Sentences with phrase «exhibition reflect on»

The approximately 25 positions presented at the exhibition reflect on contemporary social, technological and aesthetic debates.

Collectively, the works in the exhibition reflect on the intimate nature of drawing.

Both the film and exhibition reflect on the artist's journey into the creative process and very nature of collage, a medium that for Letscher represents both a personal aesthetic, and a language with which to find structure, beauty and serenity within chaos.

Both the performance and the exhibition reflect on the contemporary media landscape and its political diffusion.

The exhibition reflects on the constructed nature of exhibition narratives and examines the selection criteria used by curators

Taking place at both the Los Angeles and Palm Beach location, the exhibition reflects on Gavlak's ten years in business, and will include works by artists Gavlak has represented since 2005, alongside artists new to the gallery's roster, and those whose work reflects the gallery's sensibility.

Featuring groundbreaking pieces by Alvar Aalto, Marcel Breuer and Charles and Ray Eames, the exhibition reflects on the material's specialist origins in 1760s furniture workshops; its developments in World War II and the post-war period; up until the present - day, where plywood is used on digital platforms and cut with computer - controlled machinery.

The exhibition reflects on the legacy and graphic aesthetic of Gene Davis's iconic 1972 work Franklin's Footpath, which had a monumental impact on Apfelbaum as a young artist in Philadelphia.

Over two decades since its foundation in 1994, this group exhibition reflects on the history and development of the Zabludowicz into a leading independent contemporary art collection.

This exhibition reflects on how the events in Africa then, still play a part in the conceptual thinking of artists now.

You don't live here anymore Curator: Montserrat Albores Gleason The exhibition reflects on the idea of dwelling, taking its point of departure from the paradox generated in the domestic space by the conception and first private exhibition of Marcel Duchamp's «readymades.»

Featuring paintings, prints, and mixed media works, the exhibition reflects on Donaldson's deep belief in the responsibility of an artist to create work that is both socially relevant and visually striking.

The exhibition reflects on the human activity of «repairing», whereas everything we do leads us to a natural attitude that makes us struggle to survive.

Featuring new and recent work by six artists from the UK, US, and France — Jonathan Baldock, Genesis Belanger, Matthew Hansel, Matt Lipps, Theo Mercier, and Adam Parker Smith — the exhibition reflects on the legacy of surrealism in contemporary art while investigating the notion of the uncanny in reference to the history of art.

The exhibition reflects on Mr. Miller's vision of...

The exhibition reflects on the sociopolitical situation that has affected Mexico, and more recently other countries, such as Canada and the United States, for the past six years — the drug war.

Drawing on anthropologist Mary Douglas's interpretations of sociologist Ludwik Fleck, the exhibition juxtaposes works that were produced in collective environments in the 1990s with new structures and films produced alone; as such the exhibition reflects on the contradictions that arise between the individual and the group in relation to the production of art.

The exhibition reflects on the concept of architecture, of space and its potential to narrate a (hi) story that already exists or is about to be created by the spectator.

Featuring eight international artists all under the age of forty - Martin Basher, Michael Bell - Smith, Ry David Bradley, Chris Dorland, Matthew Hansel, Anna Ostoya, Josh Reames, and Konrad Wyrebek - the exhibition reflects on the role of painting in a post-internet age where digital imagery is omnipresent.

By analyzing the different color theories that took shape in the turbulent socio - political context that characterized the 20thcentury, the exhibition reflects on a perspective that considers light, its vibrations and the world of emotions, while challenging the standardization of the use of color in the modern age (synthetic colors) and the digital era (RGB colors offered by various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real world.

Moving into April, exhibitions reflect on notions of place and time, offering new perspectives on an ever - changing world.

The artist's painting robot creates a new landscape painting for «The Sleeper Awakes», an exhibition reflecting on freedom and anxiety decades after Mao's China

At a moment when South Asian communities, women, and immigrant neighborhoods like the Lower East Side are being targeted by an evidence - averse administration, this exhibition reflects on the complex global and personal histories that shape conflicting views of our contemporary moment.

Entitled «Memory,» the exhibition reflected on connections between personal and collective memory, a meditation on the function of the museum and the making of cultural history.

Giving insight into the the perspectives of artists from across Brussels, Chicago, Oaxaca and Guatemala, the exhibition reflects on their differing conceptual and physical topologies in a «spontaneous and reactive» curatorial gesture, founded on exchange and resulting in a collision of «the presence of works with a dissolution of discourse».

