Sentences with phrase «exhibition of contemporary architecture»

Not exact matches

It features a two - room layout that preserves many aspects of its historic use and distinctive architecture, while updating the space with contemporary exhibitions.

An exhibition of modern architecture and Caribbeanesque vernaculars, the private enclave offers the serenity of understated elegance with contemporary luxuries.

For many recent exhibitions, including Portrait of a Young Man at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator in conjunction with the museums, altering the architecture of the exhibition spaces and merging his works with pieces in the permanent collections of the institutions in order to create a unique and dynamic viewing experience.

The exhibition, the artist's first solo show of paintings in New York in six years, continues to reveal Taaffe as a philosopher of painting, offering compelling meditations on art and culture, both contemporary and historical, and visual ruminations on the interrelated families of forms and images in art, architecture, and archaeology.

SOLO EXHIBITIONS 2020 Forthcoming: Sir John Soane's Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian architecture», The Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse on The original of Architecture», REDCAT, Los Angeles «Recent History», Herald St, London

ABOUT THE HIGH The High Museum of Art is the Southeast's leading art museum and home to a renowned collection of historical and contemporary art, special exhibitions, and celebrated architecture by Richard Meier and Renzo Piano.

The artists in the exhibition inflect Modernist forms with contemporary perspectives on intimate subjects including: the poetics of domestic architecture, the pertinence of ancient myth, and the solipsism of art history.

Museum of Contemporary Art Santa Barbara is proud to present Free Play, an exhibition that brings contemporary furniture, architecture, artworks, and objects from an inteContemporary Art Santa Barbara is proud to present Free Play, an exhibition that brings contemporary furniture, architecture, artworks, and objects from an intecontemporary furniture, architecture, artworks, and objects from an international...

In seven floors of striking architecture Bildmuseet shows exhibitions of international contemporary art, sometimes along with art historical retrospectives.

Recent exhibitions include System of Objects, The Dakis Joannou Collection Reloaded by Andreas Angelidakis at DESTE Foundation in Athens (co-curator and exhibition architecture), 2013; DO - IT Moscow at Garage, 2014 (exhibition architecture); Crash Pad, A preliminary statement for the 8th Berlin Biennial, 2014 (artist); Every End is A Beginning at National Museum of Contemporary Art Athens, 2014 (artist, co-curator); Fin de Siècle at Swiss Institute / Contemporary Art, New York, 2014 (curator, exhibition architecture); and 1:1 Period Rooms at Het Nieuwe Instituut, Rotterdam, 2015 (artist, curator).

Ruffneck Constructivists, a group exhibition curated by artist Kara Walker, brings together 11 international artists in order to define a contemporary manifesto of urban architecture and change.

And the Pulitzer Goes To... — Phillip Kennicott, the Washington Post journalist who pens the paper's column on art and architecture, has been awarded this year's Pulitzer award for criticism based on his articles on the Kevin Roche exhibition at the National Building Museum, photography at the Corocoran Gallery, and representations of the first family in contemporary images, stating that he was «especially happy to win at a time when arts criticism is not doing well.»

The 160 - page catalog contains essays by Moshe Safdie; by exhibition curator and catalog coauthor Donald Albrecht; and by critic, historian, and theorist of Modern and contemporary architecture, and catalog coauthor Sarah Williams Goldhagen.

The current exhibition at the Contemporary Arts Center is called Buildering: Misbehaving the City, and as Curator Steven Matijcio tells Jane Durrell, this multi-artist collection spotlights the unsanctioned use of architecture — fusing the words «building» and «bouldering» into a rapidly growing movement that reformulates how we live our cities.

6th Moscow Biennale, Amei Wallach, architectural, architecture, biology, body, cell, disintegration, drawing, exhibition, found objects, Garage Museum of Contemporary Art, Haus der Kunst, Irina Nakhova, isolation, Jerry Gorovoy, Julienne Lorz, Kate Fowle, Louise Bourgeois, memory, microcosm, monumental, Olesya Turkina, organism, painting, prison, Rosizo State Museum, sculpture, structure, survey, The Easton Foundation

The Bass seeks to expand the interpretation of contemporary art by incorporating disciplines of contemporary culture, such as design, fashion and architecture, into the exhibition program.

From 1983 to 1999, she was a curator at The Museum of Contemporary Art, Los Angeles, where she organized numerous exhibitions in the visual arts and architecture.

