Sentences with phrase «exhibition space in a building»

Renzo Piano's new Whitney Museum in New York has the same amount of interior exhibition space in a building covering 220,000 square feet.

Not exact matches

Within that framework, we strive to create a perfect event, which could be an all - in format (including stand build, space rental, stand furniture and participation in the marketing programme), a space rental only exhibition format, a conference and exhibition (confex), a business summit, a congress or conference — the possibilities are limitless and flexible to best suit the market.

The air - conditioned building will be the largest exhibition space in the Northeast outside of New York City, the governor said.

When the museum opened the doors of its new building in downtown St. Paul two months ago, it not only added a pair of theaters and doubled its exhibition space, it also expanded science education.

This is a resort style venue that can accommodate large groups, over 600 in a Theatre Style setting with additional space for exhibitions, product displays, workshops and team building.

In the meantime, the neighbouring building at Prinsengracht 265 was expanded to provide extra space for meetings, group visits and special exhibitions.

Not content with simple rail travel, the Maputo Railway Station also plays an important part in the community as a place for local artists to display their works in exhibition spaces dotted throughout the building.

17 meeting rooms 2,700 square meters exhibition space Exclusive bonded warehouse Built - in and portable simultaneous interpreter system 10 meter ceiling in Nusa Indah Hall Secretariat Offices Ballroom Foyer (air - conditioned with natural lighting) Auditorium with 506 seats and built - in stage Broadband internet access in all meeting rooms Wi - Fi connection Dedicated Convention Services and Audio VisualBuilt - in and portable simultaneous interpreter system 10 meter ceiling in Nusa Indah Hall Secretariat Offices Ballroom Foyer (air - conditioned with natural lighting) Auditorium with 506 seats and built - in stage Broadband internet access in all meeting rooms Wi - Fi connection Dedicated Convention Services and Audio Visualbuilt - in stage Broadband internet access in all meeting rooms Wi - Fi connection Dedicated Convention Services and Audio Visual Team

Anderson converted the building into a state - of - the - art exhibition space and managed it as a commercial gallery beginning in 1991 before donating it to the University at Buffalo in 2000.

His immersive works are built from amassed art supplies and materials found in his studio space — including artists» tape adhered to the walls, floor and ceiling, bubble wrap, old newsprint, un-stretched canvases and press releases from gallery exhibitions.

Presented within The Roundhouse — a 17,000 sq. ft space built in 1881 and designed by Burnham & Root — at the DuSable Museum of African American History, the exhibition will present an intimate dialogue between original productions and pre-existing works to open during the sixth edition of EXPO CHICAGO (September 13 — 17), and will run concurrently through the 2017 Chicago Architecture Biennial (September 16, 2017 — January 7, 2018).

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

He has had a recent solo exhibition at OK Harris Gallery, New York and has been featured at the Brooklyn Museum, Queens Museum of Art, Artists Space, and Safe - T - Gallery, all in New York; Smithsonian Building Museum, Washington, DC; and Staton - Greenberg Gallery, Santa Barbara.

The group exhibition «Radical Materiality,» situated in the Rem Koolhaas - designed gallery space of Lehmann Maupin in the historic Pedder Building in Hong Kong, features three international artists: Mary Corse, Liu Wei and Nari Ward.

, The Watkins Gallery, American University, Washington, DC New Talent, Signal 66, Washington, DC Art Romp 11, Studio 7 Gallery, Washington, DC Eye Street Gallery, Washington, DC Colleen Kelsey, Brenda Moore in Dialogue, Watkins Gallery, DC Passages, Studio 7 Gallery, Washington, DC Meaning in the Mundane, Levy Gallery, Moore College of Art and Design, Philadelphia, PA Curve, the Art of Female Desire, Signal 66, Washington, DC 2000 Art Romp 10, Studio 7 Gallery, Washington, DC Project Space, Washington, DC First Sight, Watkins Gallery, American University, Washington, DC Drawing Exhibition, Watkins Gallery, American University, Washington, DC 1999 4th Annual Invitational Exhibition, Zone One Gallery, Philadelphia, PA Drawing Exhibition, Watkins Gallery, American University, Washington, DC 1996 Alumni Exhibition, Levy Gallery, MCAD, Philadelphia, PA 1991 Eight in the Atrium, Levy Gallery, MCAD, Philadelphia, PA Student Impetus: an Exhibition of Works from the Women of MCAD, The Provident Building, Philadelphia, PA

