Sentences with phrase «exhibition kitchen of»

Not exact matches

The Copper Grouse features an exhibition - style kitchen, thoughtful touches like a wrap - around porch, and a diverse blend of updated yet unpretentious classics sourced from local farms.

He managed the ACF's Culinary Team USA 2016 and served as captain in 2012 of the ACF Culinary National Team USA, earning a silver medal in the hot - food kitchen and a silver medal in the cold - food presentation at the 23rd Internationale Kochkunst Ausstellung International Culinary Exhibition (commonly known as the «culinary Olympics») in Erfurt, Germany.

Visible from all vantage points is a floor - to - ceiling wine display, glass - enclosed exhibition kitchen and prominent raw bar, showcasing the freshness of cuisine.

The renovation of Agricola's landmark Princeton space by Vincent Celano of Seed Design mirrors the welcoming Community Eatery philosophy: an «Exhibition Kitchen» can be seen from the street; a communal «Kitchen Table» is adjacent to the open kKitchen» can be seen from the street; a communal «Kitchen Table» is adjacent to the open kKitchen Table» is adjacent to the open kitchenkitchen.

The main focal point of the restaurant is the exhibition kitchen.

For citizens of this country the best - known setting at the American National Exhibition in Moscow is probably the kitchen where Khrushchev and Nixon held one of their livelier debates.

The exhibition makes us think about the visual aspect to our everyday kitchen table experience that maybe we take for granted, as well as showing how conflict and suffering have always formed a rich source of subject matter in art.

CureVac has proposed to reinstall equipment in Miescher's 19th century lab, in the former kitchen of Tübingen Castle, and to open a public exhibition to highlight his scientific legacy.

Carlson gives us a journalist's - eye - view of what brought Nikita Khrushchev to the United States in the first place, depicting Vice President Richard Nixon as an awkward emissary who visited Moscow to further his own political career and made a spectacle at the American National Exhibition by debating the merits of kitchen appliances with the leader of the Soviet Union.

The upscale environment features an open Exhibition Kitchen that infuses the restaurant with a constant flow of energy.

Performance: Sahra Motalebi at the Kitchen Returning to the Kitchen after her first outing there, in 2015, Sahra Motalebi will stage Directory of Portrayals (from Rendering What Remains), an experimental opera that includes staged events, exhibitions, and a book.

Installation view of Property Acts (Acts 1 - 6), (2012), included in the exhibition «Matter of Place» at The Kitchen, 2012.

McMillian has also had solo exhibitions at the Institute of Contemporary Art, Boston (2009); The Kitchen, New York City (2008); and the NAK Neuer Aachener Kunstverein, Aachen, Germany (2007), among others.

From live, participatory readings of On Kawara's epic One Million Years in 2009, to the 2007 recreation of Rirkrit Tiravanija's functional kitchen installation Untitled 1992 (Free), which was paired with Gordon Matta - Clark's 1972 dumpster work Open House, to Jason Rhoades's sprawling 3,000 - square - foot Black Pussy installation, also in 2007, David Zwirner has embraced exhibitions that challenge expectations of a traditional gallery show.

The gallery exhibition is accompanied by The Kitchen Follies, a series of performances in The Kitchen's theater space May 3 — 5 and 10 — 12 that will showcase a range of artists chosen by Atlas across performance art, dance, and music, staged as a performance art variety show.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

1:30 — 2:30 pm Thomas J. Lax in conversation with Sondra Perry Sondra Perry, the subject of the solo exhibition Resident Evil at The Kitchen (2016) and Thomas J. Lax (Associate Curator, Museum of Modern Art) discuss legacies of media art, the role of appropriation, and the stakes of representing violence and social protest.

Her solo exhibition «Carrie Mae Weems: Considered» is on view at the SCAD Museum of Art through June 12; She is directing «Grace Notes: Reflections for Now,» a special performance at Spoleta Festival USA in Charleston, S.C. (June 4 - 5); and her book «Carrie Mae Weems: Kitchen Table Series,» which explores one of her early and most acclaimed bodies of work, was published last month.

1985 The Anticipated Ruin, The Kitchen, New York, USA (curated by Howard Halley) Final Love, Cash Newhouse, New York, USA (curated by Collins and Milazzo) Persona Non Grata, Daniel Newburg Gallery, New York (with Laurie Simmons, curated by Collins and Milazzo) Americana, Whitney Museum of American Art, New York, USA (curated by Group Material for 1985 Biennial Exhibition, cat.).

