He has organized numerous
exhibitions on architecture and design for the Walker Art Center and has authored essays and served as editor for several accompanying publications, including: Strangely Familiar: Design and Everyday Life (2003); Worlds Away: New Suburban Landscapes (2008), and Graphic Design: Now in Production (2011).
Not exact matches
This spring, 77 students in Iowa State University's second - year
architecture studios designed, built and installed a 1,300 - square - foot structure at Reiman Gardens for its «Forces of Nature» kinetic art
exhibition,
on display April 28 through Nov. 3.
The Chicago
Architecture Foundation has been the reference
on architecture in Chicago since 1966 and offers a fascinating schedule of educational programs, permanent collections, events and
exhibitions.
The International Convention Centre, a world - class example of modern
architecture that lies between the beachfront and downtown, and across from the
Exhibition Centre, has placed Durban
on the International Conference map and draws business travellers from far and wide.
The building still stands tall, showcasing its gorgeous Georgian
architecture, and free
exhibitions inside educate visitors
on the events of 1774 and the building's history.
The Maid is currently playing
on a massive double - sided screen inside SculptureCenter's cavernous
exhibition space in Long Island City, and the industrial nature of the institution's
architecture foregrounds the lush, controlled settings in which the Newborn dwells.
The
exhibition, the artist's first solo show of paintings in New York in six years, continues to reveal Taaffe as a philosopher of painting, offering compelling meditations
on art and culture, both contemporary and historical, and visual ruminations
on the interrelated families of forms and images in art,
architecture, and archaeology.
SOLO
EXHIBITIONS 2020 Forthcoming: Sir John Soane's Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian
architecture», The
Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art
on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse
on The original of
Architecture», REDCAT, Los Angeles «Recent History», Herald St, London
The artists in the
exhibition inflect Modernist forms with contemporary perspectives
on intimate subjects including: the poetics of domestic
architecture, the pertinence of ancient myth, and the solipsism of art history.
He is currently working
on a major city - wide public art and
architecture exhibition titled Monument Lab for the city of Philadelphia.
Another of Walker's students was Arthur Watson, now president of the Royal Scottish Academy; in the introduction to Downie's
exhibition catalogue for her 2013 show Walk Through Resonant Landscape, the consequence of her Chinese residency and travels, Watson observes the contribution made by Walker to her students» ability to perceive and explore the unique landscape of Scotland and for the primacy of drawing: «With a base
on the island of Tiree, [Frances Walker] ranged across the West Coast and Western Isles interrogating the coastal margins — the rhythm of pebbles across a storm beach or the fractured
architecture of a rocky foreshore, meticulously recorded through a vocabulary of precise but unforgiving ink lines.»
After all, the last couple of years have seen three major
exhibitions in London art museums that have focused
on architecture («Sensing Spaces» at the RA, «Ruin Lust» at Tate Britain, «Constructing Worlds» at the Barbican), and smaller shows regularly claim some sort of interrogative capacity for exploring the interaction between these two broad categories of material culture.
The Arts
on Prescription
exhibition includes work
on the theme of the
architecture of Milton Keynes, realised in relief printing, and street scenes and roundabouts painted with acrylics.
Focusing
on art,
architecture and sound linked to feminist and socio - political discourses, Bauer's curatorial work includes the
exhibition First Story — Women Building / New Narratives for the 21st Century (2001) for the European Cultural Capital.
Many of these artists have already participated in thematic group
exhibitions focused
on architecture, like the
exhibition Game of
Architectures in the gallery Guillermo de Osma (Madrid, 2008) and the
exhibition Of
architecture.
Her first solo
exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her design approach
on the aesthetics, material and form of fashion and product design,
architecture and garden art.
Between 2005 and 2012 Volz served as Artistic Director at the Instituto Inhotim where he has co-curated a series of large - scale site - specific projects
on art and
architecture with artists, including Adriana Varejão, Dominique Gonzalez - Foerster, Doris Salcedo, Doug Aitken, Hélio Oiticica, Lygia Pape, Matthew Barney, Rirkrit Tiravanija and Tunga, as well as numerous
exhibitions from the collection.
Dennis Harper: Born in the Bayou Portable
On Demand Art (P.O.D.A) Project WORK
architecture company: all cultural Window into Houston — Patrick Renner Window into Houston — Elaine Bradford: The Sidereel Museum of Broken Relationships Love Is a Many Splintered Thing 33rd Master of Fine Arts Thesis
Exhibition Johan Grimonprez: It's a Poor Sort of Memory that Only Works Backwards First Take: Okay Mountain
His photographs are elements at play in a larger system including
architecture,
exhibition design, books, posters, videos, vitrines and signage that investigates the stage sets of the art world and the publicity structures
on which they rely.
Wielding a spray gun instead of a brush, Grosse often paints directly
on the walls, floors, or facades of her
exhibition sites, altering the logic and scale of
architecture itself.
Walker's wordplay suggests a relationship between the works
on view in the
exhibition and the moment, a century ago, when art and
architecture were remaking a modern world.
Dr. Nnamdi Elleh is the author of several books
on African
architecture and he recently contributed the essay «Bearden's Dialogue with Africa and the Avant - Garde» to the National Gallery of Art's
exhibition catalogue The Art of Romare Bearden.
These works and others will be
on display as part of «125 Icons: A Celebration of Works by Pratt Alumni and Faculty 1887 - 2012,» an
exhibition of works of art, design, and
architecture that have shaped our world as voted
on by the Pratt community.
