Sentences with phrase «exhibition platform using»

SPRING / BREAK Art Show returns for its seventh annual art fair during Armory Arts Week, an internationally recognized exhibition platform using... See Full Post
SPRING / BREAK Art Show is an internationally recognized exhibition platform using underused, atypical and historic New York City exhibition spaces to activate and challenge the traditional cultural landscape of the art market, typically but not exclusively during Armory Arts Week.

Not exact matches

What used to be mere a platform for one - to - one interaction has emerged as not only one of the biggest exhibitions anywhere in the country, both in terms of the area occupied and in terms of footfalls, but also one of the major Auto Shows of the world.
Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, the display allows museums to manage and display exhibition object content in real - time, without the cost or delay of printing paper labels.
Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, AMLABEL Digital Gallery Display allows museums to manage and display gallery and exhibition object content in real - time, without the cost of printing paper labels.
Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, the digital gallery display allows museums to manage and display gallery and exhibition object content in real - time, without the cost or delay of printing paper labels.
Simone Leigh has used her agency as an artist to turn her exhibitions at various art institutions into platforms for everything from yoga classes to natural healing centers; at the New Museum this past summer, Leigh staged a protest and celebration by 100 artists assembled under the name Black Women Artists for Black Lives.
Chisenhale Gallery, 2 pm exhibition tour with David Bussel and Céline Condorelli Freelance writer and curator David Bussel joins Céline Condorelli in a tour of the exhibition, using the artworks as a platform to talk about her practice and interests.
Featuring groundbreaking pieces by Alvar Aalto, Marcel Breuer and Charles and Ray Eames, the exhibition reflects on the material's specialist origins in 1760s furniture workshops; its developments in World War II and the post-war period; up until the present - day, where plywood is used on digital platforms and cut with computer - controlled machinery.
Center, in turn, exists as an independent exhibition space founded by artist Lin May and home to coeval.gen.in, an internet - based platform for artists, writers and curators engaging with a critical use of technology and digital economy.
Recess's signature program, Session, invites artists to use Recess's public platform to combine productive studio space with dynamic exhibition opportunities.
This conversation coincides with There is nothing I could say that I haven't thought before, Daignault's current solo exhibition at The FLAG Art Foundation (on view through May 13, 2017), for which the artist used online indexes as her point of departure, exploring the inherent aesthetics and politics in these purportedly neutral platforms.
I specifically used the platforms of large group exhibitions my works were invited to in order to reveal all of the layers; first came the portraits, then still life and videos, then landscapes, then aerial views and social political protests, conversations, and performances.
We at ART AFRICA are extending an invitation to artists from the African diaspora to use our Instagram account as a platform to give us their viewpoint as an artist, showcase their work, art - making process, studios and current exhibitions.
So when a member of our curatorial advisory board Jessamyn Fiore approached us with the NASTY WOMEN Exhibition idea, we were thrilled to not only use our space to amplify the cause but also to build upon the momentous response and enthusiasm for the exhibition with STAY NASTY — four days of music, comedy, performances, workshops, and an information fair, which offers New York City's musicians, artists, activists, and community health organizations a platform and opportunity to get involved alongside the hundreds of NASTY WOMEN artisExhibition idea, we were thrilled to not only use our space to amplify the cause but also to build upon the momentous response and enthusiasm for the exhibition with STAY NASTY — four days of music, comedy, performances, workshops, and an information fair, which offers New York City's musicians, artists, activists, and community health organizations a platform and opportunity to get involved alongside the hundreds of NASTY WOMEN artisexhibition with STAY NASTY — four days of music, comedy, performances, workshops, and an information fair, which offers New York City's musicians, artists, activists, and community health organizations a platform and opportunity to get involved alongside the hundreds of NASTY WOMEN artists.»
Dedicated programme of exhibitions curated from the archive is presented twice a year at the Whitechapel Gallery in London, using new research platforms to bring this archive material to life.
Opening concurrently in the exhibition space above The Visitors is «Auto Body,» an exhibition of more than 40 women artists working in video and performance who use the body and performativity as platforms to address political and economic inequalities in the art world and beyond.
