Sentences with phrase «exhibition spaces give»

Large, modern exhibition spaces give the museum the possibility to continue its ambitious program of temporary exhibitions.

The exhibition spaces given over to the four contenders for the 2011 Turner prize at Baltic in Gateshead are smaller than at Tate Britain, where the show usually takes place.

Tate Liverpool is throwing open its doors for a unique experiment that will see the gallery's main exhibition space given over to a collaborative project.

Not exact matches

Four halls spanning 65,000 square metres of exhibition space will give more than 1,500 suppliers a stage from which to showcase every conceivable food and beverage ingredient sourced from all over the world, including a vast range of functional and organic raw ingredients.

A move in June from Wicker Park to the West Loop increased physical exhibition space by almost 400 percent, the bulk of which is given over to the organization's Coalition Gallery program, in which 16 juried artists manage and show in the space.

That's too bad given it's exactly the type of movie that benefits from the space and contemplation afforded by cinematic exhibition.

Over the weekend, the California Democratic Convention declined to provide exhibition space to Michelle Rhee's StudentsFirst or her husband's Stand Up nonprofit (citing space constraints), gave CTA president Dean Vogel time to deliver this fiery anti-reform speech, and passed this anti-reform resolution.

Significant space and priority is given to the professional category of Illustrators, who can find at Bologna Children's Book Fair support and encouragement to develop their work and opportunities to meet with other operators in the publishing market and other sectors: first of all, the annual Illustrators Exhibition, but also the Illustrators Café — a space for conferences and meetings — and the Illustrators Survival Corner, with a rich programme of workshops, portfolio reviews and meetings with international artists.

Opening: «Pipilotti Rist: Pixel Forest» at New Museum New York is long overdue for a Pipilotti Rist survey, and the New Museum has appropriately given over the majority of its exhibition space to this exhibition, subtitled «Pixel Forest.»

I love having space to invest in the things that are important to my business — working on personal projects, writing articles, networking with others, giving talks and visiting exhibitions.

We are creating a playful place where — as is in our past exhibitions — we give people time to linger, digest and unpick puzzles, giving space to let the installation resonate.»

The ministry is currently working to renovate the building, where more than 50,000 square feet will be given over to public exhibition spaces.

Her current exhibition at Tate Modern is astonishing in the rich visual slips and sleights of hand explored and displayed, and exhilarating and life - affirming in the breath of light, multilayered imagery and spaces given to the audience.

He explores sculpture in terms of an ongoing dialogue of actions and reactions between viewers and objects in any given exhibition space.

The first mid-career survey dedicated to Deschenes's work, this exhibition will feature 20 years of her art, including explorations of various photographic technologies, rich and nuanced work with photograms (a type of photographic image made without a camera), and sculptural installations that reflect the movements and light within a given space and respond to a site's unique features.

The proposed redesign will give the dour warehouse complex an open - air courtyard, increase usable space by 40 %, add an exhibition area and an artist - in - residence studio.

In a small space at the biennial exhibition Prospect.3 in New Orleans, seven aquariums in artist Glenn Kaino's installation Tank give off a mechanical hum, generating a white noise that creates an oddly comforting background...

A further insight into Mangold's process and the importance of drawing can be seen in the artist's works on paper, which have been given their own space in the exhibition.

Given this resonance, the two decided to share gallery space for their exhibitions.

In the exhibition Work in Progress, Umeå School of Architecture gives an insight into how structure, materials, light, motion and activity are used in the creation of architectural space.

For 4 - 6 weeks each artist spent time using the gallery as both a studio and exhibition space, whilst giving the public a behind - the - scenes look at the process of creation along with taking an active role in artistic and creative research.

255Canal is a private exhibition space, giving emerging artists the opportunity to independently exhibit their work in New York.

Curator France Morin gave him his first major solo exhibition at the museum's old project space in SoHo, showing his piece «Carpet Angel,» also in 1993.

We focus on new commissions, giving the opportunity to artists to engage with the public space through our city and community projects, such as opening up closed gardens within the center of Athens to house public art exhibitions and bridge our formidable cultural heritage with contemporary art initiatives.

While the much - anticipated exhibition schedule for the museum, which opens its doors in fall 2017, hasn't yet been announced, James gave us a teaser, which hints at an exciting future for the space: an exhibition exploring the life and work of Mexican artist Martín Ramírez, whose obsessive, psychedelic drawings from the 1950s haven't yet gotten their due.

In a kind of ironic way, being drawn to good - old fashioned painting on canvas gave her a lot of space, a lot of freedom to explore ideas,» said Scott Rothkopf, the Whitney Museum's chief curator and organizing curator of this exhibition.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

Art in General gives selected artists the opportunity to create and present new work by providing them with a high level of organizational and conceptual support including artist fees, production fees, exhibition space, a solo exhibition, promotion, and opportunities to engage with audiences through free online and public programs.

