Sentences with phrase «exhibition of his signature style»

This special exhibition of his signature style collage paintings and four rare to the market screen paintings is a celebration of Paul Horiuchi's accomplishments as one of the significant American Artists of the 20th Century.

Not exact matches

The exhibition combines a chronological display with a thematic approach, structured in a series of major chapters in the artist's career, with emphasis on two key moments: the period from 1923 to 1933, when Torres - García participated in various European early modern avant - garde movements while establishing his own signature pictographic / Constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.

Artspace's Loney Abrams speaks with artist Kenny Scharf about the Club 57 exhibition currently up at MoMA, how Scharf found his signature style, the dawn of the space age, and the trouble with New York today.

On Friday, Sept. 16, the Whitney Museum of American Art opens «Carmen Herrera: Lines of Sight,» her first solo museum exhibition in New York in almost 20 years, focusing on work from 1948 to 1978, when she was finding her signature style: a hard - edged, radiantly colored, vertiginously geometric way of making very little do a lot.

Artists of earlier generations sought a signature style and produced exhibitions of very similar paintings, and old - school galleries and collectors no doubt still favour this kind of «branding.»

The new works, all of which were created for the exhibition at Place Vendôme, depict beautiful, stylized women in the artist's well - known signature style.

The exhibition offers a unique peek at what is, of course, a serious departure from the late LeWitt's signature Minimalist style.

This show promises to stand out among the end - of - millennium celebrations, primarily because it will carry the quirky signature of its organizer, Harald Szeemann, whose sweeping survey - style exhibitions over the past few years have tackled subjects no less daunting than the «comprehensive» history of cinema or Austrian art and culture.

«Francis Bacon: Invisible Rooms» will be one of the largest exhibitions ever staged on the prolific British artist whose signature macabre style is universally recognized.

Jules de Balincourt's exhibition of twenty new paintings reprised his signature naive - style landscapes and portraits in oil on wood.

A heroic period in American history as captured by one of the quintessential American painters of the era: That's the story with Thomas Hart Benton and the Navy, an exhibition of steel, smoke, saltwater, and sinew all captured in a signature style.

The exhibition is organized in sections that run from her early years, when O'Keeffe crafted a signature style of dress that dispensed with ornamentation; to her years in New York, in the 1920s and 1930s, when a black - and - white palette dominated much of her art and dress; and to her later years in New Mexico, where her art and clothing changed in response to the surrounding colors of the Southwestern landscape.

For this exhibition, he has created a new body of work which references those illustrations, realised in his signature reductive graphic style.

The exhibition consists of works in their highly detailed and realistic signature style, crafted by hand in ceramic.

A 1958 exhibition of Jackson Pollock's work at Whitechapel Gallery had a major impact on the young artist, but it wasn't until the early 1960s that Riley began to develop her signature Op Art style consisting of black and white illusionistic patterns.

But it is likely that Kline was aware of these works, given the two artists» longstanding friendship; given these works» proximity in style to Kline's signature style; given that de Kooning and Kline both found themselves in New York after de Kooning's return from Italy in January of 1960 and before Kline's departure for France and Italy in June of 1960; and given that during this period de Kooning and Kline met at least once: at the opening of Kline's exhibition of new paintings at the Sidney Janis Gallery, which represented de Kooning.26

This major new exhibition focuses on the early work of artist Alex Katz, exploring this first decade with over 60 paintings, collages, and cutouts characterized by the innovative experimentation from which his signature style emerged.

Taken together, Exhibition Space stretches beyond Martinsen's signature freeform and gestural style of painting into a collection that intends to show more clearly the relationships between the artist, the art, and, most importantly, the space that houses the two.

Travis Collinson continues his investigation into his signature style of spare and oblique personas in his second exhibition at Maloney Fine Art.

The idea was fully developed by the experimental French artist Marcel Duchamp (1887 - 1968), who coined the term «readymades» shortly after the famous Armory Show (Spring 1913), to describe his signature style of «found object», as exemplified by his work entitled Fountain (1917), a standard porcelain urinal inscribed «R. Mutt 1917», which Duchamp submitted to the New York Society of Independent Artists exhibition (1917).

Presenting early works in painting and sculpture by renowned French artist Jean Dubuffet, this compelling exhibition (organized by art historian Mark Rosenthal) focuses on the artist's development of his signature Art Brut style, which was inspired by children's drawings and the art of the mentally ill (what we now call Outsider

This exhibition featured a selection of etchings, aquatints, lithographs, and screen prints by these two influential artists, who both brilliantly translate their signature styles into the print medium.

Featuring a selection of works from their hugely popular Antimatter series, the exhibition will include a diverse range of portraits in their signature blurry style where the images are identifiable yet diguised at the same time.

Little info is provided about de Joode's exhibition at Cinnamon, but if the press image has any relevance, her signature style of flattening textured and three - dimensional images into a smooth 2D surface will hold strong.

Named after one of the artist's signature colorful, abstract canvases (Some Pretty Colors, 2001; illustrated at left), the exhibition will explore the development of Heilmann's distinctive painterly style with works that date from 1989 to 2006.

Knobby Knees, Travis Collinson's second solo exhibition of paintings and drawings at Maloney Fine Art, is a new body of work; a series of portraits using family, friends and colleagues painted with a signature style of simplified form and pure color, providing insight into the intimacy shared between the artist and his subject.

Tanguy developed his own signature style of surrealist art, holding his first solo exhibition in Paris in 1927 - the same year he married his first wife.

The exhibition emphasizes the artist's unending quest to expand this signature style to implement political, personal or artistic narratives into simple, yet poetic presence of oozing water.

This new exhibition delivers Kelly Allen's signature style of immaculately painted, trompe l oe