Sentences with phrase «exhibition purpose of»

Not exact matches

The result is a decisive exhibition of how things are meant to be — for even if humans had not sinned, this would have been the divine purpose for humanity.

The bill's purpose is to ensure the regulation of martial arts matches or exhibitions and their persistence in the New York.

The purpose of Professor Javier Collado is to contribute to achieving the general objectives and core competencies set by the Organic Law 2/2006 of March 3, in the high school, with the «diffusion of knowledge» through a photo exhibition and an educational - multidisciplinary talk and consciousness - raising that will address the «different realities - realities equal» to live in the countries he has been working in Latin America: Bolivia, Peru, Ecuador, Colombia, Panama, Costa Rica, Nicaragua, El Salvador, Honduras, Guatemala, Belize, and Mexico.

Some of its purposes are to encourage and promote quality in the breeding of purebred Golden Retrievers; to do all possible to bring their natural qualities to perfection; to urge members and breeders to accept the standard of the breed as approved by the American Kennel Club; to conduct AKC sanctioned events within Maine; and promote cooperation and good sportsmanship among its members in the ownership, training and exhibition of Golden Retrievers.

The purpose of these Awards is to promote the exhibition of Chinese Shar - Pei in the various Regional Shows and Specialty Shows as well as at the National Specialty.

Throughout history, the palace's main purpose has been to serve as an expansive exhibition hall, with the exception of a period during World War I when it was used as a military hospital.

it is located on the Castlehill section of the Royal Mile next to Edinburgh Castle, at the Outlook Tower that, with its six floors of interactive exhibitions, makes it the oldest purpose built attraction in Edinburgh, and one of the oldest in the United Kingdom.

This game is fun as hell, the exhibition mode is fun (with friends), classic fights are a good way to get someone who wasn't into MMA interested in it (e.g. me) Career mode is fun but the problem is that you don't age is kinda dumb to be honest, you're «CRED» has no real purpose other than to get you new equipment, sponsors, sparring partners and opportunities to increase your «CRED» the controls are confusing to someone who's never played a game like this A.K.A me but I'll give it credit for innovation, you can go to training camps which upgrade you're striking and grappling which gives you new moves, their is a few exploits in the game No. 1 if you manage to get all the sponsors you can use them in create a fighter (which by the way has a decent enough amount of options) you can put all of the sponors that give the most cred and get everything easily and I mean everything No. 2 when you go to a training camp all you have to do is watch two demonstrations by the camp fighter and you have full stamina No. 3 any fighter you can beat within a minute of the first round you can beat a few times and shoot up the ranks, the music is good but you'll soon get sick of it and turn it off cause it repeats itself soo often, they didn't add intro walks, music and cage entries which would've made you feel more like an actual UFC fighter, but overall its a fun game but there's a few missed opportunities and not many fighting styles to choose from but rent it if you are curious about the game.

«To Hope, To Tremble, To Live» is an exhibition of 30 works selected by The Hepworth Wakefield, which is the largest purpose - built exhibition space outside of London.

Additionally, the Grey shows relatively few solo exhibitions of contemporary artists since there are so many New York venues dedicated to this purpose.

the object is usually kept outside the UK the object is not owned by a person who is resident in the UK the import of the object does not contravene any law the object is brought into the UK for the purpose of a temporary public exhibition at an approved museum or gallery the museum or gallery has published information about the object where required to do so by Regulations.

«Sometimes an exhibition, propelled by its clarity of purpose and emotional force, will lead you to a point that feels genuinely cathartic.

This lightbox presents posters made for a variety of purposes over the course of Rauschenberg's career: from those designed to advertise his own exhibitions and the work of his collaborators, to promotional pieces for the many social and political causes he supported.

Lucy Austin Exhibition: «Surface disturbances - evidence of biological time - part 1» 11th December - 22nd January 2013 Tender Machines (2012) is a new series of characterful «personages» derived from different machines each with various purposes and processes.

Formed from an 18th - century house and two new, purpose - built exhibition spaces, it offers an intriguing mix of intimate domestic rooms, stripped down but full of period detail, alongside contemporary galleries — a union of old and new that echoes the dynamic of its location on the border between the East End and the City of London.

Imprints of Passing Time will open in the Main Gallery in conjunction with Purpose and Position: A Solo Exhibition by Barnaby Wills, which will take place in the Project Space.

Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pExhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pexhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. 92 - 94

Performed on the exhibition's opening night by a naked youth, this is a ritual of uncertain purpose.

«I planned on doing an anti-inauguration exhibition regardless of which of the two candidates were elected,» Graham said, noting that doing so would «remind me of my purpose.»

Up near the northern edge of what's technically considered Bushwick (at least for Bushwick Open Studios purposes), relative newcomer Transfer gallery has an exhibition of artist Rick Silva's En Plein Air project.

us, a curatorial initiative that installs temporary exhibitions in unlikely spaces for the purposes of generating documentation for online audiences.

A festival and exhibition of social - practice projects throughout the Dallas - Fort Worth area produced by the nonprofit Make Art With Purpose.

