Maurine Littleton Gallery is pleased to announce the opening of Echoes of Leaves and Shadows, a solo
exhibition of new glass works and sculptures by Washington, DC, artist Michael Janis.
Not exact matches
Hundreds gather in the
New York Crystal Palace, the iron - and -
glass exhibition hall at the center
of the World's Fair, to watch a man standing on a platform four stories high, suspended by a single taut rope.
Pace's
exhibition will include Cadence (2014) and Whether or Not (2014), two
new works comprised
of Wilson's signature black
glass drips.
That year the ICP in
New York organized an
exhibition of enlargements made from the original
glass negatives, which had been kept throughout the intervening period by the former mayor
of Heber Springs.
This
new gallery, called Capitain Petzel, is housed in a
glass - encased gallery located in Mitte section
of Berlin and presents
exhibitions of established international artists.
Recent
exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban
Glass, Brooklyn, NY (2014), as well as group
exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye
of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum
of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University
of Chicago / HyPa, Chicago, IL (2011), The Post -
Glass Video Festival, Heller Gallery,
New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).
The
exhibition consists important bodies
of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large
glass sculpture and a selection
of key earlier pieces that help the viewer to understand his course in the art world.
Recent
exhibitions include: Two Forward, One Back at 65 Grand (Chicago IL), Interstice, curated by Rachel Adams and Rob Greene at 308 at 156 Project Art Space (
New York, NY), and The Tyranny
of Good Taste, curated by Danny Orendorff at
Glass Curtain Gallery, Columbia College (Chicago, IL)- an
exhibition which travelled to La Esquina Gallery, Kansas City, MO..
In addition to the
new works in the show, Richter has punctuated and augmented the
exhibition with a selection
of paintings on canvas,
glass and photographs made over the last 15 years — including his «Abstraktes Bild» and «Farben» paintings — which inform and re-contextualize his more recent pieces.
New chandeliers, included in the
exhibition, combine black Murano
glass with traditional metal and
glass elements
of Ottoman chandeliers, thus fusing two histories
of craftsmanship and symbolizing the complex relationship between the Venetian and Ottoman Empires.
M E N is pleased to present Partners, a solo
exhibition of new works in cast aluminum, charcoal, and
glass by Jarrod Beck.
New York — Pace Gallery is pleased to present Kiki Smith: Wonder, a major
exhibition that presents the artist's investigation
of the natural and spiritual worlds through works made
of aluminum, bronze, fine silver, textile, stained and hand - blown antique
glass, and paint.
The
exhibition will include the recognizable — one
of Mr. Hammons's basketball hoop chandeliers and his tarp paintings — and the more recent, like a 2014 tangerine - tinted sculpture made
of glass, wood, nails and acrylic, titled «Orange Is the
New Black.»
Conceived by writer and curator David Campany, the
exhibition takes as a starting point the 1920 photograph taken by American artist Man Ray
of Marcel Duchamp's work in progress The Large
Glass (1915 — 23) deliberately left to gather dust in his
New York studio.
The earliest sculptures in this
exhibition are Donovan's 36 inch cubes, in which no adhesive is used to transform millions
of pins, toothpicks and
glass into
new and unexpected geometric forms.
1987 Allied Arts Council
of Southern Nevada / First Interstate Bank Regional Art Collection, Las Vegas, Nevada The Works Gallery: «A View Through / Revisited» Long Beach, California Korean Cultural Service: «CURRENTS - Eight Contemporary Artists, American & Korean» Los Angeles, CA University
of Hawaii at Manoa: «
Glass: Another View» Honolulu, Hawaii Pence Gallery: «Works on Paper» Santa Monica, California Yurakucho Asahi Gallery: «Prints by Los Angeles» Tokyo Japan (traveling
exhibition) Sena Galleries West: Arnoldi / Cooper / Dill, Santa Fe,
New Mexico Stanford University Museum
of Art: «The Anderson Collection Two Decades
of American Graphics, 1967 - 1987» Stanford, California Scott Hansen Gallery: «Summer Selected Works»
New York James Corcoran Gallery: «From the Sixties and Seventies» Santa Monica, California Elizabeth Leach Gallery: «Cirrus Editions, Ltd» Portland, OR
This second
exhibition of Wynne's work at the gallery presents
new mirrored -
glass words and revisits early mixed - media pieces that contextualize his long - standing interest in, and engagement with text.
