Michelle Grabner, Untitled, 2011 Graphite and gesso on panel 15 x 17 inches January 22 — February 26, 2011 Shane Campbell Gallery is pleased to announce Like a Rare Morel,
an exhibition of graphite and metalpoint works on birch panel by Michelle Grabner.
Shane Campbell Gallery is pleased to announce Like a Rare Morel,
an exhibition of graphite and metalpoint works on birch panel by Michelle Grabner.
Not exact matches
The
exhibition surveys a broad range
of inventive methods and materials employed by Rivers over the course
of his career, which includes intimate works
of graphite, collage, large - scale paintings, life - size sculptures and foam - sculpted relief - paintings.
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient
of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum
of Contemporary Art, «As Above So Below,» a large - scale
exhibition in which Fernandez combined
graphite and gold to make a series
of immersive, interconnected installations.
Fay Ku's solo
exhibition Asa Nisa Masa at Eight Modern in Santa Fe features delicately executed
graphite, ink and watercolor works inspired by her memories, experiences and relationships as a result
of her upbringing in white suburbia as the child
of Chinese immigrants.
Lewis, the youngest artist in the
exhibition, also divides his compositions but with a strong line, using pencil and
graphite powder to create sooty surfaces reminiscent
of the grit
of the city, while maintaining a connection to the modernist grid.
This month, Tinney Contemporary premieres Joel Daniel Phillips: Welcome to the Orange West, a prescient
exhibition of hyperrealistic charcoal and
graphite drawings which quietly sunder relics
of collective nostalgia.
The artist presented the multi-disciplinary performance work red, yellow, lime, pink, lavender, green, scarlet, lavender, scarlet, green, lavender as part
of The Magazine Sessions 2016 at the Serpentine Galleries, London, and has participated in group
exhibitions including Chromaphilia & Chromaphobia, Kansas City Art Institute (2016); Terra Provocata, Fondazione del Monte and Museo Civico Medievale, Bologna (2016); From The Ruins..., 601Artspace, New York (2015); Hangzhou Triennial
of Fiber Art, Hangzhou, China (2013); Paper, Saatchi Gallery, London (2013); Aquatopia, Nottingham Contemporary, Nottingham, touring to Tate St Ives (2013);
Graphite, Indianapolis Museum
of Art (2013); The Air We Breathe, San Francisco Museum
of Modern Art (2011); Coming After, The Power Plant, Toronto (2011); Compilation IV, Kunsthalle, Dusseldorf (2009) and Compass in Hand: Selections from the Judith Rothschild Collection, Museum
of Modern Art, New York (2009).
Blum & Poe is pleased to present Jot, an
exhibition of new colored pencil and
graphite drawings by Chicago - based artist Tony Lewis.
In Revisiting Paradise, Langsam will present a new series
of watercolor paintings and
graphite drawings based on images
of the campus» brutalist brick buildings and the original blueprints from the 1971 MoMA
exhibition and catalogue Architecture for the Arts: The State University
of New York College at Purchase, curated by Arthur Drexler.
This
exhibition highlights his work on a more human scale and showcases his deftness across a range
of materials including
graphite, steel, stainless steel, alabaster, polyester resin, and wood.
Soon after the month - long Corcoran Gallery solo
exhibition, Jane Frank began to apply not just spackle but a variety
of other materials - sea - weathered or broken glass, charred driftwood, pebbles, what appears to be crushed
graphite or silica, and even glued - on patches
of separately painted and encrusted canvas (canvas collage)- to her jagged, abstract expressionist paintings.
His most recent
graphite drawings included in Texas Draws I — a recent
exhibition at the Southwest School
of Art and Craft — are large indexes
of visual information that include Thomas Jefferson, butterfly specimens, and an atomic bomb crater in the New Mexico desert.
This
exhibition highlights the artist's diverse range
of art making since relocating from Milan to the United States in 2009, bringing together 40 recent
graphite drawings and a selection
of works on paper and ceramic sculptures.
Commissioned projects for her work have included a series
of graphite and soap residue paintings for the Center for Disease Control and a series
of computerized machine lace doilies for the Gen Art New Media Art
Exhibition.
In addition to the
exhibition's namesake, highlights in the show from this period include Rauschenberg's 1964 Self - Portrait, consisting
of his thumbprint in ink and
graphite on paper, created for a profile
of the artist in The New Yorker.
This
exhibition will feature paintings ranging from small to very large - scale, and a selection
of sculpture meticulously carved from elemental materials such as
graphite, pewter and salt.
