Sentences with phrase «exhibition on view as»

EXHIBITION On view as part of 2018 MFA THESIS EXHIBITIONS March 4 — April 6, 2018 The Art Gallery at the University of Hawai`i at Mānoa TRANSGRESSING BOUNDARIES by Nisha Pinjani ARTIST STATEMENT: The focus of my research has been on the daily lives of South Asian women, specifically in my home city of Karachi, Continue Reading»

EXHIBITION On view as part of 2018 MFA THESIS EXHIBITIONS March 4 — April 6, 2018 The Art Gallery at the University of Hawai`i at Mānoa COOL KOOL SHIRTS PRESENTS: THOT COLLECTION SERIES 1 BY DANA JONES by Khari Saffo ARTIST STATEMENT: I work in a variety of mediums such as animation, sculpture, video, and Continue Reading»

EXHIBITION On view as part of 2018 MFA THESIS EXHIBITIONS March 4 — April 6, 2018 The Art Gallery at the University of Hawai`i at Mānoa ANCIENT LIGHT by Atis Puampai ARTIST STATEMENT: According to NASA's research the sunlight illuminating our present is between 10,000 to 100,000 years old.

EXHIBITION On view as part of 2018 MFA THESIS EXHIBITIONS March 4 — April 6, 2018 The Art Gallery at the University of Hawai`i at Mānoa SECONDHAND SMOKE by Terra Keck ARTIST STATEMENT: My work explores how images have historically informed female identity, affected women's sense of self and body, and lead to the encouragement Continue Reading»

George Slade, consulting curator of photography at the Museum of Art Fort Lauderdale, offers insights into the distinctive qualities of this ground - breaking American photographer in conjunction with the Diane Arbus exhibition on view as part of Foto Lauderdale.

Not exact matches

It was noteworthy that, as compared with the exhibitions of previous years, the collection of exhibits on view was more or less international in character.

This is one of the images on display as part of the Positive View Foundation's exhibition Landmark: The fields of photography, at Somerset House in London from 14 March until 28 April.

Today, schools can visit the on - site exhibition themed around the famous battle as well as climbing to the top to look out at the fantastic views across London from the balconies.

The aquarium is known for its location — right on the Monterey Bay with views of sea otters and seals from the aquarium's windows — as well as the sea otter exhibit, the giant kelp forest (reflecting what's in the waters of the bay) and its special exhibitions that currently includes a show of cephalopods.

Installed across four locations on Alcatraz and on view from September 27, 2014, through April 26, 2015, the exhibition is inspired by the island's layered history as a 19th - century military fortress, notorious federal penitentiary, significant site of Native American history, and now one of America's most visited national parks.

Joanne Mattera photo blogs a visit to the exhibition Color as Structure at McKenzie Fine Art, New York, on view through August 2, 2014.

Vincent Romaniello photoblogs the exhibition Flight from Nature: The Abstract as Ideal at the National Arts Club, New York, on view through May 31, 2013.

John Seed writes about a new triptych by painter Kyle Staver on view as part of the exhibition Kyle Staver: A Survey of Paintings and Prints on view at the Pennsylvania College of Art & Design through January 20, 2012.

Jesus as a Weapon and a Tool» winks at the New Museum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the street.

At the New Museum's exhibition «Trigger: Gender as a Tool and a Weapon,» she has on view a glass sculpture in which clay is drained and re-drained while a sound recording tells viewers that the object is effectively useless.

Art Production Fund is pleased to support Rirkrit Tiravanija's public billboards «Do We Dream Under the Same Sky» in Berlin, now on view as part of the Open Source exhibition.

Thanks to our mobile site, with just a swipe of your finger, you can now have access to additional information on many of the artworks on view, as well as other enriching exhibition - related content.

This event celebrates the publication of Come as You Are: Art of the 1990s and the exhibition by the same title, on view at the Montclair Art Museum this spring before embarking on a national tour.

Exhibition on view January 22 — 28, 2018 Reception Tomorrow, Wednesday, January 24, 6:00 - 8:00 PM LARRY EINBENDER Travel Award — awarded for use as a stipend for European travel to a full - time qualified sculpture student who -LSB-...]

RHONDA J. SMITH: TRAVEL AS TALISMAN Terrace Gallery Solo exhibition of intaglio prints exploring journey and discovery On View: January 13 — February 24, 2018

Selections from the CIBA Art Collection, Bertha and Karl Leubsdorf Art Gallery, City University of New York (September 13 — October 29) Abstract Works on Paper, Robert Miller Gallery, New York (July 19 — August 26) Drawings, Gerald Peters Gallery, Dallas (June 16 — July 23) Romantic Modernism, 100 Years, New Mexico Museum of Art, Santa Fe (June 4 — July 31) Reclaiming Artists of the New York School: Toward a More Inclusive View of the 1950s, Sidney Mishkin Gallery, Baruch College, City University of New York (March 18 — April 22) Recent Drawings Acquisitions: A Selection, Whitney Museum of American Art, New York (March 7 — May 18) The Brushstroke and Its Guises, New York Studio School of Drawing, Painting, and Sculpture, New York (March 7 — April 16) The Shaman as Artist / The Artist as Shaman, Aspen Art Museum, Colorado (February 10 — April 10) Group exhibition, Manny Silverman Gallery, Los Angeles (January 22 — February 26)

SONYA CLARK, «Black Hair Flag,» 2010 (cloth and thread), was recently on view at the Virginia Museum of Fine Arts as a part of the exhibition «Posing Beauty in African American Culture.»

