Sentences with phrase «exhibition presents this history»

Borrowing its title from the eponymous work by Carrie Mae Weems (American, b. 1953), the exhibition presents the history of the medium in three parts, emphasizing the strengths of Menschel's collection and mirroring his equal interest in historical, modern, and contemporary photography.

This exhibition presents this history with an installation of archival documents, photographs, video and a newly - published issue of High Performance.

The exhibition presents the history and legend, mythology and meaning of pearls and pearl jewellery from Qatar and around the world, and contains more than 100 pieces from around the world including the Gulf, Europe and Asia.

Guest curated by UMass Art History Assistant Professor Karen Kurczynski September 15 — November 20, 2016 Opening Reception: September 14, 6 — 8 p.m. Organized by NSU Art Museum Fort Lauderdale and guest - curated by UMass Amherst assistant professor Karen Kurczynski, a leading scholar of Danish Cobra artist Asger Jorn (1914 — 1973), who represents a new generation of art historians specializing in Cobra, the exhibition presents the history of Cobra through paintings, sculpture, prints, and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant, and Corneille.

This permanent exhibition presents the history of the Holocaust through artifacts and stories of Atlanta area Holocaust Survivors.

The exhibition presents a history of the Cobra movement through paintings, sculpture, prints and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant and Corneille, and reexamines the unique meeting of the group of young painters and poets brought together by an optimistic determination to start over after World War II, a shared interest in expressionism, myth, folk art and the art of children.

The permanent exhibition presents the history of Russia starting from the period of Catherine II the Great and going to our days, through the examples of the culture and everyday life of the Jewish people.

Not exact matches

A new exhibition at the Natural History Museum in London recreates dinosaurs in their environment and presents the latest dino - science

In addition to the annual Academy Awards — in which the members vote to select the nominees and winners — the Academy presents a diverse year - round slate of public programs, exhibitions and events; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history.

The volunteer guides learn about the history and background of the exhibition, and also how they can communicate this information to their peers and open up discussion on present - day issues.

It's the first major exhibition in the UK to present the personal collections of post-war and contemporary artists, including everything from mass - produced memorabilia and popular collectibles to one - of - a-kind curiosities, rare artefacts, and natural history specimens.

This exhibition is described by the museum as the first - ever to present the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.»

The Museum's history of exhibitions began with those presented at various sites throughout the city.

In this exhibition, Thomas Houseago presents a body of work that not only testifies to his continuing interest in the history of sculpture, but also hints at the emergence of a new aesthetic sensibility within his oeuvre.

The exhibition titled «Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of Italian abstract art, bringing together fifty years of history over two floors.

This exhibition presents more than 60 key works from 1960 to today by essential figures in the history of Québec art.

Dominique Lévy is pleased to present Robert Motherwell: Elegy to the Spanish Republic, the first gallery exhibition in over twenty years to offer a fresh survey of the monumental series that marked a pivotal moment in the history of modern art.

Titled JULIE MEHRETU: A UNIVERSAL HISTORY OF EVERYTHING AND NOTHING, this exhibition presents 20 years of Mehretu's paintings and drawings that have continued to redefine the way we think of painting as an instrument for mapping the world in time and space.

Presented within The Roundhouse — a 17,000 sq. ft space built in 1881 and designed by Burnham & Root — at the DuSable Museum of African American History, the exhibition will present an intimate dialogue between original productions and pre-existing works to open during the sixth edition of EXPO CHICAGO (September 13 — 17), and will run concurrently through the 2017 Chicago Architecture Biennial (September 16, 2017 — January 7, 2018).

For his 2018 exhibition at Sadie Coles HQ, Wilhelm Sasnal is going to present a group of new paintings in which present - day reality, memory and art history are concurrent and indivisible strands.

Because photography's brief history lends itself to examination backward, forward, and sideways in time, the gallery has presented exhibitions by artists as diverse as Bernd & Hilla Becher, Walker Evans, Eugene Atget, Edward Weston, Diane Arbus, Sol LeWitt, and Hiroshi Sugimoto.

Over the course of its long history, the gallery has presented the first, or among the first, solo exhibitions of Carl Andre, Helen Frankenthaler, Jane Freilicher, Red Grooms, Grace Hartigan, Alfred Leslie, Fairfield Porter, Kenneth Noland, and Larry Rivers.

Their collaborative work has been presented in exhibitions in Australia and internationally, including: Sorry You Missed Me, Royal College of Art, London, 2016; Während der Ausstellung ist das Museum geschlossen, Museum für Neue Kunst, Freiburg, Germany, 2016; MONA FOMA Festival, Salamanca Art Centre, Hobart, 2016; Performing Public Art Festival, Vienna Biennale, Austria, 2015; MAF Edge: Social Capital program curated by Jacqueline Doughty, Melbourne Art Fair, 2014; Festival of Live Art, Arts House, Melbourne, 2014; Site Dedicated to the Active Effacement and Complete Disregard of History, Zentrum für Kunst und Urbanistik, Berlin, 2013; and Ibrahim the Algorithm, Mathematics of Small Numbers group exhibition curated by Anusha Kenny, Footscray Community Art Centre, Melbourne, 2012.