P.S. 1 Contemporary Art Center has invited Minus Space, a Brooklyn based platform for reductive art, to present an exhibition of reductive art: art characterized by minimalism and abstraction in its use of monochromatic color, geometry, and pattern.
Curated in partnership with Art Licks, a platform for emerging artists, the subsequent exhibition, On the heights, presents both indoor and open - air pieces, making full use of the Bothy Gallery and natural backdrop.
«As Baltimore's civic museum, we believe it is incumbent upon us to use our exhibitions, collections, and public programs as platforms to engage the most urgent questions of our time,» said BMA Director Christopher Bedford.
While Bruguera's most recent work often uses the strategies of social movements and education platforms to address topical matters, this exhibition looks back to Untitled (Havana, 2000) as a crucial work at the turn of the millennium that symbolizes an important shift in Bruguera's oeuvre, as she moved from working primarily with her own body to considering active audience engagement.
The exhibition relies heavily on the use of advertisement imagery as a platform.
Other works in the exhibition include wall pieces and a gridded platform on the floor making use of two - way mirrors to create the illusion of fragmentary architectural structures repeating and receding into infinite space.
MASS MoCA uses its array of world - class exhibition programming — particularly Kidspace's thematic exhibitions — as a platform for discussing contemporary social issues, as well as to expand notions about art and art materials.
2013 Make every show like it's your last, Frac Île de France / Le Plateau, Paris, FR Once upon a bicycle, not so long ago, Annet Gelink Gallery, Amsterdam, NL Ryan Gander's Associative Photographs, 2004, Zabludowicz Collection, New York, US How I Imagine artists physically envisage the internet when using it as a presentation platform, Desktop Residency, www.desktopresidency.com 2012 These are things that I do nt understand, Daiwa Press Viewing Room, Hiroshima, JP Esperluette, Palais de Tokyo, Paris, FR Boing, Boing, Squirt, Museo Tamayo Arte Contemporáneo, Mexico City, MX Lost In My Own Recursive Narrative, Fondazione Morra Greco, Naples, IT Ryan Gander: An Exhibition of Recent Paintings, David Risley Gallery, Copenhagen, DK An exercise in cultural semaphore, GB Agency, Paris, FR The Fallout of Living, Lisson Gallery, London, UK
Using the group exhibition, Tertiary Dimensions as a platform, curator Alexandria Eregbu invited Margaret Bobo - Dancy, Amina Ross, and D. Cain to present a few of their cinematic works.
Farshid Moussavi RA, Humphrey Ocean RA, Yinka Shonibare RA and Jonathan Yeo have experimented with virtual reality technologies, creating new artwork for the exhibition using virtual reality platform HTC Vive and artistic software programmes, including Google's Tilt Brush and MakeVR Pro.
König also noted the participation of German fine art photographer Wolfgang Tillmans, who, after withdrawing from Manifesta, re-committed himself to the exhibition with a view to use Manifesta as a platform for campaigning for LGBT rights.
Since the whole exhibition space is sloped and the surrounding walls are not vertical, it is arguable that sculptures could be exhibited either by following the ramp inclination or by keeping them in a perfectly vertical position using a special pedestal or a small platform.
Exploring the position of the artists who have been associated with a fixed social identity, the exhibition is structured around platforms that allude to a vernacular architectural wooden form used in hot climates to spend summer nights outdoors.
Using Archival Alchemy as a platform to creatively respond to this fraught political landscape, Archival Resistance will feature artists from the exhibition alongside other artist - activists who use historically resonant materials to rethink identity configurations, community - building and narratives past, present and future, while creating structures for the preservation and dissemination of alternate forms of knowledge.
Exhibition Highlights: Artifacts and props used in the film — including the full size AMP (Armored Mobility Platform) suit.
Although a wide variety of styles are represented at the exhibition, all the artists on show have one thing in common and that is the use of a painted platform that represents traditional painting.
In the times of European and global cutting of tax - funded art and the growing financialization of art, we want to use the Berlin Biennale — a state founded art exhibition — as a platform to apply horizontality, radical transparency, and sharing labor.
Using the crowd - funding platform as a medium, Krystal South created a one - of - a-kind exhibition format.
Since 1949 it has consistently provided a critical platform for new and recent fine art graduates primarily using an annual, nationally touring exhibition.
Ahead of his solo exhibition DEAR (2018) at the Sabrina Amrani Gallery in Madrid this March, I sit down with UBIK to discuss his beginnings as an artist in Dubai, his thoughts on labour, identity and «work» as an artist, and his desire to use Instagram as a platform to share and exhibit his art.
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