Sentences with phrase «exhibition making since»

Not exact matches

The exhibition and the photo album feature the best photos made in the 100 years since the agency's founding.

Since Carter's affiliation with Budweiser and the money that comes to him from exhibitions, tournament prizes, TV, endorsements and other sources have made him one of the richest athletes in the country, this was not surprising.

London, England About Blog Nadia Attura is a Fine Art Photography Blog talking about my work drawing with light mark making painting exhibitions art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1,344.

Given his stature, and because it is for works other than these that Watteau is best known, this exhibition is especially rewarding since it allows for a clear - eyed appraisal of a painter on the cusp of making his greatest works.

Since the passing of Ellsworth Kelly in December of 2015, the exhibition of the artists's final works has made for a sort of bittersweet anticipation.

The exhibition makes one want to return for multiple viewings, since his work is subtle and mysterious, and reveals itself slowly.

In 2017 he was part of the exhibition «Being There» at the Louisiana Museum of Modern Art in Denmark with the installation «Lake Anticipation» made in collaboration with his creative partner since 2001, Lizzie Fitch.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

Jeffrey Gibson: Like a Hammer is the first exhibition to focus on the art that one of the brightest stars working in the contemporary art world today has made since 2011, a creative turning point for him.

In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.

BOOKSHELF To further explore contemporary African art, consider recent volumes that document the field, such as «Contemporary African Art Since 1980,» which is co-edited by Okwui Enwezor and Chika Okeke - Agulu, «The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists,» which accompanied a traveling exhibition, and «Making Africa: A Continent of Contemporary Design.»

Comprised of contemporary art acquired through SFMOMA's Campaign for Art, this exhibition highlights works in a variety of mediums that reflect the diversity of art being made since 1980.

This makes it the most visited exhibition ever held at the gallery on Millbank, either in its time as the Tate Gallery or since it became Tate Britain in 2000.

Drew has been making variations on this repetoire of humble materials since the 1970s, having had his first solo exhibition at the age of 13.

This expanded edition of Panorama includes a new text by Mark Godfrey that covers works made since the 2011 exhibition, including the Strip, Flow and Birkenau paintings, as well as an updated chronology.

One such initiative, Scaffold Gallery, have recently opened their show «Never Gon na Give You Up» at Islington Mill, inviting several of their former art school peers who have since fallen away from making work and exhibiting to return for this exhibition.

«Melvin Edwards has been making beautiful and profound sculpture since his first museum exhibition in 1965, and continues to do so today.

This exhibition focuses on the analysis of a set of works from the Berardo Collection in which the artists have made free and creative use of line, form and colour, elements which are intrinsically linked to our lives, to all that we see, touch and feel and can be considered the main building blocks of abstract art since the beginning of the 20th century.

The first solo exhibition since his death in Berlin in 1967 was held at England & Co in 1988 — a retrospective that led to the British Museum acquiring the set of macabre ink drawings that he made for his book Out of My Mind (1946).

By 2007 the collection had grown to 888 objects, making the room no longer enterable.12 Since that year, the objects have been shipped and reinstalled for exhibitions at Gagosian New York and at Tate Britain, which now owns the work in partnership with the National Galleries of Scotland.

Lecture Videos posted some video footage from the current exhibition and some behind the scene process, the video also includes an interview with Tug Balog of May's Lane Project, who has been working on this project since 2005 and made this amazing event happen, also there are interviews with some other participating artists and gallerist.

Ryman soon devoted his life to making art, and has consistently exhibited around the world since his first solo exhibition in 1967.

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

Noah Taylor has worked in that garish world known as showbiz most of his adult life, best known for his acting roles he has also been making music and painting since his teens but has only been exhibiting his work in the last five years with his first solo exhibition being held in his native Australia last year.

In 1981, shortly after «Women Artists» made its grand tour of the US, Germaine Greer defined women's careers in art since the Renaissance as The Obstacle Race.12 Recent exhibitions in the US and Europe offer a chance to assess whether Greer's phrase still applies.

Composed of works from the museum's collection made since 2000, including several recent acquisitions and works on view for the first time, the exhibition explores the prevailing correlations between the personal, the intimate, and the individual; constructions of identity, history, and culture; the instability of materials; and strategies to rediscover or recover the past.

History will be made tonight: a solo exhibition by visual activist and photographer Muholi, her first in Cape Town gallery since 2012.

Her work is currently on exhibit at Bates College Museum of Art («Back and Forth: the collaborative works of Dawn Clements and Marc Leuthold»), and has been included in numerous exhibitions including: «Paper» (Saatchi Gallery, London), «Ghost of Architecture» (Henry Art Gallery, Seattle), «Ballpoint Pen Drawing Since 1950» (Aldrich Contemporary, CT), «Making Room: The Space Between Two and Three Dimensions» (MassMoCA), «11th National Drawing Invitational: New York, Singular Drawings» (Arkansas Arts Center), «Contemporary American Drawing» (Xiang Art Museum, Sheng Zheng, China), and the Whitney Biennial 2010 (Whitney Museum of American Art, NY).

Since the early 2000s Speed has exhibited internationally, including her solo exhibition MAKE SHIFT at the Yorkshire Sculpture Park, and group shows at the Drawing Room (London), Center for Artists Books (New York), and PIANOFABRIEK (Brussels).

With recurring themes of life and mortality, Australian painter Erin Smith's exhibition at Amy Li Projects, The Right Place At The Right Time, marks the progress she's made as an artist since the last time she was shown by gallerist Amy Li, who says Smith has been focusing on creating backgrounds first, and then adding images on the foreground.

