Sentences with phrase «exhibition made possible»

The exhibition made possible by the Freud Circle - BNP Paribas and Credit Suisse - and those donors who wish to remain anonymous.

This exhibition made possible by Signature Financial Management and the generosity of the lenders.

The award includes an exhibition made possible by the financial institution, which was presented at the Deutsche Guggenheim in Berlin followed by stops in Brussels, Chicago, Birmingham, and Rome, and which can now be seen at Fotomuseum Winterthur.

This exhibition made possible by the generous support of Kim and Bob Eck.

Not exact matches

To mark the 60th anniversary of the team's achievement, the Royal Geographical Society in London is hosting an exhibition that explores the innovations that made the ascent possible.

The placement of the exhibition «Reading and Writing with Anne Frank» in Peru was made possible with the support of the Dutch embassy in Lima.

The temporary exhibition «The helpers of the Secret Annexe» in the Anne Frank House throws light on the important role played by the people who made it possible for the Franks to go into hiding.

Make your conference and exhibition visits as effective as possible love conferences for the opportunities they present to meet useful contacts.

It was made possible by Eric Nakamura and took place in conjunction with a 15 - year Giant Robot anniversary exhibition at the gallery space.

Speaking of the exhibition, he said: «Although the images were taken during a difficult time, I am grateful to have made it through that period and hope this series shows that recovery is possible even from the depths of serious addiction.

This exhibition is made possible by a lead grant from the Henry Luce Foundation.

The annual fund continues to make possible the presentation of the permanent collection, special exhibitions, year - round public programming, education classes, and the artist - in - residence and internship programs.

The exhibition is made possible by The Alexander Bodini Foundation, Mrs. Terry Allen Kramer, Enzo Viscusi, and The International Council of The Museum of Modern Art with additional support from The Contemporary Arts Council of The Museum of Modern Art, Gilberto and Rosa Sandretto, Patricia Phelps de Cisneros, Il Gattopardo, The Italian Cultural Institute of New York, and DARC - Directorate - General for Contemporary Architecture and Art of the Italian Ministry for Cultural Heritage and Activities.

Into Me / Out of Me is made possible by the Annual Exhibition Fund.

Exhibitions at MoMA PS1 are made possible by the Annual Exhibition Fund with support from Volkswagen of America, MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, Jerry I. Speyer, Bloomberg Philanthropies, Philip and Shelley Aarons, Agnes Gund, Peter Norton, Beth Swofford, Susan Hayden, Angela A. Chao and Jim Breyer, Sheikha Hoor Al - Qasimi, Sarah Arison, Adriana Cisneros de Griffin, Wendy Fisher, Adam Kimmel, Julia Stoschek, Svetlana Uspenskaya, Maja Oeri, Jennifer McSweeney, Simon Mordant, Dana Farouki, Richard Menschel, Robert Menschel, Michael Werner Inc., Dorothy Lichtenstein, Linyao Kiki Liu, The Contemporary Arts Council of The Museum of Modern Art, Sydie Lansing, John Comfort, Dayana Tamendarova, Mimi Haas, Marlene Hess and Jim Zirin, Donald B. Marron, Prada USA Corp. / Miuccia, Rob and Anne - Cecilie Speyer, Michael Ovitz, Michele Gerber Klein / Liberman Fdn, Anne & Joel Ehrenkranz, Enzo Viscusi, MoMA International Council, Lise Stolt - Nielsen, Union Beer Distributors, Ace Hotel New York, CANADA LLC, The Junior Associates of The Museum of Modern Art, Bill & Ellen Taubman, Foundation Galeries Lafayette, Susan and David Rockefeller, Philip Munger, Flanders House, with additional funding from The Director's Circle of MoMA PS1, and The Contemporary Circle of MoMA PS1.

This exhibition is made possible through support from the Mint Museum Auxiliary and awards from the Terra Foundation for American Art and The Dedalus Foundation, Inc., and is accompanied by a fully illustrated catalogue.

In addition, the exhibition and all related public programs are made possible in part by a grant from the North Carolina Humanities Council, a statewide non-profit and affiliate of the National Endowment for the Humanities.

This exhibition was organized by the Los Angeles County Museum of Art and made possible by the Wasserman Foundation.

This exhibition is made possible by The Alice Tully Foundation, with major support from the estate of Alex Gordon.

Student curated exhibitions at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; Mitzi and Warren Eisenberg; and the Patrons, Supporters, and Friends of the Center for Curatorial Studies.

This exhibition is organized by The Phillips Collection, Washington, DC, and is made possible through the generosity of William and Laura Buck with additional support from Wilmington Trust and FREEMAN»S.

This exhibition is made possible through generous contributions from Lawton W. Fitt, Ronald S. Lauder, David Teiger, the exhibition fund of the P.S. 1 Board of Directors, and the partners of New Enterprise Associates, with additional support from Scharff Weisberg Inc., Electronic Arts Intermix and Video Data Bank.