The exhibition reflects on...

Last but not least, the exhibition reflects on the curatorial process itself, in which the capacity for relationships between things to multiply is a constant source of wonder.

This event marks the closing weekend and final public programme for the current Para Site exhibition A Luxury We Can not Afford, an exhibition reflecting on the formation, development, and paradoxes of Singapore's national ideology.

The exhibition reflects on the unique surroundings of her home, drawing connections to Turner Contemporary's coastal location in Margate.

Not exact matches

As «Time» is called for this Packaging Innovations Exhibition and GPI locks up its Gastro Pub themed stand, Nikki Clark, marketing manager of convenience and consumer products, reflects on an extremely successful show.

As the dust settles on another LIW (Leisure Industry Week), the thousands of delegates who passed through the doors at the NEC can reflect on a packed two days of world class education, networking and an extensive exhibition.

In addition to quarterly PBL exhibitions, student further share and reflect on their learning through Student Led Conferences (SLCs).

As students progress through Exhibition, they also work with a school - based mentor, reflect regularly, and consider ways to take action on their identified issue.

Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.

Site - Responsive Exhibition Convenes 16 International Artists To Reflect On Human Impact And Increasing Complexity Of National Security In Our Time (June 23, 2016)

The aquarium is known for its location — right on the Monterey Bay with views of sea otters and seals from the aquarium's windows — as well as the sea otter exhibit, the giant kelp forest (reflecting what's in the waters of the bay) and its special exhibitions that currently includes a show of cephalopods.

Richard Mortimore, managing director of Reed Travel Exhibitions, commenting on the appointment said: «This expanded role reflects Mark's professional capabilities and commitment to Reed Travel Exhibitions.

This exhibition features tough but humorous sculpture, unapologetic and brash, political yet ambiguous, considered yet painterly, and reflects on Harvey's concerns of national identity and masculinity - «It is partly to wrest something from the all - pervading guilt over colonial misdemeanours and also in part to ironize an overly romantic valuation of the past.

On view will be a collection - based exhibition throughout the Museum and its grounds, with 100 works reflecting its rich cultural history and legacy.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

From installation and video to sculpture, painting and photography, the variety of work on display reflects the diverse perspective of the artists featured in the exhibition.

TALK One of the most compelling art panels of the year, Thelma Golden, Hilton Als and Huey Copeland gather Dec. 12 to discuss «Black Male: Representations of Masculinity in Contemporary American Art» and reflect on the perception of black men and the state of the art world two decades since the Whitney Museum of American Art exhibition opened in November 1994.

Elsewhere throughout the exhibition, Asian art abounds: from Zao Wou - ki's 1953 «Lune Noire,» a dreamlike vision of blue and gold, to the delicately detailed ukiyo - e woodblock prints, to Nam June Paik's «Global Grove,» an avant - garde 1970s video art that both reflects on and foreshadows the growing impact of television as «the landscape of tomorrow.»

Like the subjects that populate Lolita's House, her solo exhibition currently on view at David Zwirner London, these eclectic compositions reflect Wylie's fascination with memory and the associations that become attached to it over time.

The artist was invited to curate an exhibition of over sixty outstanding artists with a varying range of practices to respond to the theme of «found», reflecting on the Museum's heritage and collection.

Reflecting on some of the most arresting and important installations of the previous decade, resulted in the exhibition Outbound: Passages from the Nineties.

The exhibition is co-curated by Benno Tempel, Director of the Gemeentemuseum Den Haag, with curator Jet van Overeem, presents a radical new reading of the artist, which reflects the clarity and scholarship of Hans Janssen, the Gemeentemuseum's Mondrian Curator since 1991, and a world expert on Mondrian and De Stijl.

In the exhibition, Collage as Painting: Kate Abercrombie and Trevor Winkfield, currently on view at Fleisher / Ollman Gallery, Abercrombie's paintings reflect the financial anxieties and desires I see in my neighbors, and in myself.

Karen Rosenberg reflects on the recent spate of diverse portrait - positive exhibitions in museums and galleries around New York.

The exhibition, which reflects the gallery's focus on both Modern and contemporary art, will encompass a variety of schools and movements (such as the Cubists and British Modernists) and will feature artists who are contemporaries of, or influenced by, one another.