Sentences with phrase «exhibition making today»

Participants engage with current curatorial thinking in a critical environment that provides an international context for understanding contemporary art and exhibition making today.

The Exhibitionist was established by curator Jens Hoffmann in 2009 as a journal by curators, for curators, in which the most pertinent questions on exhibition making today would be considered and assessed.

The Exhibitionist was established in 2009 as a journal by curators, for curators, in which the most pertinent questions on exhibition making today would be considered and assessed.

Not exact matches

Hyundai's latest concept vehicle, the exciting OLV (Outdoor Lifestyle Vehicle) made its world debut today during the first of three press preview days at the North American International Auto Show at the Cobo Exhibition Center.

Commandaria Festival: This annual event celebrates the rural heritage of the picturesque villages of the Kouri and Xylourikou valley, where the commandaria wine is still made today, and features music, dance, exhibitions, wine production demonstrations and commandaria tastings.

Includes: unlimited entry to the museum of tropical queensland for 12 months 10 % discount on purchases at the museum shop 10 % discount on entry to other queensland museum network museums across the state vip invitations to exclusive member previews of exhibitions and events subscription to the museum of tropical queensland e-news join today and make the museum of tropical queensland your place of discovery for an entire inspirational year!

At today's official unveiling of Barbara Carrasco's incredible mural, LA History: A Mexican Perspective, at Union Station, Jessica Hough, Director of Exhibitions for the California Historical Society and the prime mover and force behind the Carrasco installation, made the following remarks:

A new exhibition at the MCA in Chicago aims to put the emphasis back on her painting by placing it in the context of work being made today Read More

This limited edition was produced by Jaime Gili in response to Richard Hamilton's seminal poster Just What Is It That Makes Today's Homes So Different, So Appealing, which was first shown at the Whitechapel Gallery in the 1956 exhibition, This is Tomorrow.

«DeShawn Dumas, in his exhibition Holocene Extinction, takes a number of the conventions of painting today, pushes them, and in the process makes something urgent.

RT @AlanCristea: Free talk today at 1.15 pm @britishmuseum's «Business of Prints» exhibition exploring prints made from 1400 - 1850 https: /...

This limited edition was produced in response to Richard Hamilton's seminal poster Just What Is It That Makes Today's Homes So Different, So Appealing, which was first shown at the Whitechapel Gallery in the 1956 exhibition, This is Tomorrow.

Jeffrey Gibson: Like a Hammer is the first exhibition to focus on the art that one of the brightest stars working in the contemporary art world today has made since 2011, a creative turning point for him.

2006 USA Today, Royal Academy of Arts, London, UK Youth of Today, Schirn Kunsthalle, Frankfurt, Germany Constant Disturbance, Centro Cultural Español, Curated by Gean Moreno, Miami, FL Bring it on, Monique Meloche Gallery, Chicago, IL Transformer, Traveling exhibition of contemporary artworks from the West Collection, Main Line Art Center, Haverford, PA Nominally Figured, Recent Acquisitions in Contemporary Art, Fogg Art Museum Harvard University, Boston, MA Making Do, Yale University School of Art, New Haven, CT

is vital reading for arts professionals, art and curatorial studies students, art historians, practicing artists, and anyone curious about exhibition - making today.

Today, at Jack Shainman Gallery, New York, will present Barkley L. Hendricks, Them Changes, the first ever exhibition of newly discovered works on paper made contemporaneously with his famous portrait paintings.

Cain's work has been included in many museum group exhibitions in recent years, including: Variations: Conversations in and around Abstract Painting, the Los Angeles County Museum of Art, Los Angeles, CA (2014); Now - ism: Abstraction Today, Pizzuti Collection, Columbus, OH (2014); Outside The Lines, Contemporary Arts Museum, Houston, TX (2013); Painting in Place, Los Angeles Nomadic Division, Los Angeles, CA (2013); PAINT THINGS: beyond the stretcher, deCordova Sculpture Park and Museum, Lincoln, MA (2013); Made in L.A., Hammer Museum, Los Angeles, CA (2012); and Gold, Imperial Belvedere Palace Museum, Vienna, Austria (2012).

