Not exact matches
At the end of Grafton Street in London, Sprüth Magers» large, proscenium - like
window gave passersbys a glimpse of Louise Lawler's
exhibition.
In the
exhibition, «Reflections on
Windows», Margaret Leveson
gives expression to a recurring theme in her work: the character of light.
Running the length of these galleries is a sloping sort of gangway that gradually brings the visitor into the largest
exhibition spaces and, combined with glassed - in ceiling and
window walls, rather
gives one the feeling of being on a cruise ship — especially on an appropriately dark and stormy night like the one that witnessed the opening of Gray Matters, the maiden voyage of newly appointed Senior Curator Michael Goodson.
It's this purported
window into the «emotional and cognitive worlds» of any
given social media user that provides an interesting launching point for this group
exhibition.
While the
exhibition at the Alexandre Gallery is hardy the Dodd retrospective we needed, it does have the great virtue of
giving us a concentrated account of one of the artist's most inspired inventions: the complex, highly poetic pictorial compositions based on the structures and settings and shifting light to be seen in and around the
windows and doorways of old Maine houses.