Unspooling this space, he gave us the National performing «Sorrow» for six hours straight until bliss erupted; in his gallery exhibition, he showed us what the artist Laurie Simmons has called «the music of regret.»

Typically when artists are tapped to curate shows, such as Robert Gober with his presentation of Forrest Bess in the last Whitney Biennial, they are given only a moderate amount of space for exhibitions that are viewed as creative curiosities.

Fahamu Pecou, Sheila Pree Bright and Masud Olufani have all been given the opportunity to hold solo exhibitions in the main space of the museum that has advanced their professional careers.

Notoriously elusive Dean Blunt gives little away in the materials surrounding New Paintings, his latest exhibition for Hackney's [space].

The eight finalists announced this morning will all feature in a temporary exhibition at the Londonewcastle Project Space in Shoreditch before the prize - giving on 13 May.

In their juxtaposition, Shore II and Signal illucidate the dynamic relationships created between the sculptures, the viewer and the exhibition space; it is particularly significant in this context given that these works are the first to be shown in the gallery's new location.

The New Museum's exhibition «Carol Rama: Antibodies» and the Met Breuer's exhibition «Marisa Merz: The Sky Is a Great Space» give long - overdue attention to these two distinct artists who might be said to occupy, in the words of critic and curator Lea Vergine, «the other half of the avant - garde.»

FRED SANDBACK: LIGHT, SPACE, FACTS The beloved maestro of minimalist yarn installations — more popular now than when he died in 2003 — is given 9,000 square feet of exhibition sSPACE, FACTS The beloved maestro of minimalist yarn installations — more popular now than when he died in 2003 — is given 9,000 square feet of exhibition spacespace.

Given that the Courtauld Institute and Gallery, both part of the premises of London's iconic Somerset House, boast such an impressive and art - historically significant permanent collection, any temporary exhibition hosted within the space must be not only mindful of the location and its heritage, but equally must be seen to be doing, and saying, something different.

Host galleries that give up portions of their own space to visiting galleries while mounting their own separate exhibitions mostly miss the mark: either one show eclipses the other or both co-exist awkwardly, in a kind of flat - footed dance that only increases the overall sense of market competition.

Also given prominent spaces are Channa Horowitz, who died last year, with large - scale, intricately constructed ink drawings on mylar that are reminiscent of Hanne Darboven's numeric abstractions, and leporellos — painted accordion - folding books — by Etel Adnan, the Lebanese - American writer and artist who participated in dOCUMENTA 13 and has an exhibition at the Arab Museum of Modern Art (aka Mathaf) in Doha coming up later in March.

Prominently placed in the Garden Room at the beginning of the exhibition is Scatter Piece (1968), whose setting gives the viewer control over how he experiences the objects by moving through the space.

The entire Glyndor Gallery will be given over to this exhibition, presented in honor of the tenth anniversary of the Sunroom Project Space.

Baron also created a special box assemblage incorporating various German documents, including her father's passport, which Nazi authorities had stamped with a large red «J.» Although Baron did not travel to Germany, she gave specific instructions that this construction and her statement be hung in a hall outside of the exhibition space.

Titled To Wit, evoking the Middle English expression that has come to express a certain formality today and is defined as «namely,» or «that is to say,» the exhibition gave new meaning to the term «site specific,» featuring vibrant, gestural works Pettibon created in conversation with his surroundings that operated as a sort of archive, both product and record of his relationship to that space and time.

For the opening of the exhibition on 30 August, the 11 Cuban musicians will give a live performance in the gallery spaces on the ground floor and on the lower floor.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

This site was the first address for The New Museum, where curator Marcia Tucker, at the invitation of Vera List, a lifetime trustee of The New School, was given space to mount her first exhibitions.

Fellowship recipients are given financial support, a residency in the outdoor studio, access to the space, facilities, materials, and technical assistance to create new works for exhibition in the Park.

Loren Munk's 2015 painting Bushwick Map will be the exhibition's centerpiece, highlighting some of the present day pivotal figures and spaces that have molded the Bushwick art scene into what it is currently to give a starting point for discussion of our neighborhood's future.

Running the length of these galleries is a sloping sort of gangway that gradually brings the visitor into the largest exhibition spaces and, combined with glassed - in ceiling and window walls, rather gives one the feeling of being on a cruise ship — especially on an appropriately dark and stormy night like the one that witnessed the opening of Gray Matters, the maiden voyage of newly appointed Senior Curator Michael Goodson.

American artist Aaron Curry is in demand: CAPC Musée d'Art Contemporain in Bordeaux is giving him his first major solo show at a French institution, which also coincides with an exhibition of his paintings at Michael Werner Gallery in London (until 9 August); he will be included in «The Los Angeles Project» at the Ullens Center for Contemporary Art in Beijing, China, and a show of his works will occupy both spaces of David Kordansky Gallery in Spring 2015.