Sentences with phrase «exhibition reviews editor»

She is currently exhibition reviews editor for the Southeastern College Art Conference Review.

Exhibition Review Editors Mishoe Brennecke, Sewanee University Jacqueline Francis, California College of the Arts Diane Mullin, Weisman Art Museum

Not exact matches

He is Associate Editor for The Telegraph, Calcutta, where he writes a column called «Art & Life» and reviews books and art exhibitions.

He writes the contemporary art column «Out There» for T: The New York Times Style Magazine, is the art editor for V Magazine, and reviews exhibitions for Art Agenda and Artforum.com.

LA - based art historian, editor, and writer Ellen C. Caldwell reviews Frohawk Two Feathers» exhibition at the Museum of Contemporary Art Denver for New American Paintings.

Frieze editor in chief reviews the exhibition «Summer of Love» featuring a new commission by Mikhail Karikis.

With one of its editors exhibiting and its founding editor reviewing one of our frequent contributor's exhibitions it felt like the little island, that is the art world in South Africa, got a little smaller.

At a panel last month on the Whitney Biennial — an installment in the series of monthly reviews of New York art shows organized by Artcritical editor David Cohen and held at the National Academy Museum on Fifth Avenue — the critic Joe Wolin framed the current installment of the always - controversial exhibition with notable economy.

The following list of creative practitioners was compiled by our editor using a number of criteria and information sources, including: (1) sales results at art auctions (2) exhibitions at major institutions and galleries (3) assessments by the Royal Academy (4) internet search results over a 6 - month period and (5) reviews in art magazines and online art publications.

Co-founder of The Art Book Review, he's a contributing editor for Mousse, Momus, and Art - Agenda; and has curated art exhibitions with some regularity (usually with collaborators), including a metaphysical disco at the Church of the Holy Shroud in Turin, a chain letter at the Palais de Tokyo in Paris, and a river by Chris Johanson through the Museum of Contemporary Art, Los Angeles.

On the heels of a recent election, Bangkok desk editor Brian Mertens delves into Thailand's post-coup election politics with an in - depth review of «The Art of Corruption,» a group exhibition of artwork, agitprop shadow puppet - theater and graphics.

Film critic Jason Solomons reviews this week's film releases and Jane Morris, editor at large of the «Art Newspaper», talks London art exhibitions with Monocle's Ben Rylan.

A contributing editor of BOMB, where she has written on William Kentridge, Jennifer Levonian, D - L Alvarez, and others, McClister also reviews Philadelphia exhibitions for Artforum, including recently Ruffneck Constructivists at the ICA, curated by Kara Walker.

On the occasion of the painter's exhibition Bracket at Greenberg Van Doren Gallery (February 23 — April 23, 2011), Cameron Martin took a break at his Greenpoint, Brooklyn studio for Rail Art Books in Review Editor Greg Lindquist to visit and discuss his life and work.

Ashlyn Davis is the Executive Director of Houston Center for Photography and the editor of spot, HCP's bi-annual magazine about photography that includes artist portfolios, exhibition and book reviews, and interviews.

Titled «Review», a reference to the delimiting character of his artistic practice as a co-founder and editor of the influential / 100 art magazine, the exhibition brings together central works from the past 20 years, and in this synoptic display of works devised together, it experiments with the format of a 45 - year - old artist's retrospective.

Throughout the year Artlyst will continue to keep you up to date with listings, Editor's choice, recommended exhibitions, previews and reviews.

/ / WRITING / / 2018 The Artist's Book as Third Mind, The Journal of Artist's Books, JAB43, Spring 2018, Essay by Marianne Dages, originally presented at the 2018 College Book Art Association Conference 2015 - 2017, Editor for the Napoleon Gallery Essay Series 2017 Reflect / Collect: An essay on the one's we know (w / Napoleon Gallery) 2016 Three Poems, Bowietry, The Found Poetry Review, Spring On Language and Scale, an essay for the exhibition catalog of Sarah Hulsey's Iterations, Walter Feldman Gallery, Boston, Ma 2015 Marianne Dages: The Form Review, The St. Claire, w / Daniel Oliva

He is reviews editor for Art and the Public Sphere Journal and is the series co-editor of Afterall's Exhibition Histories Series.

In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.

The exhibition will be accompanied by an essay from Amy Sherlock, Reviews Editor of Frieze.

This week, our panelists, artist Dan Gunn, artist and Bad at Sports co-founder Duncan MacKenzie, and Chicago arts writer and Art21 Blog editor Claudine Isé review the solo exhibition Cathy Wilkes: I Give You All My Money at The Renaissance Society and discuss the artist Damien Hirst as sign, signifier, and circus ringmaster of the contemporary art world and commodity culture at large — a discussion sparked by art critic Christian Viveros - Faune's tongue - in - cheek eulogy for Hirst in the January 18, 2012 issue of the Village Voice.

ART iT's editors review the year's most memorable exhibitions: Mike Kelley at MoMA PS 1; Shinro Ohtake's simultaneous projects for the Setouchi Triennale, Marugame Genichiro - Inokuma Museum of Contemporary Art and the Takamatsu City Museum of Art; and the anti-retrospective of Kodai Nakahara at the Okayama Prefectural Museum of Art.

To the Editor: It is always educational to read reviews of an exhibition I have seen myself.