With its eventual sculpture garden, the new building will connect to CHRISpark, the one - acre public green space Pace built in memory of her son in 2005, as well as SPACE, which presents special exhibitions and programming throughout the space Pace built in memory of her son in 2005, as well as SPACE, which presents special exhibitions and programming throughout the SPACE, which presents special exhibitions and programming throughout the year.

In the meantime, the opening exhibition, which has been installed across all the exhibition spaces of the new building, is an adventure into the museum's existing holdings that somehow manages to be both grand and modest.

Her work explores the politics and poetics of the built environment, engaging and transforming the architecture of the exhibition space, often in implausible ways.

Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney's building in the Meatpacking District vastly increases the Museum's exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.

Those who toured the Whitney Museum of American Art's new building before it opened saw what its fifth floor looked like as a single vast gallery — reputedly the largest column - free museum exhibition space in New York.

In 2009 the organization announced plans to build a new space on West 22nd Street, on the footprint of one of two exhibition spaces it used to occupy in ChelseIn 2009 the organization announced plans to build a new space on West 22nd Street, on the footprint of one of two exhibition spaces it used to occupy in Chelsein Chelsea.

For others of this era, the communication gap between city policy and artist initiatives proved insurmountable at the time: Fugitive Art Projects sought physical space in 1999 to cultivate exhibitions, studios, and artistic dialogue, but eventually closed their Fugitive Art Center venue in 2005 after struggling to work with building codes and facility issues.

Their design expands on the «raw and robust» original buildings with two steel frame lanterns offering additional exhibition space, and brings the towers back in touch with the wider complex they once supplied.

Saturday was marked by migrating crowds of various sizes that moved from building to building, from floor to floor taking in exhibitions at small make - shift art collective show spaces, artist studios and some more clearly identified art galleries like the Fuchs Project and Robert Henry Contemporary.

NGA to Renovate — In (so far) unrelated news, the National Gallery has also announced a $ 30 million renovation to their East Building — which houses the museum's Modern and contemporary art collection — with galleries to begin closing in July in preparation for the planned construction, which will add a rooftop sculpture garden and more than 12,000 square feet of exhibition spacIn (so far) unrelated news, the National Gallery has also announced a $ 30 million renovation to their East Building — which houses the museum's Modern and contemporary art collection — with galleries to begin closing in July in preparation for the planned construction, which will add a rooftop sculpture garden and more than 12,000 square feet of exhibition spacin July in preparation for the planned construction, which will add a rooftop sculpture garden and more than 12,000 square feet of exhibition spacin preparation for the planned construction, which will add a rooftop sculpture garden and more than 12,000 square feet of exhibition space.

The tour group will work with the artist to construct a simple visual trail across the gallery spaces that maps their physical journey through the building and explores the key themes in the exhibition including ideas relating to time, dimensionality, trace, surface, materiality and process.

● Planning and executing large scale exhibitions and events for a 30,000 square foot gallery space located in the historic Sullivan Building in downtown Chicago.