The entire museum is devoted to the exhibition presenting works by Motherwell that are relatively unknown but are rising in recognition as being «crucial to his own career as well as the history of post-war painting,» according to an exhibition release.

Dominique Lévy gallery is presenting Local History, a transatlantic exhibition that presents the moment of creative intersection between three distinct post-war artists.

The exhibitions have spanned the medium's history, from its early masters to the present day.

Exhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal cExhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal cexhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal conferences.

In the present moment of virtual like, love, and swipe, when all aspects of public and private life circulate in seemingly endless supply on the Internet, the exhibition takes a step back to look at the formidable history of this subject from photography's early days to the present.

LONDON - Presenting works made between 2008 and 2017 in various media, including sculpture, painting, film, installation, photograms and posters, the exhibition asserts McElheny's view that «reconstructing history» can be a creative process itself and that aesthetics are always political.

THE SHELDON MUSEUM OF ART at the University of Nebraska, Lincoln is presenting four exhibitions that offer a visual journey through black history, culture and politics over the past century.

This concert is presented in dialogue with the exhibition History Refused to Die: Highlights from the Souls Grown Deep Foundation Gift, on view at The Met Fifth Avenue, May 22 — September 23, 2018.

Organized by the Brooklyn Museum, this exhibition is presented as the first - ever to explore the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.»

Originally used as a horse stable and now incorporated into the campus of the DuSable Museum of African American History, this luminous, curvilinear room is the newly restored context for «Singing Stones», a group exhibition presented collaboratively by Palais de Tokyo, Institut Français and EXPO Chicago.

Curated by Jerry Spagnoli, a leading practitioner of the daguerreotype, this beguiling exhibition presents works by contemporary artists mining photography's rich technological and material history.

Tony had a long history with Anthony Meier Fine Arts, presenting his first solo exhibition in San Francisco at the gallery in 2000.

The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19 - April 6, 2008.

In celebration of Women's History Month, NoMAA presents Women in the Heights — Reflections on Creating, an exhibition displaying works by 25 women artists residing in Washington Heights, Inwood, El Barrio and Harlem.

Composed of 25 works, which include paintings, sculpture, prints, works with paper, and installations, the exhibition explores a range of issues that have occupied Grabner since she started her creative career, such as the history of painting in relation to the present, the relationship of centre to periphery, the significance of routine in life and in art, and the integration of work into family life and vice versa.

Mural Arts Philadelphia presents a preview event for its forthcoming public art project Monument Lab: A Citywide Public Art and History Exhibition.

Bildmuseet presents Ana Mendieta's captivating oeuvre through 21 films as well as a selection of photographs, graphic works and objects.The exhibition Ana Mendieta / Covered in Time and History opens to the public on Sunday 18 June, at 2 pm.

The inaugural exhibition at the Chelsea gallery will present the pairing of Oxidation Paintings by Andy Warhol and Fire Paintings by Yves Klein, two major bodies of work by canonical 20th Century artists and fundamental to the history of abstraction, never before exhibited together.

His work has been presented in galleries and institutions, nationally and internationally, and was recently featured in the exhibitions Crossing Brooklyn at Brooklyn Museum, Radical Presence at Studio Museum in Harlem, and Between History and the Body at 8th Floor Gallery.

«Material Histories,» an exhibition presenting the work of the museum's current resident artists (Kevin Beasley, Bethany Collins and Abigail DeVille) is on view through Oct. 26.

Terrapolis, the most recent exhibition presented by NEON Organization for Culture and Development — presented in collaboration with the Whitechapel Gallery in London — opened an exhibition in the private gardens of the School, for the first time in its lengthy history, to feature the works of thirty - seven artists from eighteen countries.

Turner Contemporary presents the exhibition «Self» which posits the question, in a world where «selfies» have become everyday expressions and «Britishness» is being redefined, what is the role of self - portraiture and how has it shifted through the history of art to the present day?

The exhibition, which includes photographs, sculptural installations and films, presents interpretations of two of Walter Benjamin's seminal writings: Thesis on the Philosophy of History and Berlin Childhood around 1900.

, An Adventure in Conceptual Art (2013, Generali Foundation, Vienna, Austria); Gestures of the mind (La Verrière, Brussels); A Universal Exhibition, documentary section (Louvain - la - Neuve biennale, Belgium, 2013), Curated Session # 1: The Dora Garcia Files (Perez Art Museum, Miami, 2014), There was a time in the Past where the Future was Present (Museum of Art and History, Saint - Denis / Paris, 2014), Ma'aminim, The Believers (Tranzitdisplay, Prague, 2015).

The biennial - style exhibition has a history of presenting innovative and thought - provoking contemporary art projects.

Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pExhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pexhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. 92 - 94

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.