Sentences with phrase «exhibition planning documents»

Not exact matches

For the exhibition Open Plan, McQueen is creating a newly expanded version of his work End Credits, which presents documents from the FBI file kept on the legendary African - American performer Paul Robeson.

Series I: Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989exhibition documentation in various paper and media formats) for various exhibitions curated between 1989 and 1991.

Documents relating to John Biggers» work as an artist and arts advocate include planning and promotional material from a number of public exhibitions of Biggers» work as well as handwritten research notes on African art; financial documents about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University inDocuments relating to John Biggers» work as an artist and arts advocate include planning and promotional material from a number of public exhibitions of Biggers» work as well as handwritten research notes on African art; financial documents about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University indocuments about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University in Houston.

The exhibition presents photographs, documents, uniforms and artifacts of a foiled attempted by four German saboteurs to launch a two - year plan to disrupt the production of supplied intended for the Allies in Europe by blowing up plants, canals, bridges, waterways and locks across the United States.

The exhibition also commemorates the recreation of Thomas Cole's studio and includes paintings that reveal Cole's architectural proclivity, drawings that document his recurrent focus on architectural structures, and elevations and floor plans for his built and visionary projects.

For each exhibition in this series planning and research documents are followed by visual and audiovisual documentation.

Her show, «Canceled»: Alternative Manifestations and Productive Failures examines cancelled or otherwise prohibited exhibitions that now exist as publications or in other formats.Her research into several different artist projects, which for different reasons didn't take place as planned, has resulted in a mix of projects and publications, all tied together by the use of printed material as a means of documenting that which didn't happen.

When Ms. Clay unwittingly parlayed her works by planning to display them in a group exhibition, she upped the ante just enough to agitate the estate lawyers, who emitted their flurry of documents and eventually struck a deal.

Around the corner from Threewalls on Washington Boulevard, three galleries plan to relocate: Western Exhibitions, Document, and Volume Gallery will move to West Town in September, while the project space Paris London Hong Kong will close.

The exhibition has been developed as the result of research into so far unknown historical documents such as personal letters, architectural plans, photographs, magazine reviews, films and interviews with art historians and Fontana's collaborators.

An online exhibition to mark the 100th anniversary of this event was created by the Archives of The Frick Collection and Frick Art Reference Library, and draws upon documents and photographs to tell the story of the house's planning, construction, furnishing, and early days.

In the Prada Foundation's airy Milan spaces, this exhibition explores art produced during that period via more than 600 drawings, paintings, sculptures, architectural plans, and documents.

The exhibition brings together publications, posters and press materials, artist correspondence, installation plans and photographs, and other rarely seen documents, along with works in various media by 21 artists who exhibited at SVA: Vito Acconci, Stephen Antonakos, Jared Bark, Rosemarie Castoro, William Conlon, Donna Dennis, Cris Gianakos, Carol Haerer, Nicholas Hondrogen, Alfred Jensen, Joan Jonas, Donald Kaufman, Sol LeWitt, Charles Luce, Dennis Oppenheim, Lucio Pozzi, Michael Singer, Eve Sonneman, John Torreano, Stan VanDerBeek and Lawrence Weiner.

A catalog is planned to document the exhibition.

Students in the Spring 2016 graduate exhibition seminar «Reading Photography as Document» also participated in the planning of this exhibition: Leeza Cinar, Betty Jarvis, James M. Levinsohn, Sophie Ong, Kathleen Pierce, Anna Rogulina, Emily Spencer, and Tianyi Sun.

This exhibition documents internationally recognized artist, designer and builder Randy Shull's creative process in the planning, design and construction of two contemporary art museum and research environments for the Black Mountain College Museum + Arts Center in downtown Asheville, NC.

o Research and writing reports o Assisting with exhibition documents and correspondence o Writing object and exhibition labels o Exhibition design o Contributing to collections metadata (when appropriate) o Installatioexhibition documents and correspondence o Writing object and exhibition labels o Exhibition design o Contributing to collections metadata (when appropriate) o Installatioexhibition labels o Exhibition design o Contributing to collections metadata (when appropriate) o InstallatioExhibition design o Contributing to collections metadata (when appropriate) o Installation planning

The exhibition brings together publications, posters and press materials, artist correspondence, installation plans and photographs, and other rarely seen documents.

Thomas Mitchell of Union Fenosa said (2013/02/08) that following the expected acceptance of the planning documentation the «documents will then form our Environmental Impact Assessment, and the Paling Yards project will then commence a period of public exhibition.