and photographic and other forms of documentation.

The current exhibition is a step - by - step illustration of this shift towards this de-naturalization of form and the artists» revolutionary approach to color, line and form as the primary vehicles of communicating with the viewer.

In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form of Bruce Nauman's spiraling neon text piece, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) from 1967.

The exhibition Michael Craig - Martin NOW is generously supported by the British Council and forms part of the 2015 UK - China Year of Cultural Exchange (YOCE).

Inspired by the language of scientific and spiritual practices, the exhibition explores how transcendental experience is formed into a coherent language.

Organized by Public Art Fund, the exhibition will feature bronze works that «may first look like giant, tactile lumps,» as Carol Vogel of The New York Times writes, «but on closer inspection each has a form reminiscent of human features.»

The black and white sketches, which form the basis for the exhibition, were published in a book titled «Drawn Blank Series» by Random House.