Pratt Manhattan Gallery will present «Bright Future:
New Designs in
Glass,» an
exhibition of sculpture, tableware, and lighting designs by American and international artists and firms that explore issues
of sustainability, the manipulation
of light,...
New York — Pace Gallery is pleased to announce
GLASS, an
exhibition of works by Maya Lin, Kiki Smith and Fred Wilson on view at 537 West 24th Street from June 27 to August 19, 2016.
is how Adam Weinberg, Director
of New York's Whitney Museum
of American Art, wrapped up the over-excited press call for the Jeff Koons retrospective, the museum's swansong
exhibition in its Upper East Side building before moving downtown to the Meatpacking district, into a Renzo Piano steel and
glass building to open next spring.
He changed the way we think about
glass, stretching the medium to
new realms
of possibility, and this
exhibition highlights the unique properties
of glass as a medium.
The
exhibition features a
new series
of works titled Side Effects — a number
of custom - made
glass vases displayed throughout the main gallery space.
The works on display are: 432Hz (2009 - 2014), a wooden shell that contains honeycombs; Vorkuta (2003), a refrigeration chamber where the temperature
of -30 °C contrasts with a chair maintained at a constant +37 °C by an internal thermostat; Mindfall (2004 - 2007), a container which contains a chair and tables, on which 21 electric motors turn on intermittently, one after the other, creating a sort
of musical composition; Untitled (2003), a small iron room crossed by blasts
of hot and cold air channelled into the space by powerful fans; and Sub (2014), a
new work specially created for the
exhibition at HangarBicocca, an assembly
of aluminium and
glass display units which the artist originally designed to exhibit her Inner Disorder (1999 - 2001) series
of drawings.
This
exhibition marks Wynne's most ambitious gallery show featuring his now iconic
glass wall sculptures in the shape
of waves, vortexes, and underwater exhale bubbles and text works including a
new series using black
glass.
In the last two decades, work by Graves has been featured in a number
of solo and group
exhibitions, most notably Klange des Inneren Auges: John Cage, Mark Tobey, Morris Graves (Sounds
of the Inner Eye: John Cage, Mark Tobey, Morris Graves) at the Kunsthalle Bremen, Germany and the Museum
of Glass: International Center for Contemporary Art, Tacoma, WA (2002); Immeasurable Spaces, Incalculable Energies: Tobey, Graves, Callahan, Anderson at the Tacoma Art Museum, Tacoma, WA (2003); The Third Mind: American Artists Contemplate Asia, 1860 - 1989 at the Solomon R. Guggenheim Museum,
New York, NY (2009); John Cage with Morris Graves and Mark Tobey at The Phillips Collection, Washington, DC (2012); and Modernism in the Pacific Northwest: The Mythic and the Mystical at the Seattle Art Museum (2014).
