Sentences with phrase «exhibition space concerned»

This fluid integration between students, faculty, artists, and the public is what makes the Visual Arts Center feel less like a stodgy exhibition space concerned with attendance and more like a playing ground for experience, a laboratory of art made largely by and for the University of Texas community.

Not exact matches

Whereas your previous exhibitions have shown a concern with being openly performative — in the sense of relating to the public domain, and making references to entertainment and comedy figures — your last couple of shows at Rachel Uffner have turned to a more private space.

The exhibition highlights the political dialogue inherent in the artist's artistic interventions — from his concern for the extreme plight of the homeless, his interest in direct community engagement, his belief that we should expand our lived experience of a city into its underground and other inaccessible spaces, and his commentary on development and socioeconomic stratification.

Were issues of the public space of the museum and the viewer's circulation through the exhibition a primary concern?

is an exhibition that creates critical spaces for viewers to consider and engage with a number of environmental concerns such as sustainability, water remediation, drought, etc..

This exhibition will feature explorations on the themes of time, space and social concerns by two Iranian artists, Nasrin and Nahid Navab, who are sisters.

One of the strengths of this exhibition is the way it clusters connected artists and specific geographic concerns into thematic spaces.

The exhibition features artwork from the past three years, revealing Phillips» most recent concerns with the binaries of interior and exterior, form and space, and representation and abstraction.

Thus, rather unexpectedly, the exhibition will address concerns with form, specifically in relation to light and space.

Kounellis participated in the exhibition «Arte Povera — e IM Spazio» at the La Bertesca Gallery in Genoa curated by Celant, which brought together artists whose work was concerned with the space between art and life, and nature and culture.

Organized by Kultura Medialna and curated by Maria Veits for their annual Construction Arts Festival, the exhibition draws on the current political and cultural concerns of Dnepr, the largest city in proximity to the occupied Ukrainian territories and Crimean annexation and addresses disputable territories, belonging and ownership of the public space and its reshaping by various social groups, urban planning and attempts to create a dialogue in and about public spaces between communities, governments and activists.»

Despite her inclusion in the Whitney Biennial and solo exhibitions at Artists Space and Fischbach Gallery, the following two years, she was dissatisfied with her output and its detachment from her growing social and political concerns.

With an inherent interest in how metropolitan living conditions create socially unique trends and subcultures, Abbas» most recent compositions continue this theme, the exhibition concerned with how urban environments influence human assimilation to the spaces we inhabit.

West Gallery: This exhibition by Toronto artist John Wilkinson features a series of recent, large scale paintings concerned with the interior spaces of the artist's studio.

They explore material processes and ideas concerning surface and depth, they enter in a dialogue with other mediums such as painting, sculpture and film, and actively engage with the exhibition space itself.

Mr. Schnabel said his concern was only protecting the space and the art; to help regulate the crowds, the exhibition has since been open by appointment through Mr. Schnabel's website.

Partner: MK Gallery Exhibition title: In Deed Exhibition dates: 6 — 12 September 2012 A graduate of Bucks New University, ed Marion Piper's practice is concerned with her sensory responses to the experience of walking through city spaces in London and New York.

However, within the wider context of this particular exhibition, such a judgement seems almost secondary because, as is so often the case, the principal issues and concerns arising out of exhibition work by Black artists in white gallery spaces revolve around the «politics» of these exhibitions, rather than the wok itself.

Partner: Modern Art Oxford Exhibition title: Disseminated Space Exhibition dates: 29 September — 28 October 2012 BA Fine Art, Reading University Disseminated Space, 2012 Handmade publications, plywood, sound, steel & neon light sculpture Alana Francis» practice is concerned with the creation and distribution of publications.

Mike Womack's fifth solo exhibition with the gallery, Crawl Space continues his ongoing practice of mixing conceptual art concerns and modern art aesthetics with the actual substance of everyday materials and constructions.

The current exhibition at Kunsthalle Basel, «Rooms Look Back», (until November 16, 2008) brings together three international artists (Rosa Barba, Ursula Mayer, Margaret Salmon) who are concerned with the presentation of different concepts of space in the medium of film.

While the current exhibition presents an important shift in Condorelli's practice, the concerns remain rooted in architectural space and the political and social relations that produce it and are produced by it.

Christine Kozlov: Information endeavours to create a rapport between her sculptures, their exhibition copies, archival material, photographic documentation and contextual documents to addresses sculpture's concern with objecthood, space, encounter, time, duration, and our experience of an object and its imagined conceptual content.

This exhibition by Toronto artist John Wilkinson features a series of recent, large scale paintings concerned with the interior spaces of the artist's studio.

Incorporating the display standards of an exhibition space as an element of her work is a common strategy for Koether, who is often as concerned with the context in which her paintings are shown as she is with the paintings themselves.

This exhibition and its related events are part of UHM ART: CRITICAL GEOGRAPHY IN HAWAI`I SERIES that highlights local and international artists who address social - cultural concerns associated with space, place, and environment in O`ahu.

Drifts and Derivations: Experiences, Journeys and Morphologies, an exhibition currently at the Reina Sofía in Madrid, documents Brazilian and Chilean architectural concepts that all espouse ideas concerning ties between public space and collective life.

The choice of works is very deliberate with the exhibition broken down into seven themes: Beauty, Power and Space, which looks at each artist's engagement with the sublime, a theme central to English Romantic art but which survived through the modernist movement and is a key feature of Twombly's paintings; Atmosphere, which considers the ways in which the three artists paint land and sea through a filter of atmospheric conditions; Naught so Sweet as Melancholy, named after a phrase in Robert Burton's Anatomy of Melancholy, where the theme of loss and memorialisation are central concerns; The Seasons which reflects upon the passage of time; Fire and Water where all three artists evince the power of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lives.

New and recent works in this solo exhibition, Flow / / Flow, are overtly concerned with urban space.

A fundamental principle of my curatorial practice is to open up new spaces of thought with exhibitions that are organized in close collaboration with the artists concerned.

Carving out a space for personal and political reflection within pervasive streams of information, the works in the exhibition demonstrate the shift from analog to digital concerns, as artists grapple with defining new forms of materiality, and new critical approaches in a radically more virtual world.

A truly international show, bringing together artists from Europe, USA, Australia and New Zealand it will also stand as the second of a series of annual group exhibitions held by the HICA art - space which seek each year to extend the discussion around the space and its concerns with ideas of» concrete» as opposed to «abstract» artworks.

The presence of the viewer and their movement within the exhibition space is a key concern of Roberto Winter.

Conquering and dealing with spaces has always been a major concern of John M. Armleder as well, whose work will be the focus of the exhibition.

First identified by curator Douglas Crimp in his 1977 exhibition Pictures, at Artists Space in New York, these artists were concerned with how contemporary life is mediated and governed by pictures, specifically as we experience them in newspapers and magazines, on television, and in film.

Concerned with the environment of both work and viewer, the foundational theoretical works presented in this exhibition explore the framing of space with a spare and elegant simplicity designed to induct the viewer into a participatory experience, in which sensibility and seeing are symbiotic.

The first exhibition at Circle Art Gallery gives space to a group of 20 artists chosen for their diverse interrogation of profoundly individual, internal concerns.