Ghost House is installed in the temporary
exhibition galleries where, rather than following chronological criteria, it creates environments that the artist describes as «built on memory», in which works from different periods are placed in dialogue with one another and with the museum context in the conviction that meaning can be found not only in the individual works but in their relationships, considered collectively and through time, like the narrative overlappings of a story.
The group posed for a photo in one of
the exhibition galleries where Marshall's portraits of anonymous African American artists are on view.
Not exact matches
Walking into Steinway Hall is like entering a
gallery where the world's finest pianos sit on display as
exhibitions of...
As a public space similar to, for example, the Wheeler Centre in Melbourne, the Asian Century Institute could consist of a café, library and
gallery,
where rotating
exhibitions could be held, as well as meeting rooms and a lecture theatre for symposiums, classes and / or conferences.
Make the most of what your city has to offer; from parks, hills and gardens to monuments, museums,
galleries, events and
exhibitions, there's always something going on if you know
where to look.
The course, Models of Excellence: Inspiring Students and Teachers with Outstanding Classroom Work, is project - based
where students create
exhibitions in Longfellow, and also conduct development and research regarding the online
gallery.
Between Beaufort and William Streets, the Perth Cultural CentreOpens external site in a new window is home to a number of cultural institutions
where you can catch a
gallery or museum
exhibition, or see a live performance.
Stop in at the Arts Precinct in Southbank
where you can enjoy
exhibitions at the Arts Centre, The National
Gallery of Victoria and the Australian Centre for Contemporary Art.
If Yorkshire Sculpture Park wasn't doing enough this season to tantalise us with its [Re] construct
exhibition, expect even more creative delight over in its Longside
Gallery,
where you'll be able to enjoy a kaleidoscope of colour and sequence in 1960s British art.
This was apparent in his first solo
exhibition at the Betty Parsons
Gallery in New York City (1951),
where the titles of many of the works «incorporated weighty poetic or religious references, including Eden (c. 1950), Trinity (c. 1949 - 1950), and Crucifixion and Reflection (1950).»
For ten years he worked at the London Institute, now the University of the Arts in London,
where he was responsible for developing the London Institute
Gallery where he built an
exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom Hunter.
So far this year, Katz has had
exhibitions in Milan and Catanzaro in Italy, Paris, Vero Beach in Florida, Finland and at his New York City
gallery, PaceWildenstein,
where he recently showed a series of monumental sunsets.
If you haven't attended, and only have time to visit one
gallery this week, you might try this three - for - one - special
where discrete
exhibitions by Mark Bradford, Geta Brătescu and Louise Bourgeois are loosely united by themes of societal ills, cultural lore and individual pain.
CHICAGO — «It's a super-interesting moment to be at the National
Gallery,
where the question of what it means to be an American, and what kind of American are you, has a new kind of resonance,» said Theaster Gates, the sculptor, installation and performance artist and urban interventionist, whose
exhibition «The Minor Arts» opened there this month in Washington.
Select Group
Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary
galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back
Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal
Exhibition Center
Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and
Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship
Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe
Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM
Our
exhibitions are set across our intimate
gallery spaces,
where visitors get up close and personal with the artworks on display.
Michelle Jacques is the Chief Curator at the Art
Gallery of Greater Victoria,
where she is responsible for guiding an
exhibition, education and acquisitions program that links contemporary practices, ideas and issues to the
Gallery's historical collections and legacies.
His most important solo museum
exhibitions were mounted by the Metropolitan Museum, New York in 1975, and the New Tretyakov
Gallery in Moscow in 1988,
where he had the distinction of being the first living Western artist to show in a Soviet museum.
Perhaps the mannerism found in Varejão's new tropical / orientalist banana - leaf painting series can be seen as being part of a negative phenomena found in many international
galleries based in Hong Kong and China,
where «the Orient,» as a subject, seems to be enforced on artists debuting a solo
exhibition at these spaces.
This edition was created exclusively for the Whitechapel
Gallery to accompany Gauri Gills inclusion in the
Exhibition Where three Dreams Cross, 2009 - a landmark exhibition which gave an inside view of how modern India, Pakistan and Bangladesh have been shaped through the lens of their phot
Exhibition Where three Dreams Cross, 2009 - a landmark
exhibition which gave an inside view of how modern India, Pakistan and Bangladesh have been shaped through the lens of their phot
exhibition which gave an inside view of how modern India, Pakistan and Bangladesh have been shaped through the lens of their photographers.
The John Moores Painting Prize winner 2014, Rose Wylie, 82 is the subject of a major new
exhibition at Turner Contemporary's ground floor Sunley
Gallery,
where they will be exhibiting a group of paintings and works on paper.
He has previously served on the board of London's National Portrait
Gallery, where his is currently working on an exhibition for the gallery that will explore the story of the abolition of slavery through 18th - and 19th - century por
Gallery,
where his is currently working on an
exhibition for the
gallery that will explore the story of the abolition of slavery through 18th - and 19th - century por
gallery that will explore the story of the abolition of slavery through 18th - and 19th - century portraits.
