Sentences with phrase «exhibition publications from»
In 2010, archives and exhibition publications from the Whitney's pre-history were digitized, in an effort to both increase the visibility of these records and to preserve fragile primary source documents.
https://whitney.org/ Not exact matches
However, the publication in the journal Extremes by no means marks the end of the search for Gumbel's life journey for Scherer and his assistant Fernández: Together with Prof. Annette Vogt from the Max Planck Institute for the History of Science and Dr. Isabella Wiegand at TUM they are planning an exhibition in Munich, Gumbel's city of birth, in November of the coming year.
«It's one of my favourite cities at the moment, especially for the art, there is so much going on here,» continues Unwerth, who has worked for a slew of top fashion publications including Vogue, Vanity Fair, Interview, The Face, Arena, and i - D, and published dozens of books of personal work from exhibitions around the world.
Von Unwerth has now shot for all of the of top fashion publications including Vogue, Vanity Fair, Interview, The Face, Arena, and i - D, and published dozens of books of personal work from exhibitions around the world.
@Large is accompanied by two richly illustrated, full - color publications: a softcover edition, published by the Golden Gate National Parks Conservancy and available now, that documents the exhibition for visitors to the island; and an expanded hardbound publication from Chronicle Books that will be available later this year at bookstores and museum shops worldwide.
«We are privileged to showcase work from the extraordinary collection assembled by Preston and Joan Haskell through this exhibition and publication, and in doing so, we are asking our audiences to consider abstract painting in a new light.»
The publication brings together photographs of Tuttle's personal collection of textiles, images of works from the Whitechapel Gallery exhibition, and documentation of the sculpture at Tate Modern.
A publication with an essay by Helen Molesworth reprinted from the 2008 Solitaire exhibition catalogue has been published on the occasion of the exhibition.
In addition to the essays and illustrated exhibition checklist, the publication includes still images from Nancy Holt's film The Making of Amarillo Ramp, 1973 - 2013.
Arranged in a dynamic layout, the publication features photo documentation of the animatronic sculpture Female figure (2014) and the installation of the exhibition, which also included a series of untitled sculptures from 2014 and the video Raspberry Poser (2012).
From 2008 to 2013, Sheridan worked as director of exhibitions and publications at Mercer Union, a recognized center for contemporary art in Toronto, where she has subsequently curated numerous well - received presentations and exhibitions by artists including Pierre Leguillon (2012), Aleksandra Mir (2011), and Sol LeWitt (2010).
Our primary goal is to develop the next generation of artists through exciting and engaging exhibitions, events and exclusive publications from a breadth of talent.
Among her groundbreaking exhibitions and publications over the past forty years are The Russian Avant - Garde, 1910 - 1930: New Perspectives; German Expressionist Sculpture; Degenerate Art: The Fate of the Avant - Garde in Nazi Germany; Exiles + Émigrés: The Flight of European Artists from Hitler, Made in California: Art, Image, and Identity, 1900 — 2000, and exhibitions of David Hockney, Ed Kienholz, Ken Price, Maria Nordman, Sharon Lockhart, and Alexander Calder, several of which featured installations designed by Frank Gehry.
The exhibition brings together photographic works and publications from the artist's 20 year career.
Description: Selected from a group of nearly 1,000 applicants, Dyani White Hawk's works will be among 40 artists featured in this year's Midwest publication of New American Paintings: Juried Exhibitions in Print.
The exhibition will be complemented by a discursive program consisting of a publication, an online video platform, and a series of talks with practitioners from various disciplines.
Read more: The New York Times review of the exhibition and excerpts from the publication in The New Yorker and The Brooklyn Rail.
Catalogues from many of these exhibitions are available for sale in the Publication section of this website.
These range from shorter project based residencies to the six - month Post-Graduate Residency and have culminated in exhibitions, offsite commissions and publications.
A $ 69,556 grant from NHPRC made it possible for the BMA's Library & Archives to process five key collections: the museum archive's photography collection, audiovisual collection, curatorial records for exhibitions and publications, juried and invitational exhibition records, and education department records.
Connor's publication, produced on - site using a commercial photocopier, will document the various reactions to the exhibition from within the space.
Published on the occasion of the largest exhibition of contemporary art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and >> more Guggenheim Museum Publications ISBN 9780892075287 US $ 75.00 CAN $ 99.00 TRADE Hbk, 9.5 x 11.5 in.
The Fine Arts Gallery is proud to host as one facet of the celebrations of the university's 70th anniversary, the upcoming Exhibition of «Faculty Publications» from 9th to the 28th of October, 2017.
The publication from MUMA's recent survey exhibition, Nicholas Mangan: Limits to Growth, will be launched and available for sale on the night, together with a selection of recent MUMA Publications.
Art Basel's official annual publication documents the exhibitions in Basel, Miami Beach and Hong Kong, and goes beyond them, featuring interviews, portfolios, essays and personal highlights from artists, curators, collectors and museum directors.
