Sentences with phrase «exhibition stages an experience»

The exhibition stages an experience both visual and physical in relationship to the architecture of the gallery that could not be experienced online, or at art fairs.

Not exact matches

Contemplation, the ordeal of the night or of war, the fusion of the individual with the cosmos, and the experience of the transcendental forces of nature, are stages in a mystical journey the exhibition invites you to take.

In part a celebration of the artist's 75th birthday, the show boasts drawings, sketches, and architectural models in addition to numerous large - scale works, and offers a unique viewing experience as well — Stella staged the exhibition himself, making the most of the museum's customizable, flexible wall system.

Following the success of The Infinite Mix, The Store's complex of 10 studios will stage site - specific experiences, including large - scale immersive exhibitions and events.

No prior curatorial experience necessary; the program creates opportunities for individuals at all career stages to organize group exhibitions focused on strong ideas.

For the Chillida Family is an absolute pleasure to have been able to entrust Pilar Ordovás and her gallery to be able to show this body of work» «Collaborating with the estate of the artist in staging this exhibition has been a wonderful and insightful experience,» says Pilar Ordovás.

As an emerging artist, she has experienced a lot of group exhibitions and three - time solo exhibitions on international stages.

Of key importance in his exhibitions is the staging of the experience, from the design of the installation to the conceptualization of the catalogue, the related programming, and the «performances» of the artworks themselves.

Of key importance for all of his exhibitions is the actual staging of the experience — ranging from the design of the space and installation, the conceptualization of the catalogue and related programming, to the attention paid to the performance of the work itself.

The female African - American experience is center stage in the Brooklyn Museum's art exhibition «We Wanted a Revolution: Black Radical Women, 1965 — 85.»

Museum visitors will have a three - stage encounter with the virtual structure: museum exterior, museum interior and a viewing pod from which to experience the exhibitions.

«The exhibition space then becomes the stage upon which my characters are free to tell their stories as the viewer experiences the opera.».

«In order to stage Bernie Krause's extraordinary work, our creative approach was to link together the various exhibition content elements − soundscapes, spectrograms, and Raymond Depardon and Claudine Nougaret's film − into a cohesive, immersive experience.

The exhibition «He Thrusts his Fists against the Posts but Still Insists he Sees the Ghosts» constitutes an environment or stage on which Mark Leckey continues his stubborn, desire - driven yet anxious and frustrated search for an unalienated experience.

The intention is to breathe new life into the exhibition process with which «When Attitudes Become Form» was staged, so as to go beyond the necessity for photographs and films of the past event, and to be able to experience and analyze it literally, just as it was, even though it has been transported from the past to the present.The project has entailed the understanding that the language with which an exhibition is mounted and the relations between the works set out by its curator have become a founding element of the history of modern and contemporary art.

Speaking about What We Call Love, IMMA Director Sarah Glennie said «IMMA is delighted to be staging this important and fascinating exhibition, which is a great opportunity for audiences to experience, at first hand, 20th century masterworks from some of the world's most important collections, shown in the context of contemporary art from Ireland and around the world.

With a particular focus on the experience of British Muslim women, the exhibition is «an accumulation of several narrative threads drawing together intimate conversations between the artist and her two sisters, ominous animated visions of a metamorphosing body, e-learning training on Prevent and staged, performed gestures.»

His recent solo and group exhibitions include Garden of Triumph, Element Art Space, Art Stage Singapore, 2016; The Ocean of Tomorrow Sorrow, Pop Gallery, Brisbane, 2015; and Drawn to Experience v2, QCA Gallery, Brisbane, 2015.

Curated by Stefano Raimondi, the exhibition staged by GAMeC showcases a series of historical works to offer an intimate yet broad introduction to Johnson's artistic practice, with an aim to enter into a fascinating network of formal and narrative stratifications, suggestions, and personal or historical experiences that shape his work.

As he points out: The three stages of the exhibition are city: the first part discusses the architectural thinking of how this fixed ideals and leads citizens to inhabit the city, then» Brutalism» notes the constructive elements to make us think about what architecture is, what it is to be an architect, which is building, and finally, in the final room,» Stability Sea» speaks of the way we live the city as we experience our way through it, like us appropriated.

Enjoy concerts, performances in the exhibition All the World's a Stage, tours, family experiences, films, creativity challenges, and much more.

Preoccupations with language and perception generally lead the works, from an exhibition at Tate Britain in which a computer randomly selected lines from William Blake's poetry to be reflected off a disco ball in Morse code format to «Inverse, Perverse, Reverse,» a large circular mirror that showed viewers» reflections upside down, referencing Lacan's mirror - stage theory of identity while throwing a wrench into the expected experience of representation.

«A multi-directional chamber, the structure offers a range of viewing experiences that encourage the idea of exhibition as stage.»

- Goshka Macuga While in residence at the Walker Art Center during 2010 - 2011, Goshka Macuga spent considerable time in the archives, with the collection, in discussion with staff, and immersed herself in the city and beyond — experiences that informed the many stages leading up to her first solo exhibition in the United States, Goshka Macuga: It Broke from Within.

For this special Tuesday Evenings presentation, «On the Daily,» Karnes sets the stage for experiencing the exhibition by discussing its highlights and themes, revealing what is both unified and divergent about the artists whose work she selected for Inside Out.

In the arena of these experiences, he staged numerous exhibitions, teaching projects and cultural exchange programmes, fostering relationships between institutions around the world.