This exhibition has been made possible by the generous support of The Brown Foundation, Inc..

The exhibition is made possible with lead funding from an anonymous donor, generous support from the Gilder Foundation, and assistance from the Gladys Krieble Delmas Foundation.

The exhibition was made possible by major grants from the Getty Foundation.

This exhibition is made possible by P.S. 1 Board of Directors.

Beatriz Cortez and Rafa Esparza's collaborative exhibition at Commonwealth and Council engages with immigrant labor as a metaphor for the construction of a future where multiple imaginaries of gender, race, class, and culture are made possible.

Exhibitions at the List Center are made possible with the support of Fotene Demoulas & Tom Coté, Audrey & James Foster, Jane & Neil Pappalardo, Cynthia & John Reed, and Terry & Rick Stone.

Student - curated projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.

The exhibition is drawn from The Wolfsonian - FIU's Library's collection and includes advertisements, product labels and books covers made possible with the advent of new printing techniques born at the end of the 19th Century.

This is the sixth exhibition of RAW - Recognition of Art by Women - made possible by the Leonard and Sophie Davis Fund / MLDauray Arts Initiative.

Sponsors: The exhibition is made possible through the generous support of the Robert and Mercedes Eichholz Foundation.

The exhibition is made possible by the MoMA PS1 Annual Exhibiexhibition is made possible by the MoMA PS1 Annual ExhibitionExhibition Fund.

CCS Bard student - curated exhibitions are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund, Mitzi and Warren Eisenberg, and the Patrons, Supporters, and Friends of the Center for Curatorial Studies.

This exhibition is made possible with generous support from the PARC Foundation.

This exhibition is made possible by the Graham Gund Exhibition Fund, held jointly by the Harvard Graduate School of Design and the Harvard Arexhibition is made possible by the Graham Gund Exhibition Fund, held jointly by the Harvard Graduate School of Design and the Harvard ArExhibition Fund, held jointly by the Harvard Graduate School of Design and the Harvard Art Museums.

This exhibition is made possible by The Approach, London with additional support from Dietl International, Inc..

This exhibition is made possible by Nancy North in collaboration with Elizabeth Fiore and Steven Kasher Gallery.

The exhibition at P.S. 1 is made possible by Gerrit and Sydie Lansing, Peter Marino, The West Collection, Peter Josten and Sam Trower, Jean - Edouard van Praet, and supporters of the P.S. 1 Annual Exhibiexhibition at P.S. 1 is made possible by Gerrit and Sydie Lansing, Peter Marino, The West Collection, Peter Josten and Sam Trower, Jean - Edouard van Praet, and supporters of the P.S. 1 Annual ExhibitionExhibition Fund.

Research for this exhibition was made possible by Ann and Jim Goodnight / The Andrew W. Mellon Foundation Fund for Curatorial and Conservation Research and Travel.

This exhibition is made possible by Anthony d'Offay Gallery, London.

Rothko to Richter: Mark - Making in Abstract Painting from the Collection of Preston H. Haskell has been made possible by generous support from Susan and John Diekman, Class of 1965; the Bagley Wright, Class of 1946, Contemporary Art Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; the Andrew W. Mellon Foundation; the Allen R. Adler, Class of 1967, Exhibitions Fund; and the Judith and Anthony B. Evnin, Class of 1962, Exhibitions Fund, and an anonymous donor.

The Baltimore presentation of the exhibition is made possible by Ellen W. P. Wasserman, Jeanette C. and Stanley H. Kimmel, Tony and Lynn Deering, and the National Endowment for the Arts.

«Kaari Upson: Good thing you are not alone» is made possible by the Toby Devan Lewis Emerging Artists Exhibitions Fund.

This exhibition is made possible with the generous support of Artis and the François Pinault Collection.

This exhibition is made possible by Philip E. and Shelley Fox Aarons.

A $ 69,556 grant from NHPRC made it possible for the BMA's Library & Archives to process five key collections: the museum archive's photography collection, audiovisual collection, curatorial records for exhibitions and publications, juried and invitational exhibition records, and education department records.

The exhibition, tour, and catalogue are made possible, in part, by grants from Gerrit L. and Suydam R. Lansing, the Institut für Auslandsbeziehungen e.V., Stuttgart, and the Israel Ministry of Foreign Affairs, Cultural & Scientific Relations Division, and Consulate General of Israel in New York.

The exhibition LLYN FOULKES was made possible by major gifts from Susan Steinhauser and Daniel Greenberg / The Greenberg Foundation in honor of Mickey Gribin; Kayne Foundation — Maggie Kayne; and the Andy Warhol Foundation for the Visual Arts.

For more information on A Big Hairy Deal Exhibition and Benefit contact: Visual AIDS at [phone] or [email protected] Thank you All of the wonderful hairdressers, makeup artists and masseuses who make this event possible.