The perversity of using this museological form to present practical objects sets up a welcome tension to the exhibition — asking the viewer to question the purpose and status of the objects in this particular strand of Weiner's oeuvre.

This sarcasm used is nothing but a medium of provocation to serve the purpose of extending the mental borders of the artwork beyond the limits of the exhibition space.

By submission for jurying, artists whose submissions are chosen for the exhibition grant The Center for Fine Art Photography the right to use their images for the purpose of promoting the artist, promoting the Center's programs, promoting exhibitions and subsequent display on the Center's website of current and past exhibitions.

Celebrating its 250th year, the RA is an independent institution led by eminent artists and architects; its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate.

Consisting of 105 printed images, including woodcuts, etchings, and engravings, the exhibition studies the prolific printmakers of the early - modern Low Countries and how their works exemplify the role and purpose of religious allegory.

By submission for jurying, artists whose submissions are chosen for the exhibition grant The Center for Fine Art Photography the right to use their images for the purpose of promoting exhibitions, promoting the Center's programs, promoting the artist and subsequent display on the Center's website of current and past exhibitions.

You have created a myriad of different modes of display for your ceramic sculptures — traditional plinths of different shapes and sizes, floor - based displays and purpose - built tables, each of them responding to their architectural surroundings and producing a different texture and atmosphere to the exhibition.

The integrity and historical importance of Mitchell's sketchbooks in relation to her oeuvre should not be compromised for exhibition purposes or financial gain.

We believe that the physical dismantling of sketchbooks for exhibition and / or commercial purposes is in direct conflict with professional ethics and best practices, and a violation of the artist's intent.

Guild Partner - for donations of goods and services for a specific event or purpose at above tiered levels Acknowledgement in our annual report Name and Logo published on all ALH collateral including on the supporter wall Name published on website Two tickets to annual Gala Two Artist Studio Visits Invitation to Exhibition previews and VIP special events Facility Rental for one event (restrictions apply)

Image material may be used free of charge for non-commercial purposes relating to the respective exhibition; the der KW Institute for Contemporary Art must be credited and the copyrights cited.

Despite a varied body of work, characterised by experimentation and a sustained and fruitful engagement with abstraction and surrealism, the exhibition reinforces the perception that Nash was a painter who only found a sense of purpose with the outbreak of war.

Its purpose is to engage with forms of exhibition - making by experimenting with organisational relations between people, things and situations.

The purpose of these programs is to foster new forums for the discussion of important issues related to the contemporary visual arts and culture and to encourage new scholarship and exhibition initiatives that can contribute to the development of the graduate curriculum.

In this spirit of approaching the International as an evolving process, the curators and participating artists have had ongoing discussions about the purpose of such large - format exhibitions.

The exhibition explores the ways in which artists working in floral still life incorporated and responded to evolutions in approaches to both the arts and sciences, and provides a sense of discovery in the variety of artistic purposes and achievements in this genre.

The generous, purpose - designed studio and exhibition spaces at BALTIC 39 are the focal - point of the course.

The introduction of a call brings additional focus, purpose and urgency to what is already an exciting annual exhibition.

By drawing attention to the multiplicity of artists who used abstraction for an array of purposes, this exhibition pushes the traditional boundaries of Abstract Expressionism and showcases the wide reaches of its legacy.

The artists represented in this exhibition wish to restore tactility to painting, to redefine drawing as part of the pictorial and to go beyond Postmodernism to retrieve the fullness of painting as major art, including its tactility, explicitly material surface and capacity for metaphor as well its purpose to fulfil what Henri Bergson defined as its principle function: to be «life enhancing» in its vitality.

A forceful clarity of purpose and vision has characterized his art and his career from the start: he dominated the New York art scene of the late 1950s with his Black Paintings composed of stripes, which famously helped pave the way for Minimalism, and which were exhibited in The Museum of Modern Art, New York's milestone exhibition Sixteen Americans, alongside Johns and Rauschenberg.

In the New Republic, Josephine Livingstone reviews Celeste Dupuy - Spencer's solo show at New York's Marlborough Contemporary Gallery, commending the exhibition's «assertion that painting can be a kind of journalism, and can serve the same purpose.»

Requests for exhibition purposes must stipulate the nature of the exhibition, requested duration of the loan period, a list of the objects, and any other details pertinent to the request.

In the catalogue foreword Fogg Art Museum Curator of Modern Art, Harry Cooper explains the significance of this exhibition: This exhibition marks a new chapter in Ossorio's fortunes, for it benefits the Harvard University Art Museums» Ossorio Fund, whose purpose is to study and display the work of Ossorio and his American contemporaries.

In addition, Samurai 8, which was originally only made as a model in 1983, has been realized in its full size by the artist for the purpose of this exhibition.

Images of accepted work may be used for promotional purposes and be featured in an exhibition catalogue.

They also organize exhibitions of works drawn entirely from their own collections exclusively for the purpose of traveling.

The exhibition takes its title and purpose from the ideas of the relatively obscure Russian composer, Alfred Schnittke, whose writings on «Polystylism» during the 1970s, creatively proposed to bring together things within unexpected taxonomic combination, to reveal inherent individuality though sudden — violent even — fusion, contrast and comparison.