«Melvin Edwards has been making beautiful and profound sculpture since his first museum exhibition in 1965, and continues to do so today.

2014 dis order — Pattern and Structure in the Collection, Museum Folkwang, Essen, Germany Post Pop: East Meets West, Saatchi Gallery, London Making Links: 25 Years, SCAI The Bathhouse, Tokyo Wall Works II, Hamburger Bahnhof Museum für Gegenwart, Berlin From Rauschenberg to Jeff Koons: The Ileana Sonnabend Collection, Ca'Pesaro International Gallery of Modern Art, Venice Checkmate: Depero / Halley, Galleria In Arco, Turin Urban Theater: New York Art in the 1980's, The Modern Art Museum of Fort Worth, Fort Worth, TX The Mysterious Device was Moving Forward, Longhouse Projects, New York Man in the Mirror, Vanhaerents Art Collection, Brussels 30 Years, Foundation Cartier pour l'art contemporain, Paris (collaboration with Alessandro Mendini) Speaking Through Paint: Hans Hoffmann's Legacy Today, Lori Bookstein Fine Art, New York 93: 20th Anniversary Exhibition, Centro Galego de Arte Contemporánea (CGAC), Santiago de Compostela, Spain

«This season, we have the opportunity to evolve and create new forms of expression that span both time and place — from a prodigiously talented group of self - made dancers from New York in their debut institutional performance, to the first U.S. exhibition from one of the most influential visual artists working today in France,» stated Alex Poots, Artistic Director of Park Avenue Armory.

American Art of the 80's, curated by Gabriella Belli and Jerry Saltz, Palazzo delle Albere, Trento, Italy A Passion for Art: Watercolours and Works on Paper, Tony Shafrazi Gallery, New York, NY Closet No. 9, Queens Museum of Art, Flushing, NY Just What Is It That Makes Today's Home So Different, So Appealing, The Hyde Collection, Glen Falls, NY The 1980's; A Selected View From the Permanent Collection, Whitney Museum of Fine Art, New York, NY Metropolitan Home Showhouse 2, New York, NY To Benefit Fashion Moda, Brooke Museum of Art, New York, NY Children in Crisis, A Benefit Exhibition, Lorence Monk Gallery, New York, NY

I saw an art exhibition today that made me think of you.

Other exhibition highlights include Petersen's Picnic series, (ca. 1965); Arneson's Herinal (no date), representative of his important body of toilets and urinals made from 1962 to 1964; seminal works like Neri's Ceramic Loop IV (ca. 1961 - 65), a ceramic sculpture featured in the UC Berkeley Art Museum's Funk exhibition (1967); and brash experiments that strike one today as prescient.

at L.A. MOCA in 2007, here's a survey of exhibitions that upended the way we look at art today — and how artists make it, too.

If the 1993 show challenged what it means to make an exhibition political — through additions like the Rodney King video, Martinez's buttons, and its unprecedented spotlight on identity politics and race — then today this model seems more relevant than ever.

Everything you'll see at the Summer Exhibition represents the art being made today.

Other exhibitions such as «It Takes a Nation: Art for Social Justice: With Emory Douglas, and the Black Panther Party, Africobra, and Contemporary Washington Artists» at American University in Washington, D.C., and «Ruddy Roye: When Living is a Protest» at Steven Kasher, make the connection between earlier black rights movements and today's Black Lives Matters activism.

Recently debuting stateside, featuring more than 170 works made between 1963 - 1983 by dozens of black artists, the exhibition closed today at the Crystal Bridges Museum of American Art in Bentonville, Ark., and will travel to the Brooklyn Museum.

Today's RA summer exhibition is a pale shadow of what was then a spectacular social occasion at Somerset House in London, where artistic reputations were made and broken.

And so, in the exhibition you see everything from the first photographs ever made: from salt prints, to mixed media, photo - based videos that are behind me, which really have expanded the direction that artists are working today with the medium.

The Museum's annual juried sale and exhibition is a diverse and vibrant display of unique, artist - made jewelry that offers the public the rare opportunity to acquire pieces directly from some of the most innovative jewelry artists working today.