2012 Roberto Paradise Josh Lilley
Gallery, London, United Kingdom Pasiones Contemporaneas, Museo de Arte de Ponce, Ponce, Puerto Rico, curated by Maria de la Serna The Way In Popular Center, San Juan, Puerto Rico Curated by Io Carrion Someone Else's Dream, Hyde Park Art Center, Chicago, IL, Curated by John Mckinnon Idealizing the Imaginary, Oakland U. Art Museum, MI (catalogue) Chiquitolina La Quince, San Juan Puerto Rico, Curated by Jorge Roman Handler, Western
Exhibitions, Chicago, IL, Curated by John Rippenhoff Michelle Grabner: The Inova Survey Inova, UW - Milwaukee, WI, Curated by John Rippenhoff
Where My Cones At?
She exhibited them at that year's Paris Salon,
where the masterly abstractionist Hans Arp saw them and persuaded her to let him put them on
exhibition at Peggy Guggenheim's Paris
gallery and later in her short - lived London
gallery.
For Freedoms, the artist - run super PAC co-founded by Hank Willis Thomas and Eric Gottesman debuted in New York and has migrated to Chicago
where works from the initiative by Rashid Johnson, Nari Ward, and Carrie Mae Weems, among others, will be displayed in Monique Meloche
Gallery's «off the wall»
exhibition, a series of installations on public bus benches throughout Wicker Park Bucktown (Sept. 1 - Nov.
A case in point is the current
exhibition of painting and installation by the artist Franklin Evans
where a physical copy of Painting as Modelsits up front and center on the
gallery floor while material unleashed from the book orbits about the space.
Lennon, Weinberg, Inc., New York, NY: In the spring of 1965, Joan Mitchell had her seventh and final
exhibition at the historic Stable
Gallery in New York
where her career as a painter had been launched more than a decade earlier.
To walk into Jack, Sean Shim - Boyle's first
exhibition at Jane Lombard
Gallery, is to walk into a space
where things are off - kilter, amiss, just slightly wrong.
McEneaney has had numerous solo
gallery exhibitions both in New York and Philadelphia,
where she has lived and worked for many years.
Auerbach's first solo
exhibition was held in 1956 at the Beaux Arts
Gallery,
where he continued to exhibit until 1963.
She has had solo
exhibitions at White Columns, Queens Museum, Tyler
Gallery at Temple University, Staniar
Gallery at W&L University, and
Gallery Luisotti, Santa Monica
where she is represented, and most recently at the Werkstadt Graz, Austria.
The show resonates with her 2015
exhibition Lives on Wire at the Institute of Contemporary Arts,
where she created a site - specific installation, repurposing a resistor mechanism from an old cinema organ to produce rainbow strobes that transformed the
gallery through shifting coloured light.
He arrived in Europe around 1970, and after a period in Holland, settled in England
where he became known for his conceptual work, with solo
exhibitions in the 1970s at the Museum of Modern Art, Oxford; The Whitechapel
Gallery, London; De Appel, Amsterdam; and the ICA, London.
At the Agora
Gallery, there opened «an immersion
exhibition» entitled FIAT #LUX
where Chantal Westby's paintings merge with Lénaïc Mercier's multi-media installation, in a length of light.
The Nevelson piece, Sky Cathedral / Southern Mountain, 1959, which was borrowed from LA MoCA, is installed somewhat differently than these other works, directly on the floor in a portion of the room
where the ceiling is lower.It looks consistent with similar Nevelsons I viewed at Pace
Gallery or the Jewish Museum in New York during the»80s and»90s, before the advent of the enormity of scale that typifies so many of the new
exhibition spaces of today.
In 2012, she joined the team of Haunch of Venison (Christie's) as Senior Level
Gallery Manager
where she worked on
exhibitions featuring Gunther Uecker, Chiharu Shiota - Marlene Mocquet, Kevin Grancis Gray, Doug Argue, Ahmed Alsoudani.
the object is usually kept outside the UK the object is not owned by a person who is resident in the UK the import of the object does not contravene any law the object is brought into the UK for the purpose of a temporary public
exhibition at an approved museum or
gallery the museum or
gallery has published information about the object
where required to do so by Regulations.
This array is a development from KAWS»
exhibition at Kaikai Kiki
Gallery earlier this year,
where that melange of shadowy body parts is endlessly abstracted by their shaped canvases here.
An influx of recent
gallery shows capture this ongoing investigation, like the current
exhibition «Mary Obering: Selected Works 1983 - 1987» at Marisa Newman Projects in New York,
where Obering illustrates natural wonders, like particle collisions, within her minimalist framework.
NEW YORK — MARC STRAUS is proud to announce that Doug Argue has joined the
gallery,
where an
exhibition of new paintings will open in early 2018.