Located within one of the finest examples of Brutalist architecture, it has become known for its programme of groundbreaking contemporary exhibitions.

Since 2009 she curates exhibitions as well as temporary interventions, performances and discursive events in the field of contemporary art and architecture.

2018 will offer a variety of exhibitions to cater for everyone's taste in art from spending time with modern masters such as a year in the life of Picasso, Monet's relationship with architecture, drawings by Klimt and Schiele, through classical artists Ribera and Murillo to contemporary greats like Tacita Dean and Joan Jonas not to mention Frida Kahlo's iconic wardrobe.

The building's architecture is harmoniously tiered with generous exhibition spaces: six exhibition galleries for the display of post-1960 collections, two temporary exhibition galleries and three permanent exhibition galleries (contemporary art, Inuit artand decorative arts anddesign).

«How architecture, art, and design have addressed contemporary notions of shelter, as seen through migration and global refugee emergencies, is explored in the exhibition Insecurities: Tracing Displacement and Shelter, on view at The Museum of Modern Art.

As a critic and architecture historian, Pettena has organized exhibitions on contemporary architecture around the world, and was involved in a number of critical publications, among them L'anarchitetto (1973) and Radicals: Architettura e design 1960 — 1975 (1996).

This exhibition had the goal of investigating the intersection between the fields of architecture, sculpture and models in recent contemporary art.more

On the occasion of his birth, an exhibition dedicated to the great historian, lecturer, critic, politician and designer and to the modern and contemporary Italian architecture he supported and promoted through his work.

«Wang Shu - Amateur Architecture Studio» is the first of a series of monographic exhibitions entitled «The Architect's Studio», dedicated to contemporary architecture and to a new generation of architects that will be invited at the Louisiana Museum of Modern Art, to shape an image of their own practice.

The fourth floor will eventually be dedicated to special exhibitions, but for the museum's inaugural show it will showcase new contemporary acquisitions, with works by Francis Bacon, Richard Diebenkorn, Diane Arbus and Jasper Johns as well as notable works of architecture and design.

Simchowitz currently specializes as an independent consultant and curator to foundations interested in pursuing the exhibition and expansion of public / private contemporary art and architecture initiatives.

The exhibition presents a work commissioned to Claude Parent, one of the most radical personalities of contemporary architecture in France.

In 2015 Katseff was also included in a major survey exhibition of photography, architecture and contemporary art dedicated to the Sierra Nevada region, mounted by the Nevada Museum of Art.

She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art contemporary Mexican art and culture.

Through its exhibitions and programs, SJMA addresses major trends in international contemporary art, architecture, and design, with an ongoing commitment to also place the work of California artists in national and international context.

The Japanese House: Architecture and Life after 1945 at Barbican Art Gallery is the first major UK exhibition to focus on Japanese domestic architecture from the end of the Second World War to today, a field which has consistently produced some of the most influential and extraordinary examples of modern and contemporary design.

In 2017, EXPO CHICAGO and the Chicago Architecture Biennial (September 16 — January 7, 2018) will align, establishing the city as a preeminent destination for global contemporary art and architecture, intersecting across a wide variety of programs including panels, international residencies, exhibitions and citywide events.

She has no qualms about injecting the pop culture of comics into an exhibition that also includes a Samuel Beckett play, Rem Koolhaas's architecture and installations by esteemed contemporary artists like the nonagenarian Louise Bourgeois.

These exhibitions encompass historical surveys, retrospectives of significant modern and contemporary American artists, and group shows of unknown or emerging artists, exhibitions of architecture, film and video art, multi-media installation and fine art photography, and other new media.

Wysing Arts Contemporary Recollect was a gallery exhibition exploring architecture, memory and experience and part of the Love Architecture Festival.