SELECTED
EXHIBITIONS 2017 — Catalina Island Museam, Avalon, California 2017 —
New York Botanical garden, The Bronx,
New York 2017 — Chihuly Sanctuary, The Fred & Pamela Buffett Cancer Centre 2017 — Crystal Bridges Museam
of American Art, Bentonville, Arkansas 2016 Chihuly, Royal Ontario Museum, Toronto, Ontario, Canada 2016 Chihuly in the Garden, Atlanta Botanical Garden, Atlanta, Georgia 2015
Glass Art Garden, Toyama
Glass Art Museum, Japan 2015 Chihuly Drawings, Museum
of Glass, Tacoma, Washington 2014 Chihuly at Fairchild: A Garden
of Glass, Fairchild Tropical Botanic Garden, Florida 2014 Ulysses Cylinders, Dublin Castle, Dublin 2014 Chihuly, Denver Botanic Gardens, Colorado 2014 Dale Chihuly: Beyond the Object, Halcyon Gallery, London 2013 Chihuly, Montreal Museum
of Fine Arts, Canada 2012 Chihuly at the Virginia Museum
of Fine Arts, Virginia Museum
of Fine Arts, Richmond, Virginia 2012 Chihuly Garden and
Glass, Seattle Center, Washington 2011 Chihuly, Halcyon Gallery, London 2011 Chihuly: Through the Looking
Glass, Museum
of Fine Arts, Boston, Massachusetts 2010 Chihuly at Cheekwood, Cheekwood Botanical Garden and Museum
of Art, Nashville, Tennessee 2010 Chihuly at the Salk, Salk Institute for Biological Studies, La Jolla, California 2009 Making Worlds (group
exhibition), Venice Biennale, Venice, Italy 2008 Chihuly at the de Young, de Young Museum and the Legion
of Honor, San Francisco, California 2006 Chihuly at the
New York Botanical Garden,
New York Botanical Garden 2005 Gardens
of Glass: Chihuly at Kew, Royal Botanic Gardens, Surrey, UK 2002 Chihuly 2002: Salt Lake Olympic Winter Games, Salt Lake Art Center, Salt Lake City, Utah 2001 Chihuly at the V&A, Victoria and Albert Museum, London 2000 Chihuly in Iceland: Form from Fire, Reykjavik Art Museum, Iceland 1999 Chihuly in the Light
of Jerusalem 2000, Tower
of David Museum
of the History
of Jerusalem, Jerusalem 1995 Chihuly Over Venice, Venice, Italy 1989 20th International Biennial, São Paulo, Brazil 1986 Dale Chihuly: Objets de Verre, Musée des Arts Décoratifs, Louvre, Paris
Beasley's work has recently been included in
exhibitions at The Renaissance Society at the University
of Chicago (2016); San Francisco Museum
of Modern Art (2016); Hammer Museum at Art + Practice, Los Angeles (2016); White Columns,
New York (2016); The Solomon R. Guggenheim Museum,
New York (2015); MoMA PS1, Long Island City (2015); Art Gallery
of Ontario, Toronto (2015); The
Glass House,
New Canaan, CT (2015); The 2014 Whitney Biennial, Whitney Museum
of American Art,
New York (2014); The Seoul Museum
of Art, Seoul (2014); The Museum
of Modern Art,
New York (2014); and The Studio Museum in Harlem,
New York (2014).
The
exhibition debuts an exciting
new body
of polychrome photographs
of smoke, printed between transparent and mirrored
glass.
His work has been included in national and international
exhibitions and featured in the Corning Museum
of Glass's
New Glass Review.
On a balmy but not unbearably hot Wednesday evening, the Studio Museum in Harlem proved itself exceptional in these and many other regards, hosting its annual summer preview and packing a hearty crowd into the institution's
glass, brick, and Adam Pendleton — adorned courtyard to celebrate the opening
of no less than six
new solid and notably strategic
exhibitions.
New Canaan, Conn, — Two inaugural shows launch the
Glass House
exhibition program in the fall
of 2012: Frank Stella: Scarlatti Kirkpatrick and Night (1947 - 2015).
Joyce J. Scott: Harriet Tubman and Other Truths is supported in part by the following funders: National Endowment for the Arts Art Works, Bank
of America,
New Jersey Council for the Humanities, Agnes Gund Foundation, Art Alliance for Contemporary
Glass, The Coby Foundation, LTD., Rotasa Foundation, PNC Fund
of the Princeton Area Community Foundation, Goya Contemporary, Shirley and Arthur Martin Family Fund, and the following
Exhibition and Education Supporters: Robbye D. Apperson, Jackie & René Copeland, Gordon and Lulie Gund, Barbara Lawrence and Allen Laskin, Mike De Paola and Alan White.
For an
exhibition in 1994 at Holly Solomon Gallery in
New York City, Patkin included a 14 - foot high sculpture
of the Hindu god Shiva made from colored
glass as well as six paintings depicting man's expulsion from the primal garden.