Opening on 23rd January at the Rook & Raven gallery, Bigger Than The Both of Us, a solo exhibition by acclaimed artist Corinne Felgate is comprised of two new major installations, Bigger than the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world today.

This two - volume catalogue will be the first substantial publication to offer an overview of Lucas» work from 1990 to today, and to focus on her approach to exhibition making, installation and her concern with the architectural environment in which her work is placed.

Group exhibitions include the Pizzuti Collection's exhibition Now - ism: Abstraction Today, the Hammer Museum's Made in L.A. 2012, Painting in Place, curated by Shamim M. Momin, as well as exhibitions at GAVLAK, Los Angeles, the Orange County Museum of Art, the Santa Barbara Museum of Art, Bregenzer Kunstverein, Austria, Ameringer / McEnery / Yohe, New York, and Gagosian Gallery, Los Angeles, among others.

Supporting art and creativity is more urgent than ever, and you can make a tax - deductible donation today to help us carry on our renowned artist residencies, exhibitions, and programs, and keep them free and accessible to all.

Today's world - at - your - fingertips society may find it difficult to fully understand what went into making Barkley's exhibition and catalogue a reality.

Signal debuts, ambitious installations, live performances, site - specific works inside the museum and throughout the city make this exhibition an immersive experience of art today.

Guest, Barbara, «Reviews and Previews», Art News (New York), April, volume 53, no. 2, p. 54 Devree, Howard, «About Art and Artists: Moderate Abstractions Make a Lively Exhibition at the City Center Gallery», New York Times, 8 April, p. 25 Newbill, Al, «Fortnight in Review: A Contrasting Trio», Art Digest (New York), 15 April, volume 28, no. 14, p. 20 «Coast - to - Coast: Guggenheim to Show and Buy «Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40Exhibition at the City Center Gallery», New York Times, 8 April, p. 25 Newbill, Al, «Fortnight in Review: A Contrasting Trio», Art Digest (New York), 15 April, volume 28, no. 14, p. 20 «Coast - to - Coast: Guggenheim to Show and Buy «Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & 70 - 73

Each year, the Center for Curatorial Studies celebrates the achievements of a leading curator whose lasting contributions have shaped the way we conceive of exhibition - making today.

About the Award Each year the Center for Curatorial Studies celebrates the individual achievements of a leading curator or curators whose lasting contributions have shaped the way we conceive of exhibition - making today.

The first exhibition in China to focus on the experimental, mechanically produced areas of Warhol's practice, Andy Warhol: Contact features photographs, installations, and films that broke the boundaries of contemporary art when they were first made, and still compel viewers today with their extraordinary immediacy.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LondoExhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, Londoexhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

Building on Michael Petry's book, The Art of Not Making: The New Artist / Artisan Relationship, this exhibition explores the various factors that motivate artists today to use assistants or outsourcing as part of their practice.

Jeff has pushed that legacy further than any other artist in terms of the standards and level of detail with which he produces his work, and there's an essay in the exhibition catalogue by [Artforum editor] Michelle Kuo that argues that he is producing objects at a level that's higher even than science or industry today, with elements of his sculptures that are more exacting and complicated than equipment made by the aerospace industry.

The decision by officers to visit Tate Modern is understood to have been made after police chiefs saw coverage of the exhibition in today's newspapers, rather than as a result of complaints.

About CCS Bard's Audrey Irmas Award for Curatorial Excellence For the past nineteen years, the Center for Curatorial Studies at Bard College has celebrated and awarded the individual achievements of a leading curator or curators whose lasting contributions have shaped the way we conceive of exhibition - making today.

February 1 — March 24, 2018 Drawings from CU Art Museum made from the 1200s to today are featured in this exhibition, curated by a team of graduate students in CU's museum practicum seminar.

We are organizing landmark exhibitions by legendary figures like Thomas Bayrle and Ida Applebroog, who have influenced generations and are making some of their most exciting work today.

Although Skybox I was made three years prior to its exhibition in New Orleans, the questions and ideas it presents remain relevant here today, and across the globe.