Born 1970, New Haven, CT Lives and works in New York City EDUCATION 2001 MFA, Columbia University, School of the Arts, New York 1993 BFA, Massachusetts College of Art, Boston 1988 — 90 Boston University, School of Fine Arts, Boston ONE PERSON AND TWO PERSON EXHIBITIONS 2011 D'Amelio Terras, New York, NY 2010 The Framed Guests, University of Hawaii School of Architecture Gallery, Manoa Campus, Honolulu, HI; organized by UH Intersections and Interisland Terminal Trouble Everyday, D'Amelio Terras, New York, NY Heather Rowe and Kevin Zucker: SD Studio Dynamics 57UMSTRA1 «Strata # 1,» Unmounted, 5x7, Forever & Today, Inc., New York, NY Tenuous Arrangements, Indianapolis Museum of Art, Indianapolis, IN 2009 UMMA Projects: Heather Rowe, University of Michigan Museum of Art, Ann Arbor, Michigan (curated by Jacob Proctor) Galerie Michael Zink, Berlin, Germany 2007 On Returning, D'Amelio Terras, New York, NY 2006 Green Desert, D'Amelio Terras, New York, NY Shadows of a Doubt, Galerie Michael Zink, Munich, Germany SELECTED GROUP EXHIBITIONS 2012 In the Mirror of Myself, Galerie Zink, Berlin, Germany (forthcoming) Undetectable, La MaMa La Galleria, New York, NY; curated by Nathan Lee Steel Life, Michael Benevento, Los Angeles, CA; curated by Zak Kitnick House Arrest, Franklin Street Works, Stamford, CT; curated by Terri C Smith 2011 Toward A Philosophy of the Everyday, Castle Gallery, College of New Rochelle, New Rochelle, NY; organized by Susan M. Canning The Light Show, Kate Werble Gallery, New York, NY Improvising Architectures, MIA, Miami, FL; curated by Gean Moreno 2010 Painting and Sculpture, Lehmann Maupin, New York, NY The Every Other Day, Ideobox Artspace, Miami, FL; curated by Donald Johnson Montenegro It's All American, New Jersey Museum of Contemporary Art, Asbury Park, NJ Immaterial, Ballroom Marfa, Marfa, TX; curated by Fairfax Dorn.

Her dynamic, immersive installations address key issues that span the realms of film, museum exhibitions, the natural sciences, and contemporary culture through the deployment of movement, scale, and architecture.

Alongside Neo-Georgian and contemporary architecture, the exhibition complements the School's history of innovation and leadership in a rapidly changing, dynamic environment and its mission of educating leaders who make a difference in the world.

Recent Exhibitions include: The Alienation of Objects, 176, Zabludowicz Collection, London (2010), travelling to The New Art Gallery, Walsall and Kiasma Helsinki in 2011 - 12; The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai (2010); Hamsterwheel, initiated by Franz West, Malmö Konsthall, Sweden (2008); Recent Abstraction, British Art Display, Tate Britain, London (2007); build architecture, Camden Arts Centre, London (2006); Archipeinture: artists build architecture, Le Plateau, Paris (2006) and The Future Lasts a Long Time, Le Consortium, Dijon (2005).

The bookstore specializes in publications on contemporary art and architecture, Modernist architecture, the work of R.M. Schindler, and exhibition catalogues from both the MAK Center and the MAK Vienna.

Originally an itinerant educational platform, since 2013 Rupert has also operated as a successful Residency center, welcoming artists, theorists, curators and various other practitioners from the fields of contemporary art, creative writing, critical design, architecture, cinema and others in its three programs in an effort to inspire and encourage inter-disciplinary exchange, alternative education and exhibition structure experimentation in Lithuania and abroad.

Supported by a Center Advancement grant, the Philadelphia Museum of Art presents Creative Africa — a season of five exhibitions highlighting art and design from the African continent, from contemporary photography, fashion, and architecture to centuries - old sculpture.

Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on WillContemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willcontemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willcontemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)

The public program for the exhibition David Adjaye: Form, Heft, Material offers of a series of events focused on the current state of architecture and its role in contemporary society.

David Adjaye: Form, Heft, Material is the first exhibition of a major architect at Garage and inaugurates a new chapter in the Institution's longstanding interest in developing discourse around contemporary architecture and its role in society today.

Buildering: Misbehaving the City is an international group exhibition organized by Steven Matijcio for the Contemporary Arts Center (CAC) Cincinnati exploring artists» unsanctioned uses of architecture.

Designed by architecture studio Carmody Groarke the exhibition reveals the contemporary practices and creative possibilities of the centuries - long skill of tailoring by presenting and pushing pattern cutting beyond the fashion garment.

The key subject of the course is the Exhibition as Communicative Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary art, design, architecture, sound and performance, and publications as dominant art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural movement, and the role of curator as a cultural translator and mediator between the two; and exploration of alternatives for ecological health of increasingly globalized art and culture.