Sentences with phrase «exhibition title derives»

The exhibition title derives from Sesshu Toyo, a 15th Century Japanese artist and Zen monk, whose approach to ink painting introduced the concept of «emptiness» or the «marvelous void» into Japanese painting, ultimately influencing the work of the American painter five hundred year later.

LACMA «s exhibition title derives from Smith «s recollection that his concept of — cubes and anarchy ‖ stemmed from the painter John Sloan, his teacher at New York «s Art Students League in the 1920s, who exposed him to cubism, constructivism, and progressive social movements.

The exhibition title derives from Smith's recollection that his concept of «cubes and anarchy» stemmed from the painter John Sloan, his teacher at New York's Art Students League in the 1920s, who exposed him to cubism, constructivism, and progressive social movements.

The exhibition title derives from a passage of text in a silent documentary about the John Compton Organ factory in London.

Not exact matches

The exhibition's title derives from his early manifesto announcing his intentions to invigorate traditional artistic subject matter.

Intimate Abstraction - March 7th - April 5th 2013 The title of this exhibition derives partly from the size of the gallery and the choice of smaller works to include in it, but more importantly from the layers of meaning in the word intimate.

The exhibition's title conjures both mythological and astronomical associations, and the primary medium of the work on view — the wool of the shag rugs Betbeze has distressed and distorted — makes it difficult to resist considering a further literary one, the 1870 novella Venus in Furs by the Austrian writer Leopold von Sacher - Masoch, from whose name the term «masochism» is derived.

(The title of the exhibition derives, somewhat ironically, from Robert Louis Stevenson's statement: «There are no foreign lands.

The title of the exhibition, COMMUNITY IDENTITY STABILITY, is derived from Aldous Huxley's Brave New World, in which «Community.

The title of the exhibition is derived from a quote by the African - American novelist James Baldwin: «All art is a kind of confession, more or less oblique.

The title of the exhibition is derived from a quote by African - American novelist James Baldwin: «All art is a kind of confession, more or less oblique.

The exhibition of Sybren Renema derives its title from the last sentence of «Kubla Khan», a poem by the 19th century British Lake Poet Samuel Taylor Coleridge, who was infamous for his use of opium and his sprawling public lectures.

The exhibition derives its title from a Shaker name for the Devil — «Old Ugly» — seen in spirit drawings, which the Shakers created to describe symbols seen in visions.

The concept and exhibition title is derived from an essay by Queens - born photographer, scholar and educator Nathan Lyons who saw the value in objects and attributes of the everyday.

The title of the exhibition is derived from a quote by African - American...

The exhibition's title is derived from a sentence Sylvia Plath underlined in her copy of Virginia Woolf's The Waves, and that Stephanie Brooks later appropriated for a text - based artwork.

The works on view come in a diverse range of media and techniques, and the title of the exhibition is derived from a pink and blue neon text work by British artist Tracey Emin.

The title derives from Emile de Antonio's 1972 documentary Painters Painting, which inspired this exhibition, but puns in effort to accentuate the strained status of painting today.

The title of this exhibition is derived from naturalistic fallacy, which is part of a more widely referenced family of logical gaffes such as the red herring, ad hominem and false cause.

The exhibition's title is derived from the Latinized form of the Greek «khroma,» originally referring to the color and quality of skin and later evolving to indicate the quality or intensity of a hue.

For his solo exhibition at May gallery & residency, Nicolas Sassoon will present a series of large scale video projections and sculptures derived from a recent body of digital animations titled Green Waves.

The exhibition's title Yo.n.I is derived from yoni, -LSB-.....]

This exhibition will include Wilson's third chandelier, To Die Upon A Kiss, 2011, the title of which derives from Shakespeare's Othello.

The title of the exhibition is derived from a quote by African - American novelist James Baldwin: «All art is a kind of confession,...

The exhibition title, Devil's Pie, is derived from singer - songwriter D'Angelo's 1998 lyrical meditation on temptation and retribution, reaffirming the artist's longstanding relationship with music, especially hip - hop sounds and culture, as well as his continued exploration of Biblical themes, as demonstrated throughout the exhibition.