SELECTED GROUP EXHIBITIONS 2014 — Building Stories — Kohler Arts Center — Sheboygan, Wi 2014 — Fearless — La Esquina Gallery — Kansas City, Mo 2014 — London Art Fair — Beers Contemporary — London, UK 2013 — Imperfect Symmetry — A+D Gallery — Columbia College — Chicago, Il 2013 — CAFKA Biennial 2013 — Waterloo / Kitchener — Ontario, Canada 2012 — Plural Zone — School of the Art Institute of Chicago — Columbus Building — Chicago, Il 2012 — Somewhere Else — Urban Institute of Contemporary Art — Grand Rapids, Mi 2012 — Evanston and Vicinity Biennial — Evanston, Il 2012 — Improbable Objects — What It Is — Chicago, Il 2011 — Experience is Never Unattached: Sullivan Galleries — Chicago, Il 2011 — P.O.D.S. Project: Lexington Art League — Lexington, Ky 2011 — The Value is Present: Inn Gallery — Ox Bow School of Art — Saugatuck, Mi 2011 — Union League Civic and Arts Finalist Exhibition: Union League Club — Chicago, Il 2011 - Weddings / Proms / Corporate Events — Zhou B Art Center — Chicago, Il 2011 — NEXT: The Invitational Exhibition of Emerging Art — Chicago, Il 2011 — MFA Thesis Exhibition: Sullivan Galleries — Chicago, Il 2010 — Alphabetization: Noble and Superior Projects — Chicago, Il 2010 — Uncommon Territories: Heaven Gallery — Chicago, Il 2010 — Usefullness: Sharp Exhibition Space — Chicago, Il 2009 — Learning Modern: Sullivan Galleries - Chicago, Il 2009 — Descours — AIA New Orleans — New Orleans, La 2009 — LeFlash: Castleberry Hill — Atlanta, Ga 2008 — Adventures in Mysticism: Athens Institute for Contemporary Art — Athens, Ga

This is the first time a single artist has dominated the building and the exhibition will be the final presentation on Madison Avenue before museum inaugurates its new space in the Meatpacking District in 2015.

In the East Building, large flexible spaces can be transformed to present exhibitions as elaborate and varied as Treasure Houses of Britain (1985 — 1986) and Art Nouveau (2000 — 2001).

Recently, Björn and Oddur Roth have continued the bar building practice, creating «Roth New York Bar» for Hauser & Wirth New York's inaugural exhibition at its 18th Street space in 2013, as well as «Roth Bar & Grill», constructed for the unveiling of Hauser & Wirth Somerset in 2014.

Another very different kind of socially engaged artistic intervention into lived urban space that has garnered a lot of media attention is Superflex's copy of the executives» restroom in the New York JPMorgan Chase headquarters installed inside the Olympic Restaurant in the same building as the exhibition with its entrance on 115 Delancey Street.

Following his ambitious exhibition in Building 5, The Man in the Empty Space, Richard Nonas has created a long - term, outdoor installation in granite for the museum grounds.

After more than 12 years of exhibitions organized at home, the project space moves to the studio building of Jan van der Ploeg at the Madurastraat 72, in the East part of Amsterdam.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, ParIn My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

Occupying the entire gallery space, as well as the building's façade and surrounding garden, the exhibition highlights the extraordinary expansion of an artistic movement that developed on the streets of New York in the early 1970's to rapidly become a worldwide phenomenon.

Shot on several of the Museum's floors, the videos reveal the artist as she moves and dances alone through the building, camouflaging herself in the empty gallery spaces during the transition period between exhibitions.

Consisted of five buildings, it has exhibition spaces and an artist - in - residence studio.

His site - specific installation in Mary Mattingly's Flock House will be on view June 27th through August 31st, 2012 at Art - In - Building's exhibition space, curated by Jennie Lamensdorin Mary Mattingly's Flock House will be on view June 27th through August 31st, 2012 at Art - In - Building's exhibition space, curated by Jennie LamensdorIn - Building's exhibition space, curated by Jennie Lamensdorf.

How did you begin working with Lucien Terras, who curated the exhibition in the gallery space of your apartment building?

The museum's six ground - floor galleries will feature a combination of long - term and rotating exhibitions, including two of the new commissions, works from ICA Miami's permanent collection, and a space dedicated to temporary scholarly exhibitions that build upon key master works in the museum's collection.

That unique space, in a gritty, quirky, historic mill building, was where we learned to be gallerists, where we became known for putting together quality exhibitions by local and international artists, and for making art accessible and approachable.

The renovation of the gallery space in the Pedder Building marks Lehmann Maupin's third collaboration with Pritzker - prize winning architect Rem Koolhaas, recently appointed as the curator of the Venice Biennale 14th International Architecture Exhibition (2014).

