Sentences with phrase «exhibition programme from»

Not exact matches

All components of the conference programme are open to China Fruit Logistica visitors, and take place in the same hall as the exhibition, which is open from 10 am to 4 pm daily.

Programmes from practising engineers, technologists and key industry speakers are streamed live and / or on demand and include: • Lectures and presentations from major IET events • Product demonstrations and showcases • Interviews with experts from industry and academia • Reports, news and commentary from exhibitions and trade shows • Research seminars from Universities and research Institutions • Training sessions for IET volunteers

ATM is a comprehensive four - day travel trade event, held from 2 - 5 May 2011, comprising an exhibition, conference and seminar programme, which this year is sponsored by new exhibitor, Mexico Tourism Board, along with specialist industry days including travel agents day, careers day and consumer day.

Visitors can explore 14 magnificent historic and State Apartments, the ruins of the Holyrood Abbey, the royal gardens, the oldest part of the palace with Mary's Bed Chamber, connected by a secret stairway to her husband's bedroom and The Queen's Gallery which hosts a programme of changing exhibitions from the Royal Collection.

Registration for WTM Africa's Hosted Buyer programme opened last week and has already received some 200 applications from 35 different countries for its 300 places at the inaugural event, which takes place at the Cape Town International Convention Centre on May 2nd - 3rd as part of the newly - formed Thebe Reed Exhibitions» Africa Travel Week.

Peter Grimster, exhibition manager, Reed Travel Exhibitions, noted: «The two - day programme for ISTM includes pre-scheduled appointments, a selection of topical industry seminars and networking opportunities that together ensure buyers and exhibitors get the most from this exclusive forum.»

The department will be unveiling new programmes at the exhibition and will be hosting 204 tour operators and media representatives from 19 countries across the world.

Continuing its programme of opening up rarely seen collections from around the world, the four exhibitions are each titled after a key artwork in each display.

Archive Gallery, Whitechapel Gallery The Whitechapel Gallery presents a dedicated programme of exhibitions curated from archives twice a year in Gallery 4, bringing them to life as a curatorial resource through rare films, photographs, artefacts and documents.

The Royal Academy Patrons programme is centred on our exhibitions but covers all aspects of our work, from engaging with Royal Academicians and Schools students to understanding more about our heritage and Collection.

«Chris Ofili, Richard Prince, Raymond Pettibon and Suzan Frecon are among the illustrious artists who have donated works for a summer exhibition, all proceeds from which will benefit the New York chapter of 826, an American not - for - profit organisation... that provides writing programmes for under - resourced children aged six to 18.»

This includes performance ranging from the BxNU Respond series, open studios during The Late Shows and associated programme for the annual BALTIC 39 FIGURE series, an open submission exhibition curated by BALTIC and resulting in ten exhibitions running over five weeks.

Our artistic programme aims to include exhibitions of artists both established and emerging, selected artists from our «open submissions» call out, our annual collection exhibition and an exceptional international artist.

Those members came from various different artworld backgrounds (critic, curator, historian, artist, etc), and the programme, as stated on its still - live website, «eschewed solo exhibitions in favor of thematically, conceptually and politically driven group exhibitions and projects», such as its inaugural outing, modestly named Part One, which featured Andrea Fraser's May I Help You?

Events Programme A programme of talks and performances expand on the themes of the exhibition, from an introduction to geometric abstract art by Whitechapel Gallery director and exhibition co-curator Iwona Blazwick (27 Feb, 3 pm) to a major two - day symposium on abstraction and society bringing together experts in the field including Doug Ashford, Tanya Barson and Briony Fer (Fri 13 & Sat 14 Mar, 11.30 am — 6 pm).

Tate highlights for the 2014 programme will include major exhibitions from: Henri Matisse, Piet Mondrian, JMW Turner, Richard Hamilton and Kazimir Malevich.

- ISelf Collection displays: The exhibition continues the Whitechapel Gallery's dedicated collections programme in Gallery 7, which reveal rarely - seen works from around the world.

Part 1 of this 9 - month programme features projects and exhibitions from artists Emma Rushton & Derek Tyman, James Clarkson, Simon Lewandowksi & Sam Belinfante, and Rehana Zaman.

The exhibition is curated by students from the MLitt Curatorial Practice (Contemporary Art) programme, established jointly between the University of Glasgow and Glasgow School of Art.

This year's exhibition by graduate students from the master's programme at the Umeå Academy of Fine Arts is entitled Fool's Gold.

The Festival welcomes artists / photographers, collectives, curators, galleries and organisations from all over the world to submit their work to be considered for the main exhibition programme.

This year's programme includes exhibitions, collections and talks from Alicja Kwade, Guerrilla Girls, and the National Museum of Women in the Arts from Washington D.C, Emma Hart, Leonor Antunes, and Anthea Hamilton.

A programme of specially commissioned exhibitions, late - night gallery openings and live events will showcase the work of innovative and experimental artists working with photography, both emerging and established, from London and worldwide.