The exhibition title is derived from Woodrow Wilson's 1917 declaration of war on Germany, where the US President describes the role and purpose of America in relation to freedom and democracy worldwide.

The title of the exhibition «New Suns» derives from an epigram of an unfinished book by the Afro - American science - fiction writer Octavia Butler, which captures the cosmic tension between optimism and pessimism and touched Joseph's soul in depth.

The exhibition title, Horror Vacui, derives from the term's first use in connection with Ossorio by biographer B.H. Friedman, who sought to describe that particular combination of Ossorio's psyche and artistic versatility, which consistently produced compositions devoid of empty space.

This exhibition will feature a site - specific installation titled, Four Windows, One Door (144» x 96» x 8», wood, acrylic house paint, 2015 - 16) derived from early 20th century builder's manuals.

The exhibition title One Hand Clapping is derived from a koan — riddles used in Zen Buddhist practice to challenge logical reasoning — that asks, «We know the sound of two hands clapping.

Her exhibition this spring at Leslie Tonkonow in New York — derived from a show last fall at Philadelphia's Fabric Workshop and Museum titled «Watching Her Feat» — pushed Semmes's work deeper into the territory of the body.

The title of the exhibition derives from the story Sitt Marie Rose by Etel Adnan, which reflects on the life and execution of Marie Rose Boulos during the Lebanese Civil War.

For example, A Slow Time in Arcadia, from which the exhibition derives its title, depicts frolicking wolf dogs in a mountainous terrain painted in bright reds, oranges, yellows, and blues.

The theme of the exhibititon comes from a collaboration between Basque sculptor Eduardo Chillida and German philosopher Martin Heidegger in 1969, which resulted in the publication of an artist book from which the exhibition title is derived.

This is evident even in the exhibition's title, chosen by the artist shortly before his death and derived from a 2004 gouache, whose title, Lost Eight, references a magazine image of a woman holding a pair of oversized jeans who has «lost weight.»

The title of the exhibition derives from a German philosophical term, most associated with Heidegger, which translates as «being there» or «existence.»

The exhibition's title derives from a phrase once used by the African artist Moshekwa Langa — a heartfelt saying that draws upon deep inward emotion.

[1][2] The term «Impressionism» is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.

The exhibition's title is derived from the writings of the Greek philosopher Nikos Kazantzakis (1883 — 1957), who envisioned life as a «luminous interval» during which decomposition and decay are necessary prerequisites to creation and renewal.

The title May All Your Dreams Come True derives from a postcard to the artist signed by actress Tiffani - Amber Thiesen and also shows up in one of the works in the exhibition.

The exhibition's title derives from a 1941 Walker membership drive brochure that warned, «Remember France?

The exhibition title is derived from the title of the never published book «The Third Mind» by William S. Burroughs and Brion Gysin.

The intriguing title of the exhibition, L'Esprit d'Escalier, derives from the French phrase which literally means «wit of the staircase» and refers to the regret one feels after missing an opportunity to deliver a witty comeback or parting shot.

The exhibition's title is derived from a phrase repeated throughout Apis Mellifera (1998 - 1999), the earliest video in the exhibition.

The title of this latest exhibition, the first major retrospective of Tonoshiki's work to be staged in his hometown of Hiroshima, «The Source of a Compelling Reversal,» derives from the aforementioned collection of works, Reversing Reality.

The title, originally derived from an exhibition by Gary Hill (1994 Museum für Gegenwartskunst, Basel), inspired an exhibition at Bartha Contemporary in 2004 with works by Herbert Hamak, Winston R...

The exhibition title, «LD50,» derives from the technical term «median lethal dose» used by toxicologists to refer to the dose required to kill half, 50 %, of a tested population.

The second half of the title for the exhibition Play with Fire also derives from an idiom, «playing with fire».

The title of the exhibition is derived from a pastry often shared by the curators during their conversations leading up to the exhibition.

The current exhibition's title, Brand - New & Terrific, derives from Katz's early manifesto announcing his intentions to invigorate traditional artistic subject matter.