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

As a curator of performance, Tancons organized the first New York solo exhibitions of artists Robin Rhode at Artists Space (2004) and Ralph Lemon at the Kitchen (2007) as well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Gallery.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

She has presented her work at the MCA Chicago, PS1 MoMA, the New Museum, The Kitchen, the Queens Museum, the International Biennale of Contemporary Art in Prague, and most recently with a solo exhibition at DePaul Art Museum.

In 2007 he organized an exhibition of works by Ralph Lemon at The Kitchen with Claire Tancons.

Recent exhibitions include Backup, Simone Subal (2014); A Tale of Two Islands, The High Line, New York (2014); and Matter out of Place, The Kitchen, New York (2012).

She bought them all, and to mitigate her studio transition while also maintaining a heavy exhibition and travel schedule, Ross - Ho began directly using the paper clock faces as work surfaces, which evolved over the course of a year as she spent time in airplanes, hotel rooms, Air BnB apartments, as well as her kitchen table.

Leigh was the subject of a one - person exhibition at The Kitchen, New York, and has shown her work at the Sculpture Center, Queens, The Studio Museum in Harlem, and the Kunsthalle Wien, Vienna, among many other venues.

Since the mid-1980's he has participated in numerous solo and group exhibitions including: The Menil Collection, Centre Georges Pompidou Paris, San Diego Museum of Contemporary Art, UCLA Hammer Museum Los Angeles, Museum of Contemporary Art EMST Athens Greece, Singuhr - Horgalerie in Parochial Berlin, The Kitchen New York, La Casa Encendida Madrid.

Recently published, «Carrie Mae Weems: Kitchen Table Series,» explores one of the photographer's early and most acclaimed bodies of work, and the exhibition catalog «Carrie Mae Weems: Three Decades of Photography and Video,» coincided with her mid-career survey at the Guggenheim Museum and includes full - color images of works from throughout her career and contributions by Henry Louis Gates Jr., Franklin Sirmans, Robert Storr, and Deborah Willis.

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

Pendleton's selected Solo Exhibitions include: Adam Pendleton: Selected Works, Shane Campbell Gallery, Chicago and Adam Pendleton, Pace Gallery, New York (2014); Adam Pendleton: I'll Be Your, Pace London, (2012); Adam Pendleton: New Black Dada Paintings, Galeria Pedro Cera, Lisbon, (2012); Adam Pendleton: BAND, The Kitchen, New York; Adam Pendleton: EL T D K Amsterdam, Part I: three scenes, Kunstverein, Amsterdam, (2009); Part III: BAND, de Appel Arts Center, Amsterdam, (2009); Adam Pendleton: EL T D K, Haunch of Venison, Berlin, (2009); Adam Pendleton: Rendered in Black, Indianapolis Museum of Contemporary Art, Indiana, (2008) and Rhona Hoffman Gallery, Chicago, (2007); Adam Pendleton: Deeper Down There, Yvon Lambert, New York, (2005); Adam Pendleton: Being Here, Wallspace Gallery, New York, (2004).

This volume also includes a copy of Perry's zine designed by Haynes Riley and produced on the occasion of the artist's exhibition at The Kitchen, New York in 2016.

This exhibition will include large and medium - scale works on paper: in Gallery one, primarily large watercolor paintings of Clements» year in her kitchen, such as «Peonies», «Chrysanthemums,» and «Hyacinth, Camellia, and Sugar Egg.»

She has also had solo exhibitions and presented performances at the Walker Art Center, Minneapolis (1974); the Kitchen, New York (1975); San Francisco Museum of Art (1976); Kunstmuseum Bern (2004); and University of California, Berkeley Art Museum and Pacific Film Archive (2008).

The first room of the Saatchi's summer exhibition, Paper, opens with a sprawling mural of interior scenes framed by lyrical passages of text: Untitled (Colour Kitchen) by Dawn Clements.

Shown at this exhibition was Jürgenssen's work Housewives» Kitchen Apron (1975) in which she wore a sculpture of an apron in the shape an oven.

He has also seen tens of thousands of exhibitions, filtering these into his own curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director of London's Serpentine Galleries, as well as through various other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase work by artists born after 1989.

Lumi Tan is Associate Curator at The Kitchen and Associate Editor of The Exhibitionists: Journal on Exhibition Making.

In addition, her paintings have been included in group exhibitions at institutions around the country, including The Kitchen, New York; The Addison Gallery, Andover, MA; the Nerman Museum, Overland Park, KS; and the Indianapolis Museum of Art in Indiana; in addition to galleries in the U.S. and abroad.

