Sentences with phrase «exhibition opening with»

For a review of the performance art and the exhibition opening with «Devil's Heaven», click here.

I would like to share the photos from my exhibition opening with you.

The exhibition opens with a reception on Friday, July 24th from 5 - 8 pm for the Funk Zone Art Walk and extends until Saturday, September 5th, 2015.

The exhibition opens with a public reception on Saturday, June 20 from 6 - 9 PM and continues through August 1.

The exhibition opens with a reception on May 23, 2015.

The exhibition opens with a reception for the public on Friday, May 2, 2014, 5 - 8 pm, in conjunction with SoWa Boston's May First Friday celebration.

The exhibition opens with Self - Portrait, 1923, painted during Graham's first year of formal art study at the Art Students League.

The exhibition opens with a painted portrait titled Believed to be a Portrait of David Walker (circa 1830)(2009).

The exhibition opens with a juxtaposition of a photograph of the Solomon R. Guggenheim Museum, «a temple of spirit» designed by Frank Lloyd Wright, and another of Art of This Century, Peggy's bohemian Manhattan gallery with theatrical interiors by Frederick Kiesler.

The exhibition opens with Himid's monumental Freedom and Change, 1984, which appropriates and transforms the female figures from Picasso's Two Women Running on the Beach (The Race), 1922, into black women, powerfully and humorously subverting one of the most canonical paintings in Western art history.

Jointly organized by Safdie Architects and UQAM's Centre de Design with curatorial direction from independent curator Donald Albrecht, the exhibition opens with archival images and objects from the project's origins with conceptual drawings, models, bringing them together with plans for unbuilt iterations of Habitat that Safdie designed soon after for New York, Puerto Rico, and Israel.

The exhibition opens with a challenge that is over half a century old.

The exhibition opens with a selection of later fifteenth - century woodcuts, by unknown artists, which were invariably employed to illustrate religious texts.

The first exhibition opens with an expanse of vitrines housing publications and historical documents related to the influential gallery Sprüth Magers in Cologne, Germany.

The exhibition opens with three such objects greatly enlarged: a lantern in pink and black; an egg, half in yellow and half in orange; and an enormous human skull in white.

The exhibition opens with a public reception in the Visual Studies Gallery on Thursday, November 21, 2013 from 5 to 7 pm.

The exhibition opens with a reception to celebrate the artist on March 24.

The exhibition opens with Josef Albers's DR - b, an abstract geometric screen print featuring concentric rectangles of blue, green, gray and black.

The exhibition opens with an introduction to monotype print — made by mechanically transferring to paper a drawing done on a metal plate.

The exhibition opens with a reception on Saturday, Feb. 18, from 3 - 5 p.m. in the Courtyard Gallery, on the second floor of the Main Library at 615 Church S and will run until June18th.

The exhibition opens with a reception for the public on Friday, July 18 from 5 - 9 pm at the Jay House, Norte Maar's new home in the Adirondacks, and will continue Saturday and Sunday open and free to the public from 9am - 9 pm.

The exhibition opens with a reception for the artist on Saturday, September 14th from 6:00 to 8:00 pm, and will be on view through Saturday, October 26th.

The exhibition opens with a public reception from 7 - 9 p.m. on Friday, January 16 and remains on view Jan. 17 - March 21.

* The exhibition opens with a lecture, Thursday, January 25 at 5:30 pm in Taylor Hall Room 102, «Reel to Real: Andy Warhol's World» by Vincent Fremont.

The exhibitions open with a reception from 7 - 9 p.m. Friday, June 3 (members see it first, from 6 - 7 p.m. — join today!)

The exhibition opened with MoMA's first decade, including such iconic works as Edward Hopper's House by the Railroad (acquired in 1930), Paul Cézanne's The Bather (acquired in 1934) Constantin Brancusi's Bird in Space (acquired in 1934), as well as Walker Evans's Posed Portraits, New York (acquired in 1938), Walt Disney's Steamboat Willie (acquired in 1936), and utilitarian, machine - made objects, such as an outboard propeller, a flush valve, and a self - aligning ball bearing (acquired in 1934).