The
Glass House, Philip Johnson's
New Canaan, Conn. modernist paean to voyeurism (well, sort
of), has played host to a number
of site - specific projects over the last few years, ever since its
exhibition series began with a show
of Frank Stella sculptures in situ back in 2012.
The expansion will feature a
new glass - walled building, to be named the Rothko Pavilion, in recognition
of the artist's legacy in Portland — his home as a youth after immigrating from Latvia — and the Museum, where he took art classes as a teenager and where he received his first solo
exhibition.
The
exhibitions program are part
of a strategic initiative introduced by the
new director
of the
Glass House, Henry Urbach, who is leading efforts to rededicate the site as a lively, creative cultural center consistent with the spirit and values
of its former occupants, renowned architect Philip Johnson and independent curator David Whitney.
This
exhibition celebrates Larry Bell, a legendary founder
of the California Light and Space movement in the 1960s, and premieres his exiting
new walk - through installation entitled Pacific Red, which explores the optical and reflective qualities
of red
glass.
Among the recent
exhibitions Gant has curated or co-curated are Wondrous Worlds: Art & Islam Through Time & Place (The Newark Museum, 2016); A Lifelong Adventure: Brandywine Workshop Prints from the Green - Christian Collection (University
of Texas, John Warfield Center for African & African Diaspora Studies, 2013); De-Luxe, and
New Works: April Woods (The Contemporary Austin, 2012); and There is No Looking
Glass Here: Wide Sargasso Sea Re-Imagined (Deutsche Bank America,
New York, 2010).
Most recently, she organized the 2012 Visiting Artist Series, a group
of exhibitions and live demonstrations in the Museum's
new Glass Studio.
Balançoires (2010) are two
glass swings with the map
of Beirut carved onto the seats and are parts
of the Mona Hatoum's
New York
exhibition Bourj.
Kiki Smith's first major
New York gallery
exhibition in eight years features mouth - blown stained -
glass panels depicting the cycle
of a woman's life.
An
Exhibition Highlighting the Ingenuity and Innovation of Works Presented at the World's Fairs On view at NOMA from April 12 to August 4, 2013 (New Orleans, LA)-- From furniture and metalwork to jewelry and glass, the New Orleans Museum of Art's upcoming exhibition, Inventing the Modern World, highlights the extraordinary artistic and industrial...
Exhibition Highlighting the Ingenuity and Innovation
of Works Presented at the World's Fairs On view at NOMA from April 12 to August 4, 2013 (
New Orleans, LA)-- From furniture and metalwork to jewelry and
glass, the
New Orleans Museum
of Art's upcoming
exhibition, Inventing the Modern World, highlights the extraordinary artistic and industrial...
exhibition, Inventing the Modern World, highlights the extraordinary artistic and industrial... Read More
For the
exhibition, Brzezanska is exhibiting a
new series
of work combining the three elements
of panel painting,
glass...
Catalog from the
exhibition, «Air, Light, Form:
New American
Glass,» May 3 — June 4, 1967, held at the Dallas Museum
of Fine Arts.
It features
new works in ceramic,
glass, and photography by the artists, who founded Villa Design Group, is on the editorial board
of Montez Press and recently took part in Emalin's FOLLY
exhibition in the UK's Stirling.
Ibon Aranberri's
exhibition is dominated by his work «Floating Garden», an installation (originally developed at P.S. 1,
New York) consisting
of concrete modules, broken
glass, metal and wooden horses, resembling the furniture
of a greenhouse.