The museum's history as a manufacturing plant makes MASS MoCA a particularly fitting venue for Nonas, who, since his early career — when he and his peers presented guerrilla exhibitions in alternative spaces — has often been drawn to raw industrial buildings.

28 January 2013, New York — Lehmann Maupin Gallery will inaugurate its first international exhibition space with a solo show of new work by Lee Bul on Thursday, 14 March 2013, in the historic Pedder Building in Hong Kong.

The foundation's deep commitment to developing and sustaining the cultural life and heritage of Sharjah is reflected through year - round exhibitions, performances, screenings, and educational programmes in the city of Sharjah and in arts spaces across the Emirate, many of which are housed in historic buildings.

The PMA has deep holdings of his works spanning his entire career; it owns and operates the Winslow Homer Studio, a landmark building perched on the rocky coast of Maine in which the artist resided from 1884 until his death; and the museum's Charles Shipman Payson Building was built in 1983 in part to provide exhibition space for a large gift of Homer works from Charles Shipmanbuilding perched on the rocky coast of Maine in which the artist resided from 1884 until his death; and the museum's Charles Shipman Payson Building was built in 1983 in part to provide exhibition space for a large gift of Homer works from Charles ShipmanBuilding was built in 1983 in part to provide exhibition space for a large gift of Homer works from Charles Shipman Payson.

NORTH ADAMS, MASS. — The artist Nick Cave was standing, with a slightly awe - struck look, in the middle of the largest exhibition space at the Massachusetts Museum of Contemporary Art, a former factory known as Building 5 that is as long as a football field.

Goldschmied & Chiari selected for The National Museum of Women in the Arts, Washington, D.C., biennial exhibition series «Women to Watch,» June 5 - Sept 13, 2015, http://nmwa.org/press-room/press-releases/national-museum-women-arts-announces-artists-featured-biennial-exhibition Rachel Higgins in group exhibition «Negative Space,» curated by Gabrielle Garland and Stacie Johnson, The Knockdown Center, Maspeth, NY, Feb 28 - April 12, http://knockdown.center/event/negative-space/ Rachel Higgins in group exhibition «I Serve Art,» curated by Sara Reisman, Richard & Dolly Maass Gallery, Visual Arts Building, SUNY Purchase, Feb 17 - Mar 27, https://www.purchase.edu/Departments/AcademicPrograms/Arts/artdesign/richardanddollymaassgallery.aspx Josh Slater film «A Short Coma,» and interview featured in The Creators Connect, http://www.thecreatorsconnect.com/meet-josh-slater/ Rachel Higgins in group exhibition «Flat by Fiat,» Brooklyn, Jan 31 - Feb 21, 2015, open by appointment Goldschmied & Chiari: Untitled Portraits listed in «Feature Shoot Recommends: Top 10 Photo Events and Happenings in New York (Jan. 19 - 25),» by Ellyn Kail, Jan 19, 2015 http://www.featureshoot.com/2015/01/feature-shoot-recommends-top-10-photo-events-happenings-new-york-jan-19-25/ Goldschmied & Chiari: Untitled Portraits reviewed in the New Yorker Jan 12, 2015 http://www.newyorker.com/goings-on-about-town/art/goldschmied-chiari Loring Knoblauch's review «Goldschmied & Chiari: Untitled Portraits @kristenlorello» in Collector Daily Jan 12, 2015 http://collectordaily.com/artists/sara-goldschmied-and-eleonora-chiari/ Giacinto Occhionero in group exhibition, «You Don't Bring Me Flowers (+ The Mistress Project), Jan 24 - Mar 7, 2015, http://www.68projects.com/category/exhibitions-future/ Goldschmied & Chiari in group exhibition «Florilegia,» at Grimaldi Gavin, London, Jan 16 - Feb 28, 2014, http://www.grimaldigavin.com/index.php?method=section&action=zoom&id=160&lng=1&forceID=1e3f75e0c66514dbd92d42cc43bbfd19

In January 2011 work began on a cutting - edge building with generous spaces to showcase its art holdings and attract more top caliber exhibitions.