The
exhibition is comprised
of nine mesmerizing oil, acrylic and
graphite paintings, monumental in size and typically void
of any specific narrative.
Ellsworth Kelly: Drawings 1954 — 1962 This
exhibition consists
of 23 drawings in a variety
of media, including ink,
graphite, oil paint and collage.
london - based designers edward barber and jay osgerby present their new
exhibition, «one by one» — a collection
of ceramics,
graphite drawings and watercolors.
2 MATRIX 245, the artist's first solo museum
exhibition in the United States, brings together fourteen paintings and a series
of graphite works on paper from 1991 to 2006.
He has also participated in group
exhibitions including Hangzhou Triennial
of Fiber Art (2013); Paper, Saatchi Gallery, London (2013); Aquatopia, Nottingham Contemporary, Nottingham, touring to Tate St Ives (2013);
Graphite, Indianapolis Museum
of Art (2013); The Air We Breathe, San Francisco Museum
of Modern Art (2011); Coming After, The Power Plant (2011); Compilation IV, Kunsthalle, Dusseldorf (2009) and Compass in Hand: Selections from the Judith Rothschild Collection, Museum
of Modern Art, New York (2009).
The
exhibition features a series
of meticulously crafted
graphite drawings and a rhythmic textual video project.
The Southeastern Center for Contemporary Art is celebrating Robyn O'Neil's twenty years
of drawing, the works in this
exhibition represent those two decades with large - scale
graphite drawings and collages accented with pops
of color.
The
exhibition, Foundation uses
graphite as a sculptural rather than a two - dimensional medium, York created replicas
of parts
of the museum's foundation: irregular granite piers that protrude above the museum's ground floor.
As a testament to her unpaired vision
of art that encompasses both individual and collective experiences
of power and violence, vulnerability and tenderness, the
exhibition will include two monumental kinetic LED signs with new texts the artist selected especially for the
exhibition, a new series
of the artist's acclaimed Redaction Paintings, along with related watercolour and
graphite drawings, and a group
of engraved limestone benches.
Pete Schulte's first solo
exhibition in Atlanta — «Between Moth and Flame» at whitespec, the project space at Whitespace — is a selectively spare presentation
of 14 delicate
graphite, ink, and pigment drawings.
Sikkema Jenkins & Co. presented new
graphite drawings and hand - printed texts on paper that explore themes
of transition and migration that run throughout the African American experience in the 20th century as part
of an
exhibition titled «Dust Jackets for the Niggerati — and Supporting Dissertations, Drawings Submitted Ruefully by Dr. Kara E. Walker.»
Included in the
exhibition will be a watercolor and
graphite sketch
of the curtain design, and a pencil sketch
of the Costume for Chinese Conjurer.
For this
exhibition, Reichert will be showing works made
of salt and
graphite.
This original
exhibition debuts one
of the Museum's most recent acquisitions, a large - scale,
graphite drawing by American artist Karl Haendel.
Recent
exhibitions include: Possible Side Effects, Arróniz Arte Contemporáneo, Mexico City, MX (2015); Redacted: connecting dots in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, NY (2014); Art = Text = Art at UB Anderson Gallery, University at Buffalo, NY (2014) which travelled from the University
of Richmond Museum, VA, the Zimmerli Art Museum at Rutgers University, NJ, and The Hafnarfjör ∂ ur Centre
of Culture and Fine Art, Iceland (2013); Contemporary Monochromes, Contemporary Galleries, Museum
of Modern Art, New York (2013); Science is FICTION, Bartha Contemporary, London (2013), Terrible Beauty: Art, Crisis, Change & The Office
of Non-Compliance, Dublin Contemporary, Ireland (2011); Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany (2010); ALL OVER THE MAP, John Michael Kohler Arts Center, Sheboygan, WI (2009); BLOWN AWAY, Krannert Art Museum, University
of Illinois at Urbana - Champaign, IL (2008); Uncoordinated: Mapping Cartography in Contemporary Art, Contemporary Art Center, Cincinnati, OH (2008); Leaded: The Materiality and Metamorphosis
of Graphite (traveling to 7 University Museums)(2008 - 2009).
Participating artists in the «Mission Blue»
exhibition work with various mediums including oil, acrylic,
graphite, photography, digital media, ink and watercolor to create marine themed artwork calling attention to the beauty and significance
of our oceans.
A selection
of his drawings is currently on view as part
of «
Graphite,» an
exhibition at the Indianapolis Museum
of Art.
