In 2014 they opened two
exhibition spaces titled SAFN; at Bergstaðastræti 52 in Reykjavík and Lewetzowstrasse 16 in Berlin, offering their guests in both locations to experience selected works from their collection.
Not exact matches
The
exhibition, which runs through January 8, is
titled «Land Speed Record,» after Hüsker Dü's 1981 live album, recorded at the 7th Street Entry, a storied
space next to the main stage at the famous First Avenue in downtown Minneapolis.
And, in keeping with the
title and sensory theme of Harmonics in
Space, sound is also principle to the
exhibition.
Leading up to his two
exhibitions later this autumn at David Zwirner's gallery
spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the
title for a series of new paintings.
In 2009 Morgan Fisher had a solo
exhibition, organised by Melanie Ohnemus, a site specific installation with the
title «Portikus Looks at Itself» at the
exhibition space Portikus in Frankfurt.
Titled JULIE MEHRETU: A UNIVERSAL HISTORY OF EVERYTHING AND NOTHING, this
exhibition presents 20 years of Mehretu's paintings and drawings that have continued to redefine the way we think of painting as an instrument for mapping the world in time and
space.
Other early historical
exhibitions at the Greene Street
space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana
exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.
THEGRASSISALWAYSGREENER is the
title of the
exhibition of Linnenbrink's most recent works at Max Estrella Gallery (the second in this
space).
Aruna D'Souza's new book Whitewalling: Art, Race & Protest in 3 Acts (Badlands Unlimited) presents, in reverse chronology, three events that sparked protest against racism at New York art institutions: the inclusion of Dana Schutz's painting of Emmett Till in the 2017 Whitney Biennial, the white artist Donald Newman's solo show
titled «The Nigger Drawings» at Artists
Space in 1979, and «Harlem On My Mind,» an
exhibition of all - white artists at the Metropolitan Museum of Art in 1969.
The
exhibition title is a play on two simultaneous traditions: the modernist charge to flatten illusionistic
space and the «flat top» hair cut popularized during the Def Jam era of hip hop.
Oracle brings a new group
exhibition to its Berlin
space,
titled The Way of the Novel and opening tonight, May 27.
The
exhibition titled Dean Mitchell: A Place, A Mental
Space includes watercolor and oil paintings of scenes from the Pima - Maricopa Indian Community and the artist's hometown in Florida.
Other early historical
exhibitions at the Greene Street
space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, BBruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana
exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.
The solo
exhibition of Rose's work at Articulate Project
Space was to have taken place in March 2015 with the provisional
title of Inside - Out Sculpture but it was deferred to October 2015 due to Rose's illness and death on 20 October 2014.
The solo
exhibition of Rose's work at Articulate Project
Space was to have taken place in March 2015 with the provisional
title of
In this
exhibition, the sculpture
titled Puzzle presented a towering bricolage of mirrors that forms an isolated, highly architectural
space.
Its seasonal New Prints
exhibition, curated by Nicola López and
titled «Somewheres and Nowheres,» will open on October 25 in its Chelsea gallery
space (508 W 26th St / 10th Ave) with a reception and artist talk on Thursday, November 6 from 6 - 9 pm and breakfast artist talks on Saturday the 8th at 9:30 am (general public) and 10:15 am (IPCNY members and members of museum print groups).
Portugal's SYNTAX art project is hosting a group
exhibition titled FOMO, running at the Lisbon art
space on May 7 and May 8.
I had a show comprised completely of performance aftermath
titled The FOREVER Aftermath in 2013 (at a now - defunct
space called Artisphere in Rosslyn, Arlington, Virginia), and some Shed Skins were shown as part of Theaster Gates's Retreat
exhibition last year.
The
exhibition takes its
title from a desire on the part of the artists to open up a discursive
space between theoretical engagement and visceral response, between contemplation and surprise.
Space Forgets You is the
title of the artist and poet John Giorno's first solo
exhibition with the gallery Eva Presenhuber in Zürich.
One New York gallery in particular, Untitled
Space, is currently inviting multidisciplinary women artists to submit work to an upcoming
exhibition titled «Angry Women,» which will channel the feelings of election - related rage and anxiety into challenging and confrontational works of feminist art.
For his
exhibition at the foundation,
titled Reality projector (2018), Eliasson has conceived of a seemingly simple, yet complex installation that uses projected light and the existing architecture of the
space to create a dynamic shadow play.
There is a sensation which Freud called the «uncanny» and Mike Kelley explored in his famous
exhibition of the same
title, the feeling of being faced with certain sculptures that occupy the same
space as us and yet somehow feel completely from another dimension.
The sequence,
titled Space (1975 - 6), is one of several photographs that will be included in Zigzag, a new
exhibition of Woodman's work at Victoria Miro, Mayfair.
Watch this
space if Michael Gove's office rings Rakewell back... In the meantime, «The Tragic Emptiness of Now», sounds like a splendid
title for an
exhibition — and «cabinet minister - turned - curator» has more than a ring to it...