The exhibition opens with an eerie set of photographs and a letter written by photographer Leiko Shiga, addressed to «everyone who has been worried about me.»

The exhibition opens with a reception on Saturday, August 9, 2014 from 5 to 8 p.m.

The exhibition opens with an artists reception on Saturday March 3rd, 6 - 8PM.

Arranged thematically into eight sections, the exhibition opens with an exploration of his art in the 1750s when he trained in Rome and worked for German patrons, including the Prince - Archbishop and Elector of Trier, producing history paintings in the grand style.

The exhibition opens with Red Dot # 7 (2016), a watercolor that shows three small replicas of earlier paintings by Chun on a blank background.

The exhibition opens with a performance by Rainham Sheds and will feature the work of its 17 artists working with the programme over the last four years as an alternative higher education programme run «by, and for its students».

The exhibition opened with the residency as a meeting point between the self and the other, on foreign land, in an unknown context; an environment negotiated through perception and intuition by artists Wanja Kimani in her video poem Fleuve Wouri, and Mavis Tauzeni in her printed impressions blending self - portraits and landscapes.

The exhibition opens with a 1945 portrait of the musician Armando Perez and includes other figures from Harlem's cultural circle, including Sarah Shiller who, with her husband, supported left wing artists such as Neel during the period.

The most extensive overview of Tim Berresheim's work since 2003, the Aachen exhibition opens with an innovative program highlighting the unique synthesis out of art and technology.

The exhibition opens with the origins of the Solomon R. Guggenheim collection that was begun in 1937 and focused on Non-Objective art including stunning examples of cubism, abstract expressionism and surrealism.

Somewhat provocatively, the exhibition opens with Cruzeiro do Sul (1969 - 1970), a tiny sculpture in stark contrast to the huge space but which interacts with other large installations.

The exhibition opens with works by 19th - century French artists who were inspired by Hokusai's art.

The exhibition opens with a First Friday reception from 5 to 7 p.m. Aug. 5.

The exhibition opens with Christmas drinks and preview on 9th December and will then run until 23rd February.

Spanning the period between 1828 to 1945, the exhibition opens with the earliest form of American maritime painting — the grand academic - style portraits of graceful sailing ships — and includes waterscapes from the sea to the lakes and rivers of the American heartland, light - flooded impressionist visions of quaint New England seaside towns, and modernist renderings of industrial waterfronts and everyday life on the water

This exhibition opens with an artist's reception Saturday,

The exhibition opens with 1960, featuring an algorithmic painting by French artist François Morellet hung against a swath of Bubble Wrap, one of many juxtapositions throughout the show that emphasize a leveling of art and design objects.

The exhibition opens with the artist's trilogy, which goes by the name La malattia del ferro (The Malady of Iron), an examination of labor and the relationship of man to machine.

The exhibition opens with the room installation Schlafen (1997), comprising of thirteen paintings of lying figures of different sizes.

The exhibition opens with documentation of the collectives and spaces that African American women artists founded together in response to rejection by both the mainstream art world and by the revolution — to the misogyny within these so - called progressive milieus.

The One - Year Anniversary Exhibition opens with a Superhero Masquerade celebration on Friday, May 26 from 5 - 8 pm.

All three exhibitions open with a public reception on Wednesday, March 7 from 5:30 to 8:30 p.m. at Eskenazi Hall, 735 W. New York St.. The student exhibitions run through April 18, 2018.

The exhibition opens with an artists» reception Saturday April 21st from 4 - 6 pm, and is on view through May 26, 2018.

Exhibitions Opening with Performances by Lea Cetera and Kaspars Groševs Thursday, January 22, 6 — 8 pm Art in General 79 Walker Street New York, NY 10013 map