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

Continuing the Whitechapel Gallery's programme of opening up rarely seen collections from around the world, this is the second of four exhibitions drawn from the ISelf Collection.

This display highlights works in The National Museum of Women in the Arts collection — the only international museum dedicated to the exhibition, preservation, and acquisition of works by women artists of all nationalities and periods - as part of the Whitechapel Gallery's programme of opening up rarely seen collections from around the world.

A special exhibition of new photographs by acclaimed photographer Vera Lutter, Painting on Paper: Vera Lutter's Old Master Photographs, is on loan from the Los Angeles County Museum of Art (LACMA) and forms the centerpiece of the cultural programme at TEFAF New York Fall.

For six months he benefited from a studio courtesy of SPACE and a programme of mentoring from SLG and SPACE staff, as well as invited curators and other experts, culminating in a solo exhibition, Inside, in the SLG's first floor galleries from March — May 2012.

Continuing the Whitechapel Gallery's programme of opening up rarely seen collections from around the world, the four exhibitions are each titled after a key artwork in each display.

Continuing the Whitechapel Gallery's programme of opening up rarely seen collections from around the world, this is the third of four exhibitions drawn from the ISelf Collection.

Established in 1979 by Giuseppe Alemani, the foundation organises an annual programme of exhibitions and is open to the public from May until October each year.

Shown in a dedicated Collections Gallery as part of the Whitechapel Gallery's programme opening up rarely seen art collections for everyone, from around the world this final exhibition follows three previous displays Barjeel Art Foundation: Debating Modernism I (8 September — 6 December 2015), Barjeel Art Foundation: Debating Modernism II (15 December -17 April 2016) and Mapping the Contemporary I (26 April — 14 August 2016).

This has included developing a major multi-site exhibition programme, called We Face Forward, of art from West Africa, for the Cultural Olympiad; an exploration of the visual legacies of slavery with Trade and Empire, presented to coincide with the bi-centenary of the abolition of British slavery; and consistent attention to artists from South Asia, including a celebrated 65 - hour drawing and performance installation in 2013 by Indian artist Nikhil Chopra, the presentation of Subodh Gupta's work in the grounds of the Whitworth and video and textile work by Aisha Khalid.

Continuing the Whitechapel Gallery's programme of opening up rarely seen collections from around the world, this is the first of four exhibitions drawn from the ISelf Collection.

Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) collects, preserves, researches, and exhibits twenty - first century art from Africa and its Diaspora; hosts international exhibitions; develops supporting educational and enrichment programmes;...

From it's base in Amsterdam, Flatland operates on an international scale due to its various activities which revolve around a programme of both art fairs and exhibitions in institutions around the world.

Focusing on themes such as the shift from Pictorialism into Modernism and the role of women in the history of photography as well as spotlighting the works of individual photographers, the remaining online auctions in January and April 2018 speak to the history and importance of MoMA's exhibition programme.

Tim Marlow, the RA's artistic director, said the Summer Exhibition was «an immoveable feast and a national treasure» so it had to be a central part of what would be «a big programme of historical reflection... who we are, where we came from and obviously where we are going to go.»

Taking a break from its usual programme of Old Masters, the National Gallery is holding an exhibition of works by Pop artist Richard Hamilton, who died last year.

Cartwright Hall is Bradford's civic art gallery and offers a programme of contemporary exhibitions, as well as four permanent galleries displaying works from its art collections.

Curated by Shumi Bose, (Curator, RIBA Public Programmes) with support from Suzie Pugh (Curator, RIBA Drawings & Archives Collections) fourteen works are displayed alongside the new drawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural practice.

As part of the exhibition's public programme, Sonia Boyce will give a talk at NAE's main gallery on Thursday 14 December from 6.30 pm to 8.00 pm.

As part of the programme of the exhibition, on Saturday, Pimm's will be served 12 to 4 pm to celebrate new work from Dan Parry - Jones, Helen Ward, Steven MacIver and Virginia Dowe.

Find out about our current exhibitions, including Charles I and From Life, as well as our full events programme for February.

*** From Take Care Hans Ulrich Obrist Co-Director, Exhibitions and Programmes and Director of International Projects at Serpentine Galleries At first sight, the ten rules correspond to the image we have of Zurich, that bastion of Zwinglian Protestantism, as far as morality and work are concerned.

The space will be transformed to accommodate each exhibition in the programme, with moveable walls, lighting and bookcases making it suitable for everything from large - scale exhibitions to intimate performance pieces.

In our iconic building we host a year - round changing programme of historical, modern and contemporary exhibitions presenting sculpture from across the world.

Parallel to working on his own films, Richards draws inspiration from collaborations with other artists, his interactions with contemporary art and recent art history, and from curating film programmes and exhibitions.

The selection of works of art on display had until then been loaned or donated to the Gallery by private collectors and artists, but from the beginning of the 20th century a structured programme of temporary exhibitions was introduced.

Right from the beginning, Peyton - Jones, brought a curatorial direction to the Serpentine resulting in an exhibition programme of a balanced mix of popular and avant - garde shows.