Sentences with phrase «exhibition suggests an idea»

Not exact matches

While Four for the Talking Cure was cordoned off from would - be recliners in the exhibition, the idea of psychoanalyzing painting — not merely taking a Freudian approach to regarding an artwork but actually treating painting like a patient — was a seductive one, suggesting all of painting's crises were neuroses, and could be disbanded with some time on a therapist's couch.

When North Adams Mayor John Barrett III suggested the vast Marshall Street complex as a possible exhibition site, the idea of creating a contemporary arts center in North Adams began to take shape.

The exhibition looks at the international exchange of ideas opened up by early twentieth - century Russian artists, suggesting how we might re-conceive spheres of public and private life to bring about social change.

First and foremost, we must thus express deep gratitude to Neal Benezra, Helen and Charles Schwab Director at SFMOMA, and to Ruth Berson, deputy museum director of curatorial affairs, for embracing the idea behind Soundtracks and suggesting the exhibition's timing and scale as a way to address our new building.

He suggested the idea of the exhibition and selected the works himself, an act of autobiography in a sense and part of the reason for the title American Memories.

«a / drift», an exhibition - as - allegory, employed the idea of drifting to suggest the increasingly porous quality of today's cultural life.

«Everything flows» may be the most common translation of the ancient Greek phrase Panta Rhei — the title of this latest exhibition of paintings by Keith Tyson — but the idea of a seamless transition from one thing to another, which the term suggests, seems less appropriate to Tyson's work than the alternative definition «All things are in flux», with its emphasis on the potentially more unsettling idea of constant change.

For Alvarez, place is an intersection of disparate stories and ideas, both personal and artistic, as suggested by her recent exhibition Here at the Chicago Cultural Center, guest curated by Terry R. Myers, the first major examination of the artist's practice that spans over forty years.

This exhibition brings together nine paintings and sculptures by contemporary artists to create a colourful, eclectic and texturally diverse display.The idea of the bazaar is loosely invoked to suggest a place of richness and variety, where visual ideas are exchanged.

The exhibition's text suggests, though, that the main idea was the blurring of media and disciplinary boundaries rather than drawing.

The idea for this exhibition, which runs September 3, 2016 — February 12, 2017, comes from Lombardi, who suggested the title Fluidity, with its intimations of flux and exploration.

The exhibition name derives from «ideograph», a term usually applied to markings in prehistoric cave painting which suggest the idea of an object.

Vaughan's designs also suggest that he had probably absorbed ideas from Bauhaus teachings — Herbert Bayer and Moholy - Nagy having exhibited at the London Gallery in the mid-30s — and from the Surrealists who, besides the major exhibition at the New Burlington Galleries in 1936, had also shown at the Mayor Gallery and at the London Gallery, in its later role under the direction of the Belgian Surrealist E.L.T.Mesens.

Exhibition curator Ulrich Loock suggests that the artist is the executioner, playing on the idea that he, after all, is the one who executes the work, and that painting itself is a kind of disruption and mutilation, a negative as much as it is a positive act.

As the title suggests their joint exhibition promotes an exchange of ideas and provides a new context in which to consider their works.

The idea of in - betweeness is an important one for this exhibition, suggesting that the meaning of the works on display is created somewhere in between the constructive role of the artist and the experiential role of the viewer.

Cramer, whose works often suggest a subjective perception of the world surrounding us, brings to this exhibition a combination of thoughts represented through a variety of media — from his intimate artist books to site - specific installations such as Empty Room, where for the duration of the exhibition, a room in a house somewhere in the countryside of Portugal is kept completely empty, making one reflect on ideas of presence, absence and the human collective unconscious.

In an earlier letter to Kunsthalle Bern, regarding a forthcoming exhibition Light and Motion / Kinetic art / New Trends in Architecture to which kinetic artists had been invited to contribute, Soto made it clear that: «Eager to avoid all confusion between our work [the kinetic artists] and the very different work of the so - called «optical» school, we are particularly concerned that the Bern [exhibition] selection be respected — a selection exclusively founded, as its title suggests, on the idea of real movement.