Not exact matches
Specifically, the
exhibition space will be fitted with a laboratory with two latest - generation 3D printers which will be producing,
in real -
time throughout the show, a
limited series of gadgets
in PLA, a biodegradable plastic, mirroring the style of the Alfa Romeo «compact supercar».
The company will make a
limited number of the sets available to con - goers at specific
times at both its panels and at its
exhibition space
in Artist Alley #M3 - M4.
Though many showed
in exhibitions along with men, this was a
time when societal opportunities for women were
limited.
Exhibition review: Roberta Smith, Zao Wou - Ki, an Abstract Fusion Master, The New York
Times, Sept. 2016
Exhibition review: Lance Esplund, «No
Limits: Zao Wou - Ki» Review: East and West Fused
in Paint, The Wall Street Journal, Sept. 2016
Exhibition review: Charles Ruas, To The
Limits and Back: How Chinese Ex-Pat Zao Wou - Ki's Experiments With Western Modernism Led Him Back To Traditional Chinese Aesthetics, ARTNEWS, Nov. 2016
A short
time after her surgery
in 2010, Caron started working on Apoptosis
in collaboration with Martha Russo for the Denver Art Museum's
exhibition Overthrown: Clay Without
Limits in 2011.
With a particular focus on painting, this
exhibition brings together seminal works that provide an overview of the artistic, socio - economic and political concerns of artists
in Germany, during a
time period when these artists were reconciling with the trauma of war, finding a national identity, struggling for freedom of expression and constantly pushing the
limits of modern and contemporary art.
2016 Passages
in Modern Art: 1946 - 1996, Dallas Museum of Art, Dallas, TX Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY 2017 Delirious: Art at the
Limits of Reason, 1950 - 1980, The Metropolitan Museum of Art - Met Breuer, New York, NY The
Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY Body of Work, Honolulu Museum of Art, Honolulu, HI Beyond Boundaries: Feminine Forms, Pennsylvania Academy of the Fine Arts, Philadelphia, PA An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017, Whitney Museum of American Art, New York, NY Pratt Survey
Exhibition Part 1: Camerado, this is no book, Dekalb Art Gallery, Pratt Institute, Brooklyn, NY 1072 Society
Exhibition, Jule Collins Smith Museum of Fine Art, Auburn University, Auburn, AL Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY
The late New York
Times critic Hilton Kramer commented, ``... it is
in the nature of modern art to revise and transcend even the most extreme of the
limits it sets for itself, and with the new
exhibition called Primary Structures... we are clearly
in the presence of one of these historic revisions.»
Due to
limited capacity and anticipated high demand,
timed ticketing will be
in effect for the duration of the
exhibition.
During this interim
time period between the closing of our most recent
exhibition and the opening of our upcoming
exhibition, Into the Nature, there will be
limited programming
in the facility.
But as late as 1981, when Arneson was shown with five other like - minded California ceramic sculptors
in the Whitney Museum
exhibition, Ceramic Sculpture: Six Artists, there was a backlash, with New York
Times art critic Hilton Kramer singling out Arneson as dominated, «by a gruesome combination of bluster, facetiousness and exhibitionism — plac [ing] a fatal
limit on what his gifts allow him to accomplish, or even to conceive.
Selected group
exhibitions: Hack Space, K11 Art Foundation Pop - up Space, Hong Kong, 2015; Digging a hole
in china, OCAT Contemporary Art Terminal, Shen zhen, 2015; Bentu, Chinese Artists at a
Time of Turbulence and Transformation, Fondation Louis Vuitton, Paris, 2015; Cosmos -
Limited and Limitless, Existence and Co-existence, Shanghai 21st Century Minsheng Art Museum, Shanghai, 2014.
The
exhibition includes 35 recently - acquired works from the PJ Carroll Collection, one of the formative influences
in the development of the visual arts
in Ireland, the PJ Carroll Collection is widely regarded as a pre-eminent collection of Irish art of the 1960s and «70s, providing vital support for many leading artists at a
time when general interest
in the visual arts was still quite
limited.
Building on the success of his first museum
exhibition in Chemnitz, Germany
in 2007 and several subsequent
exhibitions, Mood Swings will show iron works by Bob Dylan for the first
time, alongside original works on canvas and signed
limited editions, all of which will be for sale.
Drawing from Rosenbach Museum archives, this
exhibition explores the
limits and conditions of citizenship
in early and modern
times
The artists featured
in the
exhibition use non-traditional visual media such as video, performance, and photo - installation to push the
limits of art production at a
time when the concept of a singular culture was under scrutiny.
Some special or
limited -
time museum
exhibitions may not be included
in this free admission program.
Started
in 1993, do it employs an open curatorial format questioning the traditional definition of an
exhibition as an event
limited to a specific
time and space.
A new
exhibition featuring installation work by internationally acclaimed French artist JR has opened
in London for a
limited time.
Since 2008, he has participated five
times in Beyond
Limits, Sotheby's annual selling
exhibition at Chatsworth House, Derbyshire.