The
exhibition title Procession refers to how the artist's paintings reference a dual meaning for how groups of people move through
space: either in the spirit of play and feasting like in Carnival, or within a darker place occupied by the Ku Klux Klan and their nighttime rallies that punctuate the darkness with hoods and fire.
Alongside approximately 50 recent paintings, the
exhibition titled Damien Hirst at Houghton Hall: Colour
Space Paintings and Outdoor Sculptures will also include a number of the artist's most celebrated sculptures which will be installed throughout the house and gardens.
A new work
titled Passage of Time occupied the entirety of the Al Riwaq
exhibition space.
Indeed, as the
title of this show suggests, it is integral to this
exhibition that the margins become focal points, not to rearrange a hierarchy, but rather, to create an equivalence of
space.
This published companion to an
exhibition of the same
title at the Rhode Island School of Design's museum of Art in Providence connects some widely
spaced dots.
In Caochangdi Art District, White
Space Beijing displays the self -
titled exhibition of He Xiang Yu.
Pratt Manhattan Gallery will present a panel discussion
titled «Glass, Light, and Public
Space,» in conjunction with the current Pratt Manhattan Gallery
exhibition «Bright Future: New Designs in Glass,» on Thursday, April 5 at 6 PM in Lecture Hall 213 on Pratt's Manhattan campus at 144 West 14th Street, second floor.
The
exhibition features a new series of works
titled Side Effects — a number of custom - made glass vases displayed throughout the main gallery
space.
Recent
exhibitions include a 2008 show of works from 1971 — 73, among them his Silent Ping Pong Tables and Short Stories for Popsicles (both 1971), at Chelsea
Space (London) in conjunction with the Tate gallery (2009); a 2010 retrospective
exhibition titled Etcetera at the Tony Shafrazi Gallery in New York; and a 2011 solo
exhibition at Sammlung Hoffmann, Berlin, Germany.
Her works there will soon be transported to the Kravets Wehby Gallery in Chelsea for her fourth solo
exhibition in the
space,
titled «Always a Winner,» opening October 15.
The
exhibition, which takes its
title from a protest sign captured by Bettmann on Fifth Avenue in Manhattan during the Women's Liberation Parade in August 1971, is curated to complement and expand on Making
Space: Women Artists & Postwar Abstraction currently on view at the Museum of Modern Art (MoMA, New York).
In Caochangdi Art District, C -
Space displays the self
titled exhibition of Woody Van Amen, facing the culture of East and West in modern times.
The
exhibition spaces will host a series of public meetings,
titled «True Value in conversation», by means of debates and readings.
For his first
exhibition with Moniquemeloche, Sanford Biggers activated the street - level storefront «on the wall» project
space with a site - specific installation
titled Ago emerging from his recent work with civil war - era and pre-1900 quilts.
Titled To Wit, evoking the Middle English expression that has come to express a certain formality today and is defined as «namely,» or «that is to say,» the
exhibition gave new meaning to the term «site specific,» featuring vibrant, gestural works Pettibon created in conversation with his surroundings that operated as a sort of archive, both product and record of his relationship to that
space and time.
Leisa Rundquist (Associate Professor of Art History) curated the
exhibition titled Social Geographies: Interpreting
Space and Place for the Asheville Art Museum (January 25 — May 18, 2014).
The
exhibitions»
title «Dark Matters Without Time» takes this reference further, building on the relationship dark matter has as an unseen yet binding force in the universe and the parallel references in Torreano's abstraction of undefined
space as being enigmatic yet universal.
The
exhibition's
title plays on this notion of site - specificity: «Address» can be taken in the sense that Rezac is addressing us, his audience, through his sculptural work, or in the sense that his work is tied to a particular geographic address — in this case, the open, multiplanar, high - ceiling
space of the Ren.
The Moore
Space in Miami uses this
title for an
exhibition of works by 18 contemporary French artists.
Phil
Space: Shelley Horton - Trippe, in her recent
exhibition High Brow Low Ride, references the great twentieth - century French writer Colette, and she does this by way of a large painting
titled The Pure and the Impure (Colette).
San Diego — «Phenomenal: California Light,
Space, Surface» at the Museum of Contemporary Art San Diego is to date the most critically appreciated component of a vast Getty - funded, Los Angeles - centered, ongoing program of
exhibitions and events
titled «Pacific Standard Time» that surveys art in Southern California between 1945 and 1980.
Since the African - American women Thomas portrays in her paintings are in control and decidedly done up — dressed to the nines and posed in studio
spaces full of busy fabrics — there's clearly an ironic twist in the
exhibition title, She's Come Undone!
Cabin Gallery will be hosting Charles Richardson «s solo
exhibition,
titled Rehearsal After Dark and running at the London
space from January 8 to January 30.
One part of the
exhibition,
titled The Eyes of the Nation: Visual Art in a Country Without Boundaries, curated by Ellen Ginton, included the recreation of Michael Druk's 1977 work, Territory, Living
Space (first presented at Sammlung Ludwig, Aachen, Germany)