THE MOHN AWARD │ Jury award honoring artistic excellence Created in conjunction with the inaugural Made in L.A. exhibition in 2012, the $ 100,000 Mohn Award will be granted over two years to an artist from the exhibition and will be accompanied by the publication of a monograph on the artist's work, including essays and interviews, that will be distributed to key influential international curators, critics, gallerists, museums, and collectors.
From 1991 - 2001, Hodge was director of exhibitions and publications at Harvard University's Graduate School of Design, where she also held the positions of adjunct curator of architecture at the Fogg Art Museum and assistant dean of arts programs at the Graduate School of Design.
He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.
The title of this publication and the exhibition is taken from a new series of paintings completed specifically for this show.
To accompany the exhibition a publication of the same title, Inside, was commissioned, and in 2013 Thomasson produced an exclusive limited edition print, Jasmine Printing, both available from the SLG shop.
Created in close collaboration with the artist, the publication's beautifully produced color plates offer a selection of the iconic works from the exhibition.
To date, this program has led to the acquisition of over 200 works by 75 artists from the Foundation's collection by museums including The Metropolitan Museum of Art, the Fine Arts Museums of San Francisco, the High Museum of Art, the Philadelphia Museum of Art, the New Orleans Museum of Art and the Ackland Museum of Art, as well as multiple major exhibitions and publications.
The museum has organized and circulated many major traveling exhibitions accompanied by scholarly publications either in catalogue or book form, for example The Sculpture of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Present (1988).
Both the exhibition and publication cover a time span of over sixty years, from the 1950s through to artists working today.
For the first time in its history, the New American Paintings publication will jump from the page to the museum as EAM presents the exhibition New American Paintings: Midwest Edition.
Based on the acclaimed juried publication, an exhibition - in - print, this year's version was selected by Kelly Schindler, associate curator at the St. Louis Contemporary Art Museum, and features an equally diverse group of artists and practices from across the Midwest.
As assistant curator, Padgett will contribute to exhibition planning, publications, research, and growth of the collection, with a particular focus on American art from the 1900s through 1960s.
Support for the exhibition catalog is provided by the Graham Foundation for Advanced Studies in the Fine Arts and a grant from the Andrew W. Mellon Foundation in support of Walker Art Center publications.
From the beginning, the gallery was interested in organizing exhibitions that had a documentary character both through the choice of themes and through its publications.
Our mission is to include their contributions in the canon of American art history through acquisitions from our collection by major museums, as well as through exhibitions, programs, and publications.
All of the paintings for the publication and exhibition were borrowed from private and museum collections.
Apart from the exhibition catalog and the essay books, there are other publications, notably about the museum and the collection.
Along with original photographic prints, the exhibition features hundreds of tear sheets and magazine covers from both mainstream and independent publications by a range of photographers including Steven Meisel, Cindy Sherman, Mario Sorrenti, Nick Knight, Steven Klein, Miles Aldridge, Paolo Roversi, and Sølve Sundsbø.
The foundation's core initiatives include the long - running Sharjah Biennial, featuring contemporary artists from around the world; the annual March Meeting, a convening of international arts professionals and artists; grants and residencies for artists, curators, and cultural producers; ambitious and experimental commissions; and a range of traveling exhibitions and scholarly publications.
Stieglitz edited the association's luxurious publication Camera Work from 1902 to 1917, and organized exhibitions with the aid of Edward Steichen — who donated studio space that became the Little Galleries of the Photo - Secession in 1905, familiarly known as «291» for its address on Fifth Avenue.
The exhibition and the accompanying publication was made possible with support from Kanton Basel - Stadt Kultur, kulturelles.bl, Stanley Thomas Johnson Stiftung, Roldenfund, Hans und Renée Müller - Meylan Stiftung, Erna und Curt Burgauer Stiftung, Ernst und Olga Gubler - Hablützel Stiftung as well as supporters who wish to remain anonymous.
1983 Corcoran Gallery of Art: «Second Western States Exhibition: 38th Corcoran Biennial», Washington D.C. Linda Farris Gallery: «Drawings by Ed Ruscha, Billy Al Bengston, Tom Holland and Laddie John Dill» Seattle, Washington Welton Beckett Associates: «Art in L.A.» Los Angeles, California Gumps Gallery: «Monotypes and Etchings from 3EP Publications» San Francisco Art Gallery, California State University, Fullerton: «Charles Arnoldi and Laddie John Dill» (catalogue)
Major exhibitions realized under her leadership include México 1900 — 1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant - Garde; Jackson Pollock: Blind Spots; Jim Hodges: Give More Than You Take; From the Sidewalk to the Catwalk: The Fashion World of Jean Paul Gaultier; Tutankhamun and the Golden Age of the Pharaohs; J. M. W. Turner; Van Gogh's Sheaves of Wheat; and Matisse: Painter as Sculptor; as well as the DMA's centennial exhibition and its accompanying publication.
In this new publication, each letter of the alphabet evokes a particular word related to the world of exhibition making — from A (as in Art) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube).
Additionally, a select chronology designed by Project Projects, featuring select highlights from the Museum's history, is presented within the exhibition, alongside a display of the entire collection of New Museum publications.