And the Pulitzer Goes To... — Phillip Kennicott, the Washington Post journalist who pens the paper's column
on art and
architecture, has been awarded this year's Pulitzer award for criticism based
on his articles
on the Kevin Roche
exhibition at the National Building Museum, photography at the Corocoran Gallery, and representations of the first family in contemporary images, stating that he was «especially happy to win at a time when arts criticism is not doing well.»
Tags:
architecture, arnout killian, CECILE VAN HANJA, JEMMA APPLEBY, lisa norris, lisa norris gallery, Oster + Koezle Posted in
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on Lisa Norris Gallery presents Peripheries
Included in this
exhibition was Models, a 34 - foot long sculpture based
on video game
architecture.
Tags: anise gallery,
architecture, drawing, jacquelyn jubert, jeanette barnes, london, shad thames Posted in
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on Anise Gallery presents works by Jeanette Barnes in «Time and Tide» (5 / Nov -5 / Dec)
From solo
exhibitions that introduce audiences to new bodies of work by Zoya Cherkassky, Oren Eliav, and Gil Marco Shani, to surveys that provide fresh perspectives
on the historic roots of Israeli
architecture and fashion design, including Jerusalem in Detail and Fashion Statement: A Century of Fashion in Israel, the upcoming season extends the Museum's commitment to providing a platform for the country's breadth of creative expression.
The
exhibition centres around the study made by Pablo Bronstein
on recent
architecture in London (published in the volume «Pseudo Georgian London», 2017: Koenig Books), which he has been conducting over the past eighteen months.
Theatre of the Absurd 13 September - 28 October 2017 Green Art Gallery is pleased to present a group
exhibition that reflects
on the relationship between art and
architecture, exploring the...
Green Art Gallery is pleased to present a group
exhibition that reflects
on the relationship between art and
architecture, exploring the ways they influence and feed off each other.
The Paris art museum's first solo
architecture exhibition, dubbed Freeing
Architecture, is
on view through June 18, 2018.
Hot
on the heels of «Sensing Spaces» we have an exciting programme of
architecture events and
exhibitions coming up this summer.
Theatre of the Absurd 13 September - 28 October 2017 Green Art Gallery is pleased to present a group
exhibition that reflects
on the relationship between art and
architecture, exploring the ways they influence and feed off each other.
Well versed in the
architecture of the screen, Martine Syms» first solo
exhibition in New York titled Vertical Elevated Oblique is currently
on view at Bridget Donahue gallery until the first of November.
An
exhibition of art,
architecture, books, and manuscripts by new members and recipients of awards will be
on view in the galleries from May 18 to June 11.
Wrona's project, the first in the Méthode Room series, featured the
exhibition Georges Bataille,
Architecture, Chicago and World Order — An Essay
on General Economy at Rebuild's Archive House and the launch of an
architecture TV channel....
Artist Heidrun Holzfeind, designer and artist Damon Rich, and writer Niko Vicario consider the legacy of modernist
architecture, urban redevelopment, and self - determination in Newark, New Jersey, in an
exhibition of new cross-disciplinary works produced
on and around the 58 - acre urban renewal site of Mies van der Rohe's Colonnade and Pavilion Apartments.
Now
on view in St. Moritz is the work of Diana Widmaier Picasso as well as Yves Klein, and their Zurich gallery happens to be the last interior
exhibition architecture designed by the late architect Zaha Hadid.
Living Modern Heidrun Holzfeind, Damon Rich, Niko Vicario Curator: Laura Barlow Artist Heidrun Holzfeind, designer and artist Damon Rich, and writer Niko Vicario consider the legacy of modernist
architecture, urban redevelopment, and self - determination in Newark, New Jersey, in an
exhibition of new cross-disciplinary works produced
on and around the 58 - acre urban renewal site of Mies van der Rohe's Colonnade and Pavilion Apartments.
As a 1969
architecture graduate from Melli University (National University), Mousavi mounted his first painting
exhibition in the late nineteen - sixties, and he expressed his opinions
on art in forms of writing and open discussions mostly held at the avant - garde artist - run Ghandriz Gallery in Tehran.
She will activate the space with performance
on scheduled dates throughout the run of the
exhibition that dramatically alters the
architecture of the gallery space and result in the detritus of each performance becoming part of the
exhibition.
At a moment in which workers are increasingly likely to carry their professions
on their bodies at all times, the
exhibition includes artwork that negotiates the
architectures, tools, equipment or language of the office, pointing to moments of aspiration and depression as work continually collapses into life.
Her current curatorial projects focus
on the
architecture of Ken Isaacs, and have been included in the
exhibitions
One of the questions that shaped this
exhibition early
on was whether the customary curatorial approach of P.S. 1, with its fast - paced process and focus
on living artists as well as the rustic
architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA.
This iteration of Pacific Standard Time celebrated Southern California's lasting impact
on modern
architecture with
exhibitions and programs presented by 17 area cultural institutions from April through September 2013
The
exhibition also features publications produced in the Hudson Valley
on rural and urban food infrastructures installed in the CCS Bard Bulletin Board, and a presentation of objects from the CCS Bard library and Special Collections that deal with the transformation of landscapes via farming,
architecture, ecology, mapping, and food culture.
Tron Meyer «Mars» Patrick Parrish OPENS: April 5 For the Norwegian artist and architect's first solo
exhibition in the United States, Patrick Parrish gallery presents a new collection of furniture, sculpture, and paintings that draws
on the shared capacity of
architecture, design, and art to both communicate and contain narratives.
Every Fall for the past several years, the Gallery has hosted an
exhibition that focuses the public's attention
on an aspect of Newark's vanishing
architecture.
1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid
Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces:
Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary
Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings
On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1
On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts
on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1
on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102