During the exhibition period, three publications will be released, namely a collection of texts in which a number of art historians and other professionals reflect on the artists» practice, a comprehensive picture book based on the artist duo's private image archive and on the work «The Incidental Self» (2006), and a smaller
exhibition guide for museum visitors.
Since opening its doors at 43 Greene Street in 1993, David Zwirner continues to present ambitious
exhibitions guided by an artist - centric ethos.
The bimonthly
exhibition guide comes out in 10.000 copies and is distributed for free in project spaces, galleries, institutions, and bookstores.
Artists featured in the Secondhand
exhibition guide include Maurizio Anzeri, John Baldessari, Viktoria Binschtok, Melissa Catanese, Daniel Gordon, Erik Kessels, Matt Lipps, Mike Mandel, Richard Prince, Rashid Rana, Joachim Schmid, Larry Sultan, Hank Willis Thomas and selections from the Archive of Modern Conflict.
Since officially opening its doors at 43 Greene Street in 1993, David Zwirner Gallery tirelessly and patiently established a reputation of holding
ambitious exhibitions guided by an artist - centric ethos.
This book is inspired by
traditional exhibition guides and is designed to be a portable accompaniment to the exhibition, and a record of the works included in the gallery.
The Shrewsbury Museum & Art
Gallery exhibition guide suggests that «The atmosphere of greater sexual liberation of the ex-patriot (sic) community he (Bacon) encountered there, as opposed to attitudes in Britain where homosexuality remained illegal, may have influenced Bacon's creation of more explicit figurative imagery.»
If you are in New York this May, use the NADA
Member Exhibition Guide to plan your visits to over fifty exhibitions from NADA galleries, non-profit organizations, and institutions in Manhattan, Brooklyn, Queens, Hudson, and East Hampton.
Read more about this exhibition in the following publications: Strange
Attractor Exhibition Guide The Strange Attractor Reader «Calder and Sound»
Image: R. H.
Quaytman Exhibition Guide, Chapter 15, 2009 Oil on wood, 12 3/8 x 12 3/8 inches Collection of Steven Eckler and Laura Belgray Courtesy of the artist and Miguel Abreu Gallery, New York
From the painted walls to the
little exhibition guides and atmospheric changes from room to room, each of Hoffman's efforts raised the bar on exhibition design, perhaps a holdover from his non-art background of theatre direction.
Inspired by
traditional exhibition guides and designed as a portable accompaniment to Wade Guyton's (born 1972) exhibition at the Serpentine Gallery, this book examines the artist's exploration of translation between mediums in his large - scale paintings.
The exhibition guide alerts visitors about works with low light, bright or flashing light, or loud noise.
Here, in «Autobiography: Japan (Shisen - do, Kyoto)» (1982) they are combined with scraps of tickets,
exhibition guides and other ephemera into a crusty, dimpled, and obsessively constructed self image.
The exhibition guide shows a suggested route, but viewers are free to explore the exhibition in any order they choose.
Read
the Exhibition Guide Read about the first exhibition of the IMMA Collection: Freud Project where all 50 works of this five - year loan where on view for the first year of the project.
Exhibition guides will also be given to visitors at the exhibition.
A link to
the exhibition guide with section descriptions is available for download here.
The exhibition is now open, and you can find out more about the four works selected for the Collection in
the Exhibition Guide.
Not all of the pieces in Pangaea hit the mark, and some of
the exhibition guide's descriptions are mind - boggling.
Download the free app by Olafur Eliasson,
Your exhibition guide, 2014, from the App Store or Google Play for iOS and Android devices.
The shows were organized by different curators — Clarrie Wallis and Katherine Stout, respectively — though they occupied adjacent galleries and shared
an exhibition guide, which explained that the «exhibitions run in parallel, offering visitors the chance to see the work of two complementary British artists from different generations».
In
the exhibition guide for «Mimesis,» which he recently organized, Franke explains...
Its form is a simple box, the exterior of which is thickly coated in wax, dead bees and, according to
the exhibition guide, honey «spilled from the artist's mouth».
Large print versions of
our exhibition guides are also available in the first floor gallery.
Word reference: Nottingham Lakeside Arts Gallery website, press release and
exhibition guide.
Here is available
the exhibition guide with Melanchotopia map.
Also included with
this exhibition guide is a special supplement featuring a Q&A with each of the ten collectors involved.
Download
exhibition guide for Earl Lu Gallery Download exhibition guide for Gallery 1 Download exhibition catalogue
To download
the exhibition guide please follow the link below: arrow link» hspace = «0» src =» / en/siteimages/arrow2.gif» align = «baseline» border = «0» / > Tír na nÓg: Younger Irish Artists from the IMMA Collection (Adobe pdf - 1.41 MB)
To download
the exhibition guide please follow the link below: Tír na nÓg: Younger Irish Artists from the IMMA Collection (Adobe pdf - 1.41 MB)
The exhibition guide comes out every two months and is distributed for free in project spaces, galleries, institutions, and bookstores.
Writers Carol Tulloch and David Dibosa's contribution to
the exhibition guide and text interventions in the exhibition provide a series of references for the viewer.
Word reference: Shrewsbury Museum & Art Gallery website and
exhibition guide.
An exhibition guide is available to download here.
An exhibition guide is also being produced.
What results is
an exhibition guided neither by chronology nor by overarching thematics, but by what the curators describe as an attempt to «underscore the recursive nature of Kelley's work» — which is to say his return, again and again, to certain preoccupations throughout his tragically truncated career.
The exhibition guide reveals the origin of the plane of grit to be a «passenger aircraft engine and granite altarpiece» that the artist melted down and atomized.
But as guest curator Sarah Eckhardt writes in
the exhibition guide, «the artists held little aesthetic common ground; art historians or critics would be hard pressed to trace overlapping stylistic influences.»