Sentences with phrase «exhibition processes for»

This presentation will explain the application, submission, jurying, and exhibition processes for a solo show at The Art League Gallery.

This presentation will explain the application, submission, jurying, and exhibition processes for a solo exhibit at The Art League Gallery.

Not exact matches

BrauBeviale is the capital goods exhibition for the whole beverage production process chain.

IPACK - IMA is this year's leading European exhibition for processing and packaging technology.

The Contract Packaging Association announces a continued partnership with IPACK - IMA, one of the largest global exhibitions for processing, packaging, converting and logistics.

In addition to featuring the company's own production of genuine spare parts, the exhibition stand will also have a touchscreen with the Webshop application, which will vis - ualize for visitors the straight - forward ordering process for spare parts.

Gulfood, over the years, has become one of the most sought after exhibitions for Indian food processing and packaging companies.

Bigger than ever before, the 16th LogiMAT — the International Trade Fair for Intralogistics Solutions and Process Management — will reaffirm its importance as a world - leading information platform and «working exhibition» where the intralogistics sector can do business directly.

Show owner and producer PMMI, The Association for Packaging and Processing Technologies, saved the best for last in its most ambitious year to date, with four best in class events that raised the bar for North American packaging and processing trade exhibitions.

On 117,000 square metres of exhibition space, exhibitors from some 40 countries, including around 360 new exhibitors and more than 50 notable suppliers from Australia, Canada, China, India, Japan, Korea, New Zealand, Taiwan and the USA will showcase their range of products and solutions for efficient intralogistics processes.

foodpro, the iconic exhibition for the food and beverage manufacturing & processing industry, brings the latest equipment, technology and solutions to Australian food & beverage manufacturers and processors.

Jointly organized by Messe Düsseldorf Asia and Asian Exhibition Services Ltd., Bevtec Asia 2015 showcased the complete scope of technology, products and equipment for beverage production in Asia — from laboratory to ingredients, processing, bottling and labeling to storage, distribution and marketing on 43,000 square feet of net exhibit space.

Richard Little, Chairman for the PPMA Group, added: «For more than 25 years the PPMA show has brought together buyers and sellers at one of the most visually dynamic exhibitions of the very latest processing and packaging innovatiofor the PPMA Group, added: «For more than 25 years the PPMA show has brought together buyers and sellers at one of the most visually dynamic exhibitions of the very latest processing and packaging innovatioFor more than 25 years the PPMA show has brought together buyers and sellers at one of the most visually dynamic exhibitions of the very latest processing and packaging innovations.

Later in the year, they participated in a mini National History Day presentation for which they designed exhibition boards with thesis statements, process papers and annotated bibliographies on ancient Maya.

During the AVS 61st International Symposium & Exhibition, being held November 9 - 14, 2014, in Baltimore, Maryland, the researchers will describe how they were able to «weave» high - strength, highly conductive yarns made of tungsten metal on Kevlar — aka body armor material — by using atomic layer deposition (ALD), a process commonly used for producing memory and logic devices.

Hong Kong's first Affordable Art Fair, is kicking off on Friday 15 — 17 March in the Hong Kong Convention and Exhibition Centre and is a chance for those who have a lean towards the creative, to actively be involved in the art buying process.

The supremely clear 2.40:1, 1080p transfer brings to mind an answer print projected under ideal circumstances, though some shots in the final third of the film are subtly out of register, perhaps betraying the dual - strip 3 - D process in which the climax was shot for IMAX exhibition.

Educational programs for hotel guests, as well as visitors of all ages, will accompany these exhibitions with artist talks, curatorial lectures, film screenings, and an insider's look at the creative process of CAF artists featured on in - room TV hospitality channels.

Not only is it an exhibition but also a process, one of active participation among a large number of players around the theme of Feeding the Planet, Energy for Life.

Reed Travel Exhibitions director World Travel Market Simon Press said: «Having developed such a strong working relationship with Rotana, I am delighted that they are sponsoring the registration process for the fifth year in a row.»

Thanks to pre-event promotion, the footfall to the stand was constant for the entirety of the exhibition and we've picked up some really strong leads in the process.

To the many inquiries I've made to Johns over the years of my search for the Short Circuit flag, he responded once to say he had no involvement in the decision to replace his flag with Sturtevant's, a decision that stems from 1967, the year Rauschenberg fielded a request from Finch College Museum curator Elayne Varian, who wanted to include Short Circuit in a traveling exhibition, «Art in Process: The Visual Development of a Collage.»

The title for the exhibition, Lost & Found, refers to Joe's creative process — finding long - lost images and reinventing them as often politically charged artworks — and his reinvention from the commercial world of work to finding his way as an artist.

Combining a range of creative mediums, Augustine Carr — tipped as one of Britain's most exciting young artists — highlights the process and practice of his work for new exhibition, Summa Theologica.

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

Artist Walead Beshty, who authored the essay for the exhibition's illustrated catalogue, explains, «Just as the ritual object accrues meaning incrementally and over time through a repetitive process of investment and stewardship, DeFeo came to favor producing paintings through a process of slow accumulation in lieu of the explosive and loose gestural compositions that were common at the time.»

