Sentences with phrase «exhibition text suggests»

Not exact matches

In the accompanying exhibition text, Crimp recognized the influence of photo - conceptualists such as John Baldessari, suggesting that these younger artists were taking peripheral aspects of that practice and bringing them to the fore to create a new kind of representation that resonated with the media - obsessed age that privileged the processes of quotation, excerption, framing and staging.

In the exhibition wall texts, Nordström suggests these elements are drawn frequently from childhood memory; regardless, over time, they form a kind of vocabulary for a language that requires the strictures of narrative less and less.

Perhaps Desmarais» jagged - edged sculptures are «small parts» fractured from some invisible «whole,» which the wall text suggested as a key facet of a «sample,» or maybe her square patches of painted wall «correct, enhance, or modify» the «routine» of exhibition display techniques.

In this video, a monstrous artworlder walks around an exhibition of black monochromes by Alan McCollum, the performer suggesting, in a script sewn together from auction catalogue texts, museum guides and press interviews with dealers, artists and collectors, that contemporary geometric abstraction merely fulfils the role of taste signifier and investment opportunity.

The text for the exhibition suggests it may also refer to «a complicated sexual position, a type of double barrel shotgun,» or the formal qualities of overprinting or undercutting.

The exhibition's text suggests, though, that the main idea was the blurring of media and disciplinary boundaries rather than drawing.

«The exhibition will showcase the early collages that combine abstract painting, text, and image; and a selection of many of the artist's best - known blackboard paintings, in which a faux blackboard surface is used as the ground for realistic, painted vignettes adjacent to fragments of different stories that suggest variously ambiguous meanings.

Koons and the Pompidou have not responded to Bauret - Allard's letter, but «Naked» is not on view in the exhibition, though wall text in the Pompidou galleries suggests it was intended to be.

The exhibition also suggests that the tradition of incorporating text in works of visual art remains a viable one, continually adapting itself to the broader conceptual concerns of its particular time.

As her text rightly suggests, between these extremes lies the model for a potentially successful recurrent exhibition.

The exhibition will showcase the early collages that combine abstract painting, text, and image, as well as a selection of many of his best - known blackboard paintings, in which a faux blackboard surface is used as the ground for realistic, painted vignettes adjacent to fragments of different stories that suggest variously ambiguous meanings.

In the accompanying exhibition text, Crimp recognized the influence of photo - conceptualists such as John Baldessari, suggesting that the younger artists were taking peripheral aspects of that practice — the underplayed beauty and desire, the latent anxiety, fetishism and romanticism — and bringing these traits to the fore to create a new kind of representation that resonated with the media - obsessed, post-Vietnam age that privileged the processes of quotation, excerption, framing and staging.

The title of the exhibition, taken from the text by Hélène Cixous for the catalogue, suggests a «potential reading which subsumes two basic aspects of the artist's work: its critical, non-conformist nature in terms of the politico - artistic situation she has lived through during her career and the importance of movement and of the body as vehicles for articulating her discourse.