But this exhibition makes it plain there were other painters who had absorbed what had since happened in France, the likes of Charles R Sheeler and Marsden Hartley, both of whom were indebted to Cézanne, and Morton Livingston Schamberg whose 1912 Study of a Girl might have come straight from Paris.

This exhibition highlights the artist's diverse range of art making since relocating from Milan to the United States in 2009, bringing together 40 recent graphite drawings and a selection of works on paper and ceramic sculptures.

The work is the 2005 painting The Eye of Go, and thinking with it involves looking right back to the 1990s and an extraordinary sequence of paintings on acetate that are only now being exhibited for the first time, and forward to paintings and a series of river stone sculptures that Orozco has started making since the conversation around this exhibition began.

«Pussies,» Judy Chicago's first solo exhibition in San Francisco since her iconic installation The Dinner Party premiered there in 1979, presented paintings, drawings, and ceramic plates made between 1968 and 2004, many of which exemplified the feminist art practices pioneered by the artist in the 1960s and»70s.

Her architectural inversions, which turn our notions of man - made environments inside - out, have been wowing art lovers since the original 1997 «Sensation» exhibition at the Royal Academy in London.

The range and frequency of these loan exhibitions have grown enormously since that time, making the Royal Academy a leading art exhibition institution of international importance.

Collecting has been important to me since the very beginning, I've always said it's like making a map of someone's life and this exhibition shows how I've evolved both as a collector and an artist.

A journal by curators for curators, The Exhibitionist has asked the most pertinent questions on contemporary exhibition - making since its founding in 2009 The Exhibitionist: Journal on Exhibition Making is an anthology of the first 12 issues of the journal about contemporary curating that bears the exhibition - making since its founding in 2009 The Exhibitionist: Journal on Exhibition Making is an anthology of the first 12 issues of the journal about contemporary curating that bears the samemaking since its founding in 2009 The Exhibitionist: Journal on Exhibition Making is an anthology of the first 12 issues of the journal about contemporary curating that bears the Exhibition Making is an anthology of the first 12 issues of the journal about contemporary curating that bears the sameMaking is an anthology of the first 12 issues of the journal about contemporary curating that bears the same name.

He is the Founding Editor of The Exhibitionist: Journal on Exhibition Making and since 2012 Editor at Large for Mousse Magazine.

The museum's history as a manufacturing plant makes MASS MoCA a particularly fitting venue for Nonas, who, since his early career — when he and his peers presented guerrilla exhibitions in alternative spaces — has often been drawn to raw industrial buildings.

This landmark traveling exhibition brings together roughly 70 works made over the course of some 40 years — including many of the artist's sketchbooks that have never been shown before — and will unfold chronologically, tracing Serra's ever - evolving ideas and methods since the 1970s.

The Archives at the Center for Curatorial Studies at Bard College serve as the institutional repository for the Center, and the Hessel Museum of Art and as a collecting repository which actively acquires, preserves, and provides access to a wide range of primary materials documenting the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s.

Telling a story 500 years in the making, Botticelli Reimagined will be the largest Botticelli exhibition in Britain since 1930.

By actively acquiring, preserving, and providing access to the archives and manuscripts of significant curators, innovative commercial art galleries, not for profit art spaces, arts collectives and initiatives, the Archives & Manuscripts Collection seeks to document the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s, representing a broad range of contemporary discourses and curatorial practices.

MATRIX 262 features a wide selection of the films O'Neill has made since the 1960s, which will be shown on BAMPFA's multiple screens — the Barbro Osher Theater, Theater Two, and the outdoor screen — at various times throughout the run of the exhibition.

Ten years in the making, Damien Hirst's new project is unveiled in Venice — his first solo exhibition in Italy since a 2004 retrospective in Naples.

Devree, Howard, «Picked by Critics: Selected American Paintings Since 1900 — Watercolor Annual — Abstraction», New York Times, 24 February, section 2, p. 9 Art Digest (New York), 1 March, volume 26, p. 19 McBride, Henry, «By Henry McBride: Glasco changes, too», Art News (New York), April, volume 51, no. 2, p. 47 Fitzsimmons, J, «Whitney Annual: many talents, few commitments», Art Digest (New York), April, volume 26, pp.6 - 7 McBride, Henry, «No exit at the Whitney: New American watercolors, drawings and sculpture make a controversial cross-section», Art News (New York), April, volume 51, no. 2, pp. 36 - 37 & 64 Hess, Thomas B, «The Modern Museum's fifteen: Where U.S. extremes meet», Art News (New York), April, volume 51, no. 2, pp.16 - 19 & 65 - 66 Devree, Howard, «Modern Museum has Varied Show: «Fifteen Americans» Paintings and Sculpture, Will Open to the Public Tomorrow», New York Times, 9 April, p. 25 Devree, Howard, «Diverse Americans: Fifteen in Museum of Modern Art Show — New Work by Nordfeldt and Laurent», New York Times, 13 April, section 2, p. 9 More, Hermon, Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Miller, Dorthy C, 15 Americans, catalogue, Museum of Modern Art, New York

The graduate program at the Center for Curatorial Studies at Bard College (CCS Bard) is an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition - making, and the theory and criticism of the visual arts since the 1960s.

Since its first showing of pieces in 1959 at the Whitney, the collection traveled to Latin America, and then made itself available to other museums in the U.S. through a rigorous 25 - year exhibition program.

His work has also been included in major group exhibitions such as Made in California: Now at the Los Angeles County Museum (2000), Lyon Biennale (2003 and 2005), Whitney Biennial (2004), and Sympathy for the Devil: Art and Rock and Roll Since 1967 at the Museum of Contemporary Art in Chicago (2007).