The inaugural exhibition for Lisson Gallery Milan, «I Know About Creative Block And I Know Not To Call It By Name» (16 September — 5 November 2011), explored the ebb and flow of the creative process; the stumbling blocks artists face in their daily practice; the ideas hidden in distraction, detours and seemingly unproductive pursuits.

The exhibition's focus on progression and change in Seliger's oeuvre is a fitting tribute to an artist for whom process, transformation, and the notion of becoming were central to both his subject matter and his approach to creating art.

The exhibition features a selection of approximately twenty works from the 2000s to the present and serves as a vehicle for understanding the nature of the artistic process rather than presenting a chronological or mid-career retrospective.

The works on view at Eleven Rivington have long since distanced themselves from this beginning, having appeared in an artist book, then haphazardly rearticulated through three - color process paintings (cyan, yellow, and magenta), scanned and digitally distributed on his and others tumblr pages, and presently re-photographed through a PDF generating application on his phone, the images from which provide the basis for this exhibition.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

A $ 69,556 grant from NHPRC made it possible for the BMA's Library & Archives to process five key collections: the museum archive's photography collection, audiovisual collection, curatorial records for exhibitions and publications, juried and invitational exhibition records, and education department records.

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

Featuring exhibitions, a residency, curated events, and a publication, the project seeks to explore possibilities for a critical aesthetics and poetics of diaspora, approaching «nostalgia» as a vehicle for negotiating «place» in migration (against the «nostalgic» as a mode of representation); and spatial, oral and aural forms of «leisure» as processes of inscribing, translating and performing identity, memory, and territory.

The specially commissioned works of art for the exhibitions will have been created via a process where committed research, access to the online UMass Amherst Du Bois Archive, along with collaboration and correspondence with Du Bois scholars inform an innovative approach to artistic expression.

Tales from Water Margins will take the form a multidisciplinary «laboratory» encompassing thinking processes, spaces for reflection and creation at Ifitry, as well as exhibitions of existing and newly commissioned works in Casablanca.

Curated specifically in response to recent events, «Parrish Perspectives» exhibitions offers the chance to reconsider art, artists, and the creative process in a new way by including current times as a factor for viewers.

Join us for a close look at creative process on the opening night of Artists Select: Mark Mothersbaugh, the first artist - curated exhibition at the Clyfford Still Museum.

In reference to traditional (char) coal making, ongoing for many days, the exhibition is planned as a non-stop process.

Using the U.S. Constitution and the fall presidential elections as catalysts for conversation and debate, the exhibition will be a dynamic laboratory for exploring constitutions as a process, embodied by the people who create them and for whom they serve.

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

Riley's early curve paintings from the 1960s, which open the exhibition, shook traditional conceptions of art almost literally: their disorientating contour lines are too much for the eyes and brain to process, so that they genuinely seem to vibrate and undulate on the wall.

Examples of this experimental approach in the exhibition include Fuller's soft - ground etching, made by impressing lace and a string garlic bag into the plate's surface coating; Ryan's use of a recycled floorboard for her woodblock print; Bourgeois» sculptural treatment of the engraving process; and Nevelson's use of fabric dipped in acid to create etching directly on the plate.

The concept behind the exhibition comes from Yass» desire to reveal work in process and to consider that the experience of viewing preparations and sketches for art works holds complexities and interest in its own right.

Image credit: Copyright Alex Katz; Courtesy Timothy Taylor Gallery, London 4 November — 13 December 2009 Jerwood Space, 171 Union Street, London, SE1 0LN Passing Thoughts and Making Plans is an exhibition that brings together artists who use photography as part of their thought process; as a tool for working out, following and shaping ideas that will develop into a finished work.

For 4 - 6 weeks each artist spent time using the gallery as both a studio and exhibition space, whilst giving the public a behind - the - scenes look at the process of creation along with taking an active role in artistic and creative research.

This exhibition features works by caricaturist and cartoonist Thomas Nast for historical context along with works by award - winning editorial cartoonists Matt Davies, Walt Handelsman, Mike Keefe, Steve Kelley, and Signe Wilkinson that offer commentary on our current national election process, candidates, and key issues.

The title for the exhibition is taken from American poet Frank O'Hara's poem «Why I Am Not a Painter,» which reflects on the elusiveness of the creative process, often resulting in a finished work that bears no resemblance to its initial inspiration.

Galerie Lelong presents 14 striking new sculptures by Petah Coyne in Vermilion Fog, an exhibition divided into two parts — Dante's Inferno and Unforgiven, allusions to literature and film that loosely frame the works by themes of loss, chaos, and redemption.Vermilion Fog is a monumental exhibition for the artist known for her use of diverse materials in large works whose grace and fragility belie their immense weight and arduous process.

The following conversation has been edited from a larger ongoing interview used in the exhibition curation process; for the full interview please visit the exhibition where a downloadable PDF file has been hidden.