Titled 1976, the
exhibition features a series
of graphite - on - paper drawings and hand - carved wood sculptures.
Paper played a major role in Laura Sharp Wilson's layered biomorphic abstractions in acrylic and
graphite on Unryu, mulberry or silk paper, and it was used as a support for many
of the pieces in Lori Ellison's copious
exhibition of patterned abstractions in ink on notebook paper as well as gouache on wood (both shows were at McKenzie Fine Art on the Lower East Side).
The
exhibition features three sculptures constructed from wood, plaster, and pigment, as well as a series
of shadowy
graphite drawings burnished with wax.
Presented within the
exhibition will be a selection
of Muresan's densely layered
graphite drawings, along with a sculpture from 2012.
Kate Beck, Anxieties and Alienations, 2010 Poured oil, enamel and powdered
graphite on aluminum 89 x 184 inches October 28 — December 11, 2010 Pelavin Gallery is proud to announce a solo
exhibition of recent work by american artist, Kate Beck.
Comprised
of delicate
graphite drawings, photographs and one sculpture, Tom Molloy's NATIVE — his fifth solo
exhibition...
Comprised
of delicate
graphite drawings, photographs and one sculpture, Tom Molloy's NATIVE — his fifth solo
exhibition to date at Lora Reynolds Gallery — represents the artist's inquiry into the American historical experience, as refracted through the lenses
of colonialism and imperialism.
Titled «1976», Robert Davis»
exhibition features a series
of graphite - on - paper drawings and hand - carved wood sculptures.
In his first show at Haunch
of Venison, and the largest
exhibition of his work in London to date, Giuseppe Penone will show new and recent works in wood and bronze as well as documentation relating to a series
of ground - breaking projects made in 1968 and an installation
of his extraordinary «Skin
of Graphite» drawings.
In her new
exhibition at Edinburgh Sculpture Workshop, Charlotte Barker appropriates the tradition in pieces that foreground the interplay between nature and craft: she chooses to mould her moon jars by hand, layering coils and patterning the globes with a rain
of finger gestures, before covering them in a
graphite - black porcelain slip.
The
exhibition, with artists chosen by director Elizabeth K. Garvey, features work that shows the diverse possibilities
of work on paper, including multi-layered abstractions, silverpoint drawings, collages, and transparent
graphite and colored pencil drawings, as well as photographs.
The works in the
exhibition include the full range
of her drawing techniques including
graphite, ink, pastel, and acrylic on paper.
Marianne Boesky Gallery is pleased to present an
exhibition of new paintings and
graphite drawings by Barnaby Furnas (b. 1973, Philadelphia, PA).
N. Elizabeth Schlatter is Deputy Director and Curator
of Exhibitions at the University of Richmond Museums, Virginia, where she has curated more than 20 exhibitions, including the group exhibitions «Art = Text = Art: Works by Contemporary Artists,» «LEADED: the Materiality and Metamorphosis of Graphite» and «Form & Story: Narration in Recent Painting,» as well as solo shows of work by Andreas Feininger, Hans Friedrich Grohs, Sue Johnson, and
Exhibitions at the University
of Richmond Museums, Virginia, where she has curated more than 20
exhibitions, including the group exhibitions «Art = Text = Art: Works by Contemporary Artists,» «LEADED: the Materiality and Metamorphosis of Graphite» and «Form & Story: Narration in Recent Painting,» as well as solo shows of work by Andreas Feininger, Hans Friedrich Grohs, Sue Johnson, and
exhibitions, including the group
exhibitions «Art = Text = Art: Works by Contemporary Artists,» «LEADED: the Materiality and Metamorphosis of Graphite» and «Form & Story: Narration in Recent Painting,» as well as solo shows of work by Andreas Feininger, Hans Friedrich Grohs, Sue Johnson, and
exhibitions «Art = Text = Art: Works by Contemporary Artists,» «LEADED: the Materiality and Metamorphosis
of Graphite» and «Form & Story: Narration in Recent Painting,» as well as solo shows
of work by Andreas Feininger, Hans Friedrich Grohs, Sue Johnson, and Fiona Ross.
From sculptures to
graphite drawings, oil paintings to prints, this
exhibition highlights the range
of media present in our collection.
In the 1980s Madden paused to focus on drawing, producing a series
of large works on paper executed in
graphite and oil paint, which in 1983 formed her
exhibition at the Fondation Maeght, and in ROSC 1984.