At Paul Kasmin
Gallery at New York City, The Noguchi Museum creates a special installation in the rear gallery of an exhibition devoted to the Parisian alley called l'impasse Ronsin, where numerous twentieth - century artists had their s
Gallery at New York City, The Noguchi Museum creates a special installation in the rear
gallery of an exhibition devoted to the Parisian alley called l'impasse Ronsin, where numerous twentieth - century artists had their s
gallery of an
exhibition devoted to the Parisian alley called l'impasse Ronsin,
where numerous twentieth - century artists had their studios.
Prior to this position, Gule was Curator of Contemporary Collections at the Johannesburg Art
Gallery,
where he organized a number of significant
exhibitions including: Meschac Gaba's «Tresses and Other Projects» (2007), Kay Hassan's «Urbanation» (2008), and Tracey Rose's «Waiting for God» (at Johannesburg Art
Gallery [2011] and the Bildmuseet, Umeå, Sweden [2011 — 12]-RRB-.
Part 6 of the Tribunals, Courts and Enforcements Act 2007 provides immunity from seizure for cultural objects which are loaned from overseas to temporary public
exhibitions in approved museums or
galleries in the UK
where conditions are met when the object enters the UK.
Curated
Exhibitions 2017 Dreams, Community and Individual Voices - Spoken Through Symbolism, guest curator, Saint Louis Art Museum's Danforth Collection, St. Louis, MO 2016/2017 Sinew: Female Native Artists of the Twin Cities: Artistry, Bloomington, MN, Tweed Museum of Art, Duluth, MN 2016 American Art: It's Complicated (co-curated), Minnesota Museum of American Art, St. Paul, MN 2016 Synthesis: Paintings by Aza Erdrich, All My Relations
Gallery, Minneapolis, MN 2014 Rosalie Favell: Relations, All My Relations
Gallery, Minneapolis, MN 2014 On Fertile Ground, All My Relations
Gallery, Minneapolis, MN 2014
Where I Fit, All My Relations
Gallery, Minneapolis, MN 2013 Found, All My Relations
Gallery, Minneapolis, MN 2013 Make it Pop, All My Relations
Gallery, Minneapolis, MN 2012 Indian First, All My Relations
Gallery, Minneapolis, MN 2012 Ded Unk» Unpi — We Are Here, All My Relations
Gallery, Minneapolis, MN, Minnesota History Center, St. Paul, MN 2012 The Hopeman Family Collection, All My Relations
Gallery, Minneapolis, MN 2011 Mni Sota: Reflections of Time and Place, All My Relations
Gallery, Minneapolis, MN, Mayo Clinic, Rochester, MN, Mille Lacs Indian Museum, MN, Nash
Gallery University of Minnesota, Tweed Museum of Art, Duluth, MN.
His current solo
exhibition at the South London
Gallery, Michael Armitage: The Chapel, absorbs the chapel - like qualities of the gallery space, where his paintings explore Kenyan culture and religion as the context in which to look at mental health issues in East
Gallery, Michael Armitage: The Chapel, absorbs the chapel - like qualities of the
gallery space, where his paintings explore Kenyan culture and religion as the context in which to look at mental health issues in East
gallery space,
where his paintings explore Kenyan culture and religion as the context in which to look at mental health issues in East Africa.
Wright has exhibited extensively in England and Ireland since 1994, with solo
exhibitions at many venues including, Prayer Project, The Davis Museum at Wellesley College, Massachusetts, 2017; Emotional Archaeology, R.H.A
Gallery, Dublin, 2017 and The Arnolfini, Bristol, 2016,
Where Do Broken Hearts Go, Douglas Hyde
Gallery, 2002, Nonsense with Death, Sligo Art
Gallery, 2001, and Daphne Wright, Limerick City Art
Gallery, 2006, Cornerhouse, Manchester, 1994, The New Art Centre Sculpture Park and
Gallery and The Lowry, 2001.
Last exhibiting at the
gallery five years ago, his Rome show coincides with the artist's participation in major international
exhibitions, including this year's Venice Biennale,
where he represented Finland together with Erkka Nissinen, and his upcoming solo show at the prestigious New Museum (New York) in February 2018.
Newport Street
Gallery is pleased to present «Who What When
Where How and Why», a solo
exhibition of work by renowned British artist Gavin Turk.
Since the mid-1990s, he has held solo
exhibitions at Daer
Gallery, Amsterdam; New
Gallery, Houston;
Gallery One Three Seven, Houston; Art of this Century, Houston; as well as at Texas
Gallery, Houston,
where he is represented.
J.T. Thompson's Illusion at Triangle
Gallery by Joyell Nevins For painter J.T. Thompson, his latest
exhibition at the Burnell R. Roberts Triangle
Gallery, «Illusion of Spatial Extent into the Labyrinth,» is a chance to come back to the place
where it all began.