Included in the exhibition is a complete portfolio of platinum prints and letterpress text sheets from the Kitchen Table Series.

A review of Jacksonville's recent The Apartment Exhibition, which takes initial inspiration from Hans - Ulrich Obrist's 1991 The Kitchen Show.

Her works have been included in group exhibitions at institutions, including Saatchi Gallery, London (2014); Contemporary Arts Museum of Houston, Texas (2014); The Academy of Arts and Letters, New York (2014); Brooklyn Museum, New York (2012); the Indianapolis Museum of Contemporary Art, Indianapolis (2010); and The Kitchen, New York (2009).

2014 Gallery featured in Andrew Russeth's article, «A Look Around the Untitled Art Fair,» in Artnews, featuring works by Josh Slater, Goldschmied & Chiari, and Peter Rostovsky, http://www.artnews.com/2014/12/08/a-look-around-the-untitled-art-fair-in-miami-beach/ Peter Rostovsky featured in Ben Davis's article «Hidden Gems of Miami's Satellite Art Fairs «ArtnetNews, Dec 5, 2014, http://news.artnet.com/art-world/hidden-gems-of-miamis-satellite-art-fairs-189968 Gallery featured in Paddy Johnson's article «Untitled Continues to Make Gains in Miami,» ArtFCity Dec. 4, 2014http: / / artfcity.com/2014/12/04/untitled-continues-to-make-gains-in-miami/ Goldschmied & Chiari in ICI Annual Benefit & Auction https://artsy.net/feature/ici-benefit-auction-2014 Goldschmied & Chiari in The Kitchen fall 2014 benefit art auction https://paddle8.com/work/goldschmied-chiari/41755-untitled-portrait Goldschmied & Chiari solo exhibition «La democrazia e» illusione,» at the Museo d'arte Contemporanea, Villa Croce, Genoa, Italy, November 14, 2014 - January 25, 2015 Scott Alario in SLIDELUCK NYC XVIII at Photoville, curated by Gideon Jacobs and Matthew Leifheit, under the Brooklyn Bridge, Fri, Sept 26, 7 pm http://slideluck.com/nyc-xviii/ Gallery to exhibit in «Untitled» art fair, Miami Beach, Dec 1 - 7, 2014, http://www.art-untitled.com/index.php/exhibitors/ Gallery group exhibition «Site / Displace,» in ArtFCity's «This Week's Must - See Art Events: Death to Normcore, by Whitney Kimball, Corrina Kirsch, and Andrew Wagner, July 21, 2014 http://artfcity.com/2014/07/21/this-weeks-must-see-art-events-6/

Every element in an exhibition of work by Peter Liversidge begins at the artist's kitchen table with Liversidge sitting alone writing proposals on an old manual typewriter.

After her 2014 — 15 residency at Massachusetts Institute of Technology (MIT), where she worked with biologists to grow bacteria swabbed from 100 women in the art world (including artist Juliana Huxtable and gallerist Rachel Uffner), Yi debuted her cultures in a solo exhibition at Chelsea space The Kitchen in March.

This week, we've got a Women's Synth Workshop at the Kitchen, a Ragnar Kjartansson show at the New Museum, a new exhibition of abstract art by Jayson Musson, and more.

The resulting exhibition, Perspectives 155: Francesca Fuchs, at the Contemporary Arts Museum Houston (2007), featured paintings of babies, kitchens, dressers, and formal landscapes, each rendered with soft lines and painterly brushwork.

Group exhibitions include Dynamo, curated by Serge Lemoine and Matthieu Poirier, Grand Palais, Paris, France, 2013; Abstraction / Figuration, Musée des Beaux Arts, Rennes, France, 2014; From Minimalism Into Algorithm, The Kitchen, New York, 2016; and Sixfold Symmetry: Pattern in Art and Science, Frances Young Tang Teaching Museum of Art, Skidmore College, Saratoga Springs, New York, 2017.

Works and performances have been seen in New York, NY at Swiss Institute; Whitney Museum of American Art; The Kitchen; Art in General, Brooklyn; Los Angeles Contemporary Exhibitions, CA; Stedelijk Museum, Amsterdam; the Art Institute of Chicago, IL; the Museum of Contemporary Art, Chicago, IL; Contemporary Art Museum, Houston, TX; and Museo de Arte Contemporáneo, Oaxaca, Mexico.