More recent
exhibitions include Josef Albers: A Retrospective organized by the Solomon R. Guggenheim Museum,
New York (1988) with later venues in Finland and Germany; Josef Albers:
Glass, Colour and Light, a traveling
exhibition with venues in Europe and the U.S. organized by the Peggy Guggenheim Collection, Venice (1994 - 96); and Albers and Moholy - Nagy: from the Bauhaus to the
New World organized by the Tate Modern, London (March 9 — June 4, 2006), which debuted at the Whitney Museum
of American Art from November 2, 2006 — January 21, 2007.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence
of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery
of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy
of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box,
New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes
of Others, Gallery
of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance /
exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night
of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten
Glass) 01.2003 The Lost Collection
of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute
of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten
Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten
Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum
of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
2009 Mayer, Sally, Straight Man, Wonderland, April - May Sculptor Shows his Own Poetry in Motion, The Southland Times, March Sherwin, Skye, Exhibitionist: The Best Art Shows to See this Week, The Guardian, 18 September De Wilde, Femke, Room With a Political View, Frame, March - April Lutticken, Sven, Taped Together: On The Bijlmer Spinoza Festival by Thomas Hirschhorn, Texte Zur Kunst, September Weiner, Emily, ArtForum (Review
of show at Gladstone Gallery, NYC), March ArtForum (Review
of show at Galerie Susanna Kulli), April Thomas Hirschhorn to Present his First Ever Solo
Exhibition in a UK Public Art Gallery, Art Daily, 8 September Indepth Art News: Anschool by Thomas Hirschhorn, Absolute Arts, April 2008 Rappott, Mark, Strange Love, Art Review, June Stroh, Frank, Thomas Hirschhorn: Hotel Democracy, Creative Europe Online, June Thomas Hirschhorn's «Hotel Democracy» at Art Basel 2008, Designboom, June Art Basel Becomes More Global, Swissinfo.com, 5 June Basel Art Blow - Out, Artnet, 30 May Art 39 Basel: El Dorado
of the International Art World Set to Open in Switzerland, Art Daily Online, June Art Basel Opening, Zimbio.com, June Bowes, Elena, Thomas Hirschhorn, Indagare, June Vogel, Carol, Hotel Democracy,
New York Times, 21 March Crow, Kelly Culture Clash: Soccer Fans, Art Elite Butt Heads, The Wall Street Journal, 30 May Vogel, Carol,
New York Times, 21 March Harris, Gareth, Art Basel, Financial Times, 24 May Reust, Hans Rudolf, Infinite
Glass: The Arts Beyond the Discipline, Parkett, No. 84 2007 Demos, T. J., On the Ground - London, Artforum, December Nesbit, Molly, Le plan d'amitie entre art et philosophie, Le Monde Diplomatique, August Kultureflash.net, no. 124, 3 August Downey, Anthony, Thomas Hirschhorn, Flash Art, July - September, p. 134 Pennell, Arden, This is Your Brain on Reality, Whitehot magazine
of contemporary art, Issue 3, May Icon, issue 046, April Sam, Serman, Thomas Hirschhorn, The Brooklyn Rail, April Kulture Flash, issue 198, 28 March Jones, Jonathan, How War Made Art Better Again, Guardian Unlimited Art Blog, 26 March Thomas Hirschhorn - Substitution 2 at Stephen Friedman Gallery, www.artvehicle.com, Issue 12, 23 March Coomer, Martin, Thomas Hirschhorn, Time Out London, 20 March Hubbard, Sue, This is the father
of all battles, The Independent, 14 March Westcott, James, ArtReview: blog, 13 March Hirschhorn, Thomas, Eternal Flame, Artforum, Vol.
He has been the subject
of numerous solo
exhibitions throughout the United States and Europe including Konrad Fischer Gallery, Dusseldorf (1975), Mary Boone Gallery,
New York (1981), The Living Room, Amsterdam (1982), Galerie Barbara Farber, Amsterdam (1984), The Bonnefantenmuseum Museum, Maastricht (1984), The Institute
of Contemporary Art Boston (1986), Stedelijk Museum Amsterdam (1986), Luhring Augustine & Hodes Gallery,
New York (1987), University Art Museum, Berkley (1987), Centre D'Art Contemporain, Geneva (1990), Museum Boijmans van Beuningen, Rotterdam (1990), San Francisco Art Institure, San Francisco (1990), Witte de With, Rotterdam (1990), The Renaissance Society, Chicago (1991), Aspen Art Museum, Aspen (1994), Brutto Gusto, Rotterdam & Berlin (2000; 2007), Corning Museum
of Glass, Corning, NY (2002), Equitable Vitrines, Los Angeles, CA (2015).