VIEW ARTSY AUCTION artsy.net/one-year-of-resistance DATES: APRIL 5 — 19, 2018 Bid through April 19th @ 5 pm EST on works from the ONE YEAR OF RESISTANCE exhibition, as well as many new works exclusive to the auction.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

The exhibition will also feature many little - known treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, and recent acquisitions on view for the first time at MoMA by Ruth Asawa, Carol Rama, and Alma Woodsey Thomas.»

Photographs by SKG artist Leonard Freed are on view at the University of Lousiville's Ekstrom Library through May 25th as part of their «Fine Young Kids» exhibition.

The sculpture, which was recently reconstructed, was on view at the time of the interview as part of the exhibition «Vito Acconci: Thinking Space,» at the Middlebury College Museum of Art.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

NEW YORK — Opening June 26, paintings by Philip Hanson and Rebecca Shore will be on view at David Nolan Gallery as part of a group exhibition of abstract paintings.

As I Went Out One Morning, a major solo exhibition of Houseago's work, is on view at the Storm King Art Center in Mountainville, New York until 11 November 2013.

SKG artist Stephen Shames work will be on view June 29, 2018 — May 19, 2019 as part of the exhibition, One Year: 1968, An American Odyssey at the Smithsonian National Portrait Gallery in Washington, DC..

Positioned in the gallery's atrium is the dominant feature of the exhibition: Act Three: Silent Siege, a single channel movie that evolves and changes as live video feeds embedded around the viewing area allow Hartung to observe and adjust the picture remotely by capturing the viewer's image and manipulating it on screen.

The concept of a point of view, a perspective, an act of framing on account of the viewer is as evident in Camera as it is in the Window sculptures presented in the solo show at Frankfurt's Portikus in 1992 — a traveling exhibition with other stations in various places, among them the Renaissance Society in Chicago — with the evocatively shimmering and metaphorical title «Everyone needs at least one window.»

The upcoming exhibition addresses the recurring themes throughout Fouts» work, such as time, nature, and religious iconography, and includes key pieces from the past decade, alongside new works on view for the first time.

In the exhibition, Collage as Painting: Kate Abercrombie and Trevor Winkfield, currently on view at Fleisher / Ollman Gallery, Abercrombie's paintings reflect the financial anxieties and desires I see in my neighbors, and in myself.

Using a variety of processes that include painting, sculpture, digital and new media, installation and sound, the works on view in this exhibition highlight language itself as a diverse medium to be explored, dissected and reframed to reflect the nuances of communication in the 21st century.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

His work is also currently on view at the Museum of Modern Art as part of the exhibition, «A Decade of Collecting: Selected Recent Acquisitions in Contemporary Drawing» (through January 19th, 1998).

Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an exhibition for LA MoCA to build an artist's house on a hillside in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).

Conceived as an extension of «Flux et reflux: la caverne d'Internet», an interactive, multimedia exhibition currently on view at the Centre d'art Le Lait, Albi, France, from July1 — October 30.

His work has been included in exhibitions at MoMA PS1, New York, the Walker Art Center, Minnesota, the Brooklyn Museum, New York, and the Pori Art Museum, Finland as well as on view in America is Hard to See, the Whitney Museum's inaugural exhibition in their new building.

Join the conversation as they tour the Photographing Girls exhibition exploring the work on view and giving you the «Inside Leg»!

The show will be on view until December 20, and the exhibition is sponsored by the Rauschenberg Foundation as part of the 2013 Marfa Dialogues on art and climate change.

Robert Gober's untitled series of photographs (1978 — 2000) and an untitled drain (1993 — 94), newly pledged long - term loans to the museum from Irma and Norman Braman, are on special view, as well as exhibitions of newly commissioned works by Chris Ofili and emerging Miami - based artist Tomm El - Saieh.

The captivating exhibition Of Country and Culture: The Lam Collection of Contemporary Australian Aboriginal Art, on view through May 14 at the San Antonio Museum of Art, kicks off with a notice to visitors that's as startling as it is salutary.

As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.

Explore works by artists such as David Hammons, Romare Bearden, and Lorna Simpson on view in the exhibition Blues for Smoke.

This work by Jonathan Horowitz was produced as a poster for the Jewish Museum exhibition Take Me (I'm Yours), on view September 16, 2016 — February 5, 2017.

The Jaar project is being presented as part of Under the Same Sun, an exhibition devoted to contemporary art from Latin America, on view at the Guggenheim museum.

Each piece remarks on an altered view, as